Fine in Very Good jacket, Slight damage to btm of DJ spine, Charles Willson Peale, Charles B.J.F. De Saint-Memin, Titan Ramsay Peal, Samuel Seymour, Charles Bird King, Johan Neagle, Peter Rindisbacher, George Catlin, Karl Bodmer. Alfred Jacob Miller, Rudolph Friederich Kurz, George Caleb Bingham, Charles Nahl, Thomas A. Ayres, Edward M. Kern, Richard H. Kern, Gustavus Sohon, Albert Bierstadt, Thomas Moran, Theodore R. Davis, Frederic Remington, Charles M. Russell. NO International or Priority.

Artists of the Old West

Arts & Photography

Ewers, John Canfield

History & Criticism

DOUBLEDAY

Horse in Blackfoot Indian Culture With Comparative Material from Other Western Tribes

History

Americas

Scholarly Pr

Numerous illustrations include black and white photos of Native Americans: Black Moccasin, Hidatsa Chief; Deer Little Woman, Assiniboin Indian; Sitting Bull's son, Crow Foot; Paintings by George Catlin, Karl Bodmer.From book flap: The Plains Indian of the Upper Missouri in nineteenth-century buffalo days remains the widely recognized symbol of primitive man par excellence--and the persistent image of the North American Indian at his most romantic. Fifteen cultural highlights, each a chapter made from research for a particular subject and enriched by contemporary illustration, provide a sensitive interpretation of tribes such as the Blackfeet, the Crows, and the Mandans from the decades before Lewis and Clark up to the present."

Indian Life on the Upper Missouri (Civilization of the American Indian)

Univ of Oklahoma Pr

Plains Indian History and Culture, an engaging collection of articles and essays, reflects John C. Ewers multifaceted approach to Indian history, an approach that combines his far-reaching interest in American history generally, his professional training in anthropology, and his many decades of experience as a field-worker and museum curator.
The author has drawn on interviews collected during a quarter-century of fieldwork with Indian elders, who in recalling their own experiences during the buffalo days, revealed unique insights into Plains Indian life. Ewers use his expertise in examining Indian-made artifacts and drawings as well as photographs taken by non-Indian artists who had firsthand contact with Indians. He throws new light on important changes in Plains Indian culture, on the history of intertribal relations, and on Indian relation with whites—traders, missionaries, soldiers, settlers, and the U.S. Government.

Plains Indian History and Culture: Essays on Continuity and Change

Shows examples of pipes, effigies, war clubs, bowls, spoons, and whistles, discusses themes and carving techniques, and looks at the place of these objects in the Indians' culture

PLAINS INDIAN SCULPTURE PB

Smithsonian

A comprehensive study of the beadwork of the Crow Indian Nation from 1805 to contemporary times. Between 1907 and 1916 Dr. Robert H. Lowie made repeated visits to the Crow Agency Reservation to study their traditional customs and, as a result, published the first paper on Crow Indian beadwork. Based on this research, in 1918 William Wildschut began to collect specimens for the Heye Foundation. 
His work went far beyond merely collecting specimens. He asked questions from his Crow associates and in 1927 produced a manuscript for the Heye in which he concluded that "true Crow beadwork was not borrowed from the neighboring Western Sioux, nor from any other Tribe. It possessed a distinctive character of its own." 
In 1957, Dr. John C. Ewers, a truly enjoyable expert, made further inquiries and this book was produced providing an illustrated description and history of Crow Indian Beadwork from the time of its first mention by the fur trader, Francois Larouque, in 1805. Included are sections on Men's Dress Clothing (Shirts, Leggings, Feather Bonnets, Vests, Gauntlets, and Feather Fans); Women's Dress Clothing (Dresses, Leggings and Belts); Robes and Blankets; Moccasins; Riding Gear (Saddles, Head Ornaments, Horse Collars, Cruppers and Saddle Blankets); Containers (Saddle Bags, Quivers, Gun Cases, Sword and Lance Cases, Cradles, Belt Pouches, Ration Ticket Pouches, Mirror Pouches, and Pipe and Tobacco Pouches); Characteristics of Crow Indian Beadwork (Beadwork Techniques, Beadwork Designs, and Bead Colors); Symbolism in Crow Beadwork; History of Crow Beadwork and a bibliography. 
18 illustrations; 48 B&amp;W photographs; 3 pages in full color.

Crow Indian Beadwork: A Descriptive and Historical Study (Contributions from the Museum of the American Indian, Heye Foundation, V. 16.)

Wildschut, William

Eagles View Pub Co

Images of a Vanished Life: Plains Indian Drawings from the Collection of the Pennsylvania Academy of the Fine Arts

Wierzbowski, William S.

Mangelsdorf, Helen M.

Pennsylvania Academy of the Fine

Early White Influence upon Plains Indian Painting: George Catlin and Carl Bodmer Among the Mandan

Territorial Pr

Crow Indian Beadwork; a Descriptive and Historical Study

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. 
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. 
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. 
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hassell Street Press

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