Employing the analytical psychology of Carl Jung, Matthew A. Fike provides a fresh understanding of individuation in Shakespeare. This study of “the visionary mode”— Jung’s term for literature that comes through the artist from the collective unconscious—combines a strong grounding in Jungian terminology and theory with myth criticism, biblical literary criticism, and postcolonial theory. Fike draws extensively on the rich discussions in the Collected Works of C. G. Jung to illuminate selected plays such as A Midsummer Night’s Dream, The Merchant of Venice, The Henriad, Othello, and Hamlet in new and surprising ways. Fike’s clear and thorough approach to Shakespeare offers exciting, original scholarship that will appeal to students and scholars alike.

A Jungian Study of Shakespeare: The Visionary Mode

Literature & Fiction

Fike, Matthew A.

History & Criticism

PALGRAVE~MACMILLAN

Four Novels in Jung’s 1925 Seminar: Literary Discussion and Analytical Psychology

C. G. Jung believed that popular fiction often conveyed unvarnished psychological truths. In this volume, Matthew A. Fike skillfully analyzes the novels under consideration in Jung’s 1925 seminar on analytical psychology, corrects Jung’s ill-informed perspectives, and sheds light on a neglected area of Jungian literary studies. 
Jung originally planned to discuss several novels about the anima―Henry Rider Haggard’s She, Pierre Benoît’s L’Atlantide, and Gustav Meyrink’s The Green Face. At the request of his participants, he dropped Meyrink and included a text about the animus, Marie Hay’s The Evil Vineyard. Fike demonstrates that Haggard’s She and Benoît’s L’Atlantide portray anima possession, the visionary and psychological modes, and traditional versus Jungian approaches to history. Meyrink’s smorgasbord of Jungian theory and religion makes The Green Face a fictional counterpart to The Red Book, and both Meyrink and Hay depict states of higher consciousness that transcend the archetypes. The distinction between archetypal and spiritual possession demonstrates that The Evil Vineyard is a ghost story, and the study concludes with Hay’s dozens of allusions, which provide important metacommentary. 
Four Novels in Jung’s 1925 Seminar, the first comprehensive study of all four texts, complements seminal works by Cornelia Brunner and Barbara Hannah, critiques the seminar discussion recorded in William McGuire’s edition of Analytical Psychology: Notes of the Seminar Given in 1925 by C. G. Jung, and incorporates Jung’s own comments on the four novels in The Collected Works. Thus, it provides an essential addition to Jungian literary studies and will appeal both to students and practitioners of Jungian analytical psychology and to scholars of British, French, and German literature.

Health, Fitness & Dieting

Mental Health

Routledge

C. G. Jung believed that popular fiction often conveyed unvarnished psychological truths. In this volume, Matthew A. Fike skillfully analyzes the novels under consideration in Jung's 1925 seminar on analytical psychology, corrects Jung's ill-informed perspectives, and sheds light on a neglected area of Jungian literary studies. Jung originally planned to discuss several novels about the anima--Henry Rider Haggard's She, Pierre Benoît's L'Atlantide, and Gustav Meyrink's The Green Face. At the request of his participants, he dropped Meyrink and included a text about the animus, Marie Hay's The Evil Vineyard. Fike demonstrates that Haggard's She and Benoît's L'Atlantide portray anima possession, the visionary and psychological modes, and traditional versus Jungian approaches to history. Meyrink's smorgasbord of Jungian theory and religion makes The Green Face a fictional counterpart to The Red Book, and both Meyrink and Hay depict states of higher consciousness that transcend the archetypes. The distinction between archetypal and spiritual possession demonstrates that The Evil Vineyard is a ghost story, and the study concludes with Hay's dozens of allusions, which provide important metacommentary. Four Novels in Jung's 1925 Seminar, the first comprehensive study of all four texts, complements seminal works by Cornelia Brunner and Barbara Hannah, critiques the seminar discussion recorded in William McGuire's edition of Analytical Psychology: Notes of the Seminar Given in 1925 by C. G. Jung, and incorporates Jung's own comments on the four novels in The Collected Works. Thus, it provides an essential addition to Jungian literary studies and will appeal both to students and practitioners of Jungian analytical psychology and to scholars of British, French, and German literature.

The One Mind: C. G. Jung and the future of literary criticism

The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery―psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mindexamines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.

The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery―psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm.  Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality.   The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.

Seeing Books I-III of Edmund Spenser's long poem The Faerie Queene as a thematic unit, Fike (Winthrop U.) examines the journeys of Redcrosse, Guyon, and Britomart, arguing that they are parallel journeys, allegorically relevant to the underworld. He discusses analogies of the journeys to traditions of Christ's descent into hell, the Theseus myth, and the realm of prostitution. Annotation (c) Book News, Inc., Portland, OR (booknews.com)

Spenser's Underworld in the 1590 Faerie Queene (Studies in Renaissance Literature, V. 24)

Edwin Mellen Pr

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Books by Fike, Matthew A.

See the best price to sell, buy, or rent books by Fike, Matthew A.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A Jungian Study of Shakespeare: The Visionary Mode

Four Novels in Jung’s 1925 Seminar: Literary Discussion and Analytical Psychology

Four Novels in Jung’s 1925 Seminar: Literary Discussion and Analytical Psychology

The One Mind: C. G. Jung and the future of literary criticism

The One Mind: C. G. Jung and the future of literary criticism

Spenser's Underworld in the 1590 Faerie Queene (Studies in Renaissance Literature, V. 24)