Reve and his sister Mi are alone in the world – their father is dead and their mother has abandoned them. Reve has to learn to be a man – to fight, to fish, to live. He must protect Mi from the rest of the world; she is special, hears voices, can see things. She can call down thunder. Travelling to the big city to search for their mother, Reve and Mi get sucked into the squalid underworld of the sprawling favela, where danger lurks around every corner, and every day is a fight for survival.

Call Down Thunder

Children's Books

Finn, Daniel

Action & Adventure

Pan/Macmillan

The girl, Baz, and the boy, Demi, are master pickpockets. They weave through rich neighborhoods to slip bags off shoulders and wallets out of pockets before disappearing into the crowd. Their loot goes to Fay, who runs a gang of child thieves from her den in the Barrio. This sweltering slum—in a city that is imagined, but all too real—is what passes for home to the kids, and Fay is what passes for family. That all changes the day Demi steals a magnificent blue ring. Soon, the police chief and the Barrio’s crime boss close in on Fay, and she begins to break under their pressure. Baz has never doubted Fay before. She’s never been apart from Demi, either. But soon, Baz is left alone to find her way through a world more corrupt than she’s ever realized. Here, the lives of children are thrown away without a moment’s hesitation. Here, the rich and powerful are just thieves on a larger scale. And somewhere in this wreck of a city, Baz must find the scraps of hope, the small acts of kindness, and the steely strength that will take her back to Demi and wash them both out of the Barrio for good.

She Thief

Mysteries & Detectives

Feiwel & Friends

The immense popularity of movies has its roots in the silent films of the early 1900s, this being especially true of the crime genre. The authors of this Guide have compiled for the first time in one volume an entire history of the crime genre during the silent era, preserving the memories of these films for their own generation and introducing these works to a new generation thirsty for entertainment and knowledge. This Guide includes more than 2,000 film entries, complete with names of directors, screenwriters, and major players and offers a wealth of data supported by plot evaluations and occasional thematic commentaries. This is the only work that includes one- and two-reelers and serials along with full-length crime features.
Each entry covers title, date of release, distributor or studio, director, screenwriter, major cast members, plot description, and thematic commentary, reviving this almost forgotten genre for generations of students and movie fans both old and new. The Guide pays tribute to the glory of cinema pioneers as diverse as D. W. Griffith and Lon Chaney who have given the world a wide variety of stories and experiences both thought-provoking and startling. Although men tended to dominate the silent years in Hollywood, women managed to contribute dramatically. Among them were director Lois Weber and film personalities Mabel Normand, Pearl White, Mary Pickford, and Ruth Roland. These creative men and women and their often neglected works deserve a second look. The likes of Pacino, Eastwood, and Brando can look to the past where the ground for their work was carefully prepared in such earlier silent films as Griffith's The Musketeers of Pig Alley (1912) and von Sternberg's Underworld (1927).

A Guide to American Silent Crime Films (Bibliographies and Indexes in the Performing Arts)

Humor & Entertainment

Langman, Larry

Movies

Greenwood

The only comprehensive guide to the crime films of the forties and fifties, this volume focuses on the major events that shaped and molded the genre: war, alienation, drugs, and organized crime. The body of the work offers over 1,200 entries that feature concise summaries, analyses, and credits. The volume is a continuation of the author's earlier work, A Guide to American Crime Films of the Thirties (Greenwood, 1995). The book includes those stars that the public had already embraced as gangsters in the thirties such as James Cagney, Humphrey Bogart, and Edward G. Robinson and brings them into a new era in which they are transformed into enforcers of the law. This work will be of interest to scholars, students, and film buffs alike.
The work demonstrates the shift from the simpler gangster modes of the 1930s as it takes the reader forward to the more sophisticated films of the late fifties. Although the book is organized alphabetically, the introduction alerts the reader to the major social phenomena that influenced the genre of these decades. Also offered are credits that cover titles, release dates, distributors, directors, screenwriters, and major players. The 1,200 entries include detailed plot summaries and thematic analyses as well as relevant information on sources, remakes, and sequels.

A Guide to American Crime Films of the Forties and Fifties (Bibliographies and Indexes in the Performing Arts)

Recent crime films such as Scarface, the Dirty Harry series, and The Godfather have captured the American imagination, but they owe a large debt to the early crime talkies such as The Public Enemy, Paul Muni's Scarface, and Little Caesar. More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films.
The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.

A Guide to American Crime Films of the Thirties (Bibliographies and Indexes in the Performing Arts)

A fast-paced, vividly rendered story of bravery, corruption, and survivalReve and his sister Mi are alone in the world—their father is dead and their mother has abandoned them. Reve has to learn to be a man—to fight, to fish, to live. He must protect Mi from the rest of the world. She is special, hears voices, can see things. She can call down thunder. Traveling to the big city to search for their mother, Reve and Mi get sucked into the squalid underworld of the sprawling barrio, where danger lurks around every corner, and each day is a fight for survival.

Disagreements about the morality of markets, and about self-interested behavior within markets, run deep. They arise from perspectives within economics and political philosophy that appear to have nothing in common. In this book, Daniel Finn provides a framework for understanding these conflicting points of view. Recounting the arguments for and against markets and self-interest, he argues that every economy must address four fundamental problems: allocation, distribution, scale, and the quality of relations. In addition, every perspective on the morality of markets addresses explicitly or implicitly the economic, political, and cultural contexts of markets, or what Finn terms 'the moral ecology of markets'. His book enables a dialogue among the various participants in the debate over justice in markets. In this process, Finn engages with major figures in political philosophy, including John Rawls, Robert Nozick, and Michael Walzer, as well as in economics, notably Milton Friedman, Friedrich Hayek, and James Buchannan.

The Moral Ecology of Markets: Assessing Claims about Markets and Justice

Business & Money

Business Culture

Cambridge University Press

Recent debates over an alphabet soup of trade agreements -- GATT, GUSFTA, WTO, NAFTA, and others -- are remarkably confusing to the ordinary citizen. They are also marked by strident disagreements, with experts on both sides marshaling economic data and moral arguments and charging that their opponents are driven predominantly by ideological conviction. 
Daniel Finn, an economist and Christian ethicist, helpfully and clearly sorts through the conflicting claims about international trade and analyzes the three policy areas most controverted in debates about trade: agriculture, the environment, and employment. His straightforward explanations of complicated and controversial issues will be appreciated by readers at many levels of familiarity with the topic.

Just Trading: On the Ethics and Economics of International Trade (The Churches' Center for Theology and Public Pol

Economics

ABINGDON PRESS *

One Man's Terrorist: A Political History of the IRA

A history of “the Troubles”: the radical politics of Republicanism The conflict in Northern Ireland was one of the most devastating in post-war Europe, claiming the lives of 3,500 people and injuring many more. This book is a riveting new history of the radical politics that drove a unique insurgency that emerged from the crucible of 1968. Based on extensive archival research, One Man’s Terrorist explores the relationship between the IRA, a clandestine army described as ‘one of the most ruthless and capable insurgent forces in modern history’, and the political movement that developed alongside it to challenge British rule. From Wilson and Heath to Thatcher and Blair, a generation of British politicians had to face an unprecedented subversive threat whose reach extended from West Belfast to Westminster. Finn shows how Republicans fought a war on several fronts, making use of every weapon available to achieve their goal of a united Ireland, from car bombs to election campaigns, street marches to hunger strikes. Though driven by an uncompromising revolutionary politics that blended militant nationalism with left-wing ideology, their movement was never monolithic, its history punctuated by splits and internal conflicts. The IRA’s war ultimately ended in stalemate, with the peace process of the 1990s and the Good Friday Agreement that has maintained an uneasy balance ever since.

History

Europe

Verso

See the best price to sell, buy, or rent books by Finn, Daniel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Finn, Daniel

See the best price to sell, buy, or rent books by Finn, Daniel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Call Down Thunder

She Thief

A Guide to American Silent Crime Films (Bibliographies and Indexes in the Performing Arts)

A Guide to American Crime Films of the Forties and Fifties (Bibliographies and Indexes in the Performing Arts)

A Guide to American Crime Films of the Thirties (Bibliographies and Indexes in the Performing Arts)

Call Down Thunder

The Moral Ecology of Markets: Assessing Claims about Markets and Justice

The Moral Ecology of Markets: Assessing Claims about Markets and Justice

Just Trading: On the Ethics and Economics of International Trade (The Churches' Center for Theology and Public Pol

One Man's Terrorist: A Political History of the IRA