William Ivey Long (b. 1947) is a leading costume designer for the stage, film, and television, whose creativity, artistry, and craftsmanship have earned him ovations throughout the theater community and beyond. A defining presence on Broadway, he has won six Tony Awards for costume design and a National Arts Award for Fashion. Ivey is unique in the history of costume design, operating at once in the atelier traditions of court costumers of Louis XIV and in the dazzling mode of contemporary Parisian couturiers. His work combines an understanding of art history with bespoke fashion skills to create visual illusion and material reality. William Ivey Long tells the story of an American legend through a review of his illustrious career and an analysis of his work; copious illustrations of his sketches, fabric swatches, and costume designs; and discussion of the productions brought to life by his award-winning costumes, including Cinderella, Little Dancer, Grease Live!, and The Rocky Horror Picture Show Let’s Do the Time Warp Again.

William Ivey Long: Costume Designs, 2007-2016

Arts & Photography

Marks, Peter

Elliot, Rebecca

Carlano, Annie

Collections, Catalogs & Exhibitions

Mint Museum

Eva's Treetop Festival (Owl Diaries, 1)

Children's Books

Animals

Chapter Books

Eva thinks she sees a ghost and goes on a search for it with her friend Lucy. Aligned to Common Core Standards and correlated to state standards. Chapter Books is an imprint of Spotlight, a division of ABDO.

Eva Sees a Ghost (Owl Diaries, 2)

Baxter Is Missing (Owl Diaries, 6)

Spotlight

Eva and Baby Mo (Owl Diaries, 10)

Eva and her classmates go camping and work together on a treasure hunt. Aligned to Common Core Standards and correlated to state standards. Chapter Books is an imprint of Spotlight, a division of ABDO.

Eva's Campfire Adventure (Owl Diaries, 12)

Eva at the Beach (Owl Diaries, 14)

Get Well, Eva (Owl Diaries, 16)

This volume is the first to examine how craft artists and designers apply scientific and mathematical concepts to creating their work, and reveals approaches to problem-solving among these makers and professionals in STEM fields (science, technology, engineering and mathematics). The acronym STEM reflects educators' recognition that these fields are central to understanding how the 21st-century world functions, but those with training in the arts argue instead for the acronym STEAM, emphasizing how "art" intersects with the four other fields. Craft in the Laboratory builds off STEAM-related programming created by the Mint Museum of Art's department of Learning & Engagement to explore this intersection in depth. Drawn from the Museum's renowned permanent collection of craft and design in all media--ceramic, pottery, wood, metal, glass, fibre, textiles and design-- this volume highlights how artists have thought like scientists and engineers. For example, Kate Malone's knowledge of the chemistry of clay bodies and glazes allows her to produce sculptures such as Heart Walnut. Douglas Harling made Vishnu Dreams using the ancient technique of granulation, aided by his understanding of the roles of surface tension, oxygen reduction, and eutectic bonds in fusing gold granules to a surface. Zoltán Bohus carefully planned the layers of glass in Stratofera on paper before creating it, using his knowledge of geometry and the prismatic qualities of glass. Technical aspects of materials and processes are discussed.

Craft in the Laboratory: The Science of Making Things

GILES

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Books by Elliot, Rebecca