Bits of information about women are scattered throughout the fragmented mosaic of ancient history. The vivid poetry of Sappho survived antiquity on remnants of damaged papyrus, riddled with gaps. The inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young, but we do not know if the grave's marble stele shows Mnesarete, or simply a ready-made design chosen by her family. We read that on one occasion in the fourth century a great number of Roman wives were given a collective public trial and found guilty of poisoning their husbands, but we can only guess whether these "poisonings" were linked to a high occurrence of accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written----has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, from slaves and prostitutes, to Athenian housewives, to Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand year period, beginning in the eighth century B.C.E. The authors seek out literature that preserves women's own voices. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters probe revealing aspects of the classical world: the ubiquitous reports of wild behavior on the part of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the "new woman" represented by the love poetry of the late Republic and Augustan Age; and the traces of upper and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative, surprising, filled with timeless examples of the rich legacy of classical art, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.

Women in the Classical World: Image and Text

History

POMEROY, Sarah B.

Fantham, Elaine

Foley, Helene Peet

Kampen, Natalie Boymel

Shapiro, H. A.

World

Oxford University Press

Information about women is scattered throughout the fragmented mosaic of ancient history: the vivid poetry of Sappho survived antiquity on remnants of damaged papyrus; the inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young; a great number of Roman wives were found guilty of poisoning their husbands, but was it accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written--has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, exploring the lives of slaves and prostitutes, Athenian housewives, and Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand-year period, beginning in the eighth century B.C.E. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters report on the wild behavior of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the "new woman" represented by the love poetry of the late Republic and Augustan Age; and the traces of upper- and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative and surprising, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.

Ancient Civilizations

Ovid's Metamorphoses (Oxford Approaches to Classical Literature)

Oxford Approaches to Classical Literature (Series Editors: Kathleen Coleman and Richard Rutherford) introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context, and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English.Ovid's Metamorphoses have been seen as both the culmination of and a revolution in the classical epic tradition, transferring narrative interest from war to love and fantasy. This introduction considers how Ovid found and shaped his narrative from the creation of the world to his own sophisticated times, illustrating the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham introduces the reader not only to this marvelous and complex narrative poem, but to the Greek and Roman traditions behind Ovid's tales of transformation and a selection of the images and texts that it inspired.

Literature & Fiction

History & Criticism

Oxford Approaches to Classical Literature (Series Editors: Kathleen Coleman and Richard Rutherford) introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context, and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Ovid's Metamorphoses have been seen as both the culmination of and a revolution in the classical epic tradition, transferring narrative interest from war to love and fantasy. This introduction considers how Ovid found and shaped his narrative from the creation of the world to his own sophisticated times, illustrating the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham introduces the reader not only to this marvelous and complex narrative poem, but to the Greek and Roman traditions behind Ovid's tales of transformation and a selection of the images and texts that it inspired.

The Roman World of Cicero's De Oratore

The Roman World of Cicero's De Oratore aims to provide an accessible study of Cicero's first and fullest dialogue, on the ideal orator-statesman. It illustrates the dialogue's achievement as a reflection of a civilized way of life and a brilliantly constructed literary unity, and considers the contribution made by Cicero's recommendations to the development of rhetoric and higher education at Rome. Because Cicero deliberately set his extended conversation in the generation of his childhood teachers, a study of the dialogue in its historical setting can show how the political and cultural life of this earlier period differed from Cicero's personal experience of the collapse of senatorial government, when the overwhelming power of the "first triumvirate" forced him into political silence in the last decade of the republic. After an introductory chapter reviewing Cicero's position on return from exile, chapters include a comparative study of the careers of M. Antonius and L. Licinius Crassus, protagonists of the dialogue, a discussion of Cicero's response to Plato's criticisms of rhetoric in the Gorgias and Phaedrus, and his debt to Aristotle's Rhetoric, analysis of the dialogue's treatment of Roman civil law, existing Latin literature and historical writing, Strabo's survey of the sources and application of humor, political eloquence in senate and contio, theories of diction and style, and the techniques of oral delivery. An epilogue looks briefly at Cicero's De re publica and Tacitus' Dialogus de oratoribus as reflections on the transformation of oratory and free (if oligarchic) republican government by debate to meet the context of the new autocracy.

Frederick Ahl's new translation captures the excitement, poetic energy, and intellectual force of the original in a way that has never been done before. Ahl has used a version of Virgil's ancient hexameter, a swift-moving six-beat line varying between twelve and seventeen syllables, to reproduce the original poetry in a thrillingly accurate and engaging style. This is an Aeneid that the first-time reader can grasp and enjoy, and whose rendition of Virgil's subtleties of thought and language will enthrall those already familiar with the epic. Unlike most translators, Ahl has chosen to retain Virgil's word-play, the puns and anagrams and other instances of the poet's ebullient wit. "Like Shakespeare and the Greek tragedians, Virgil grasped that humor and earnestness are not mutually exclusive in art any more than they are in life. One should read the Aeneid not in solemn homage, but for enjoyment." Enhanced by Elaine Fantham's Introduction, Ahl's comprehensive notes and an invaluable indexed glossary, this lively new translation brings readers closer to the original and the myriad enjoyments to be found there. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Aeneid (Oxford World's Classics)

Ahl, Frederick

VIRGIL

Seneca's letters to his friend Lucilius are powerful moral essays that also yield illuminating insight into Seneca's personal life and the truly turbulent times in which he lived. One of the great Stoic philosophers, Seneca here guides Lucilius' struggle to achieve wisdom and serenity, uninfluenced by worldly emotions. He advises his friend on how to do without what is superfluous, whether in terms of happiness, riches, reputation, or the emotions. The letters include literary discussions, moral exhortation, exemplary heroes and episodes from Roman history, and a lurid picture of contemporary luxury. And under Nero's chaotic reign, the topic of death is never far away. This marvelous new translation by eminent scholar Elaine Fantham offers the largest selection of Seneca's letters currently available. Fantham's invaluable introduction discusses Seneca's family and political career, his many and varied writings, the nature of the letters as genuine epistles or fiction, their philosophical concerns, and other social and cultural aspects. Short head-notes to each letter summarize its themes and parallels with other letters, opening a window on to Seneca's world. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Selected Letters (Oxford World's Classics)

Sêneca

Dramas & Plays

Cicero's Pro L. Murena Oratio (Society for Classical Studies Texts & Commentaries)

Cicero's speech on behalf of L. Lucinius Murena, newly elected to the consulship of 62 BCE but immediately prosecuted for electoral bribery, is especially famous for its digressions and valuable for its insights into the complex political wrangles of the late 60s. It is, however, a speech more commonly excerpted and cited than read in its entirety, though whether the absence of an English-language commentary is a cause or effect of that situation remains uncertain. In short, a pedagogical commentary on this important and strange speech is long overdue. Distinguished Latinist Elaine Fantham's commentary is noteworthy for its ability to elucidate not only the rhetorical structure of this speech but the rationale behind Cicero's strategic decisions in creating that structure. It also calls attention to the stylistic features like word choice, rhetorical figures, and rhythmic effects that make the speech so effective, and explains with care and precision the political, social, and historical considerations that shaped the prosecution and defense of the somewhat hapless defendant. This commentary includes the kind of grammatical explication required to make its riches accessible to undergraduate students of Latin.

Classics

Julia Augusti (Women of the Ancient World)

This scholarly biography details the life of an extraordinary woman in an extraordinary society. Julia Augusti studies the life of the only daughter of Augustus, the first Roman emperor, and the father who sacrificed his daughter and her children in order to establish a dynasty. Studying the abundant historical evidence available, this biography studies each stage of Julia’s life in remarkable detail:   her childhood - taken from her divorced mother to become part of a complex and unstable family structure her youth - set against the brilliant social and cultural life of the new Augustan Rome her marriages - as tools for Augustus’ plans for succession Julia’s violation of her father’s moral regime, and the betrayal of her absent husband.  Reflecting new attitudes, and casting fresh light on their social reality, this outstanding biography will delight, entertain and inform anyone interested in this engaging Classical figure.

Religion & Spirituality

Routledge

See the best price to sell, buy, or rent books by Fantham, Elaine. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Fantham, Elaine

See the best price to sell, buy, or rent books by Fantham, Elaine. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Women in the Classical World: Image and Text

Women in the Classical World: Image and Text

Ovid's Metamorphoses (Oxford Approaches to Classical Literature)

Ovid's Metamorphoses (Oxford Approaches to Classical Literature)

The Roman World of Cicero's De Oratore

Aeneid (Oxford World's Classics)

The Roman World of Cicero's De Oratore

Selected Letters (Oxford World's Classics)

Cicero's Pro L. Murena Oratio (Society for Classical Studies Texts & Commentaries)

Julia Augusti (Women of the Ancient World)