This essay collection from renowned journalist and novelist Slavenka Drakulic, which quickly became a modern (and feminist) classic, draws back the Iron Curtain for a glimpse at the lives of Eastern European women under Communist regimes. Provocative, often witty, and always intensely personal, How We Survived Communism and Even Laughed cracks open a paradoxical world that through its rejection of capitalism and commoditization ends up fetishizing both. 
Examining the relationship between material goods and expressions of happiness and individuality in a society where even bananas were an alien luxury, Drakulic homes in on the eradication of female identity, drawing on her own experiences as well as broader cultural observations. Enforced communal housing that allowed for little privacy, the banishment of many time-saving devices, and a focus on manual labor left no room for such bourgeois affectations as cosmetics or clothes, but Drakulic’s remarkable exploration of the reality behind the rhetoric reveals that women still went to desperate lengths to feel “feminine.” 
How We Survived Communism and Even Laughed also chronicles the lingering consequences of such regimes. The Berlin Wall may have fallen, but Drakulic’s power pieces testify that ideology cannot be dismantled so quickly; a lifetime lived in fear cannot be so easily forgotten.

How We Survived Communism & Even Laughed

Biographies & Memoirs

Drakulić, Slavenka

Community & Culture

Harper-perennial

In a series of beautiful, impassioned essays, Croatian journalist and feminist Drakulic provides a very real and human side to the Balkans war and shows how the conflict has affected her closest friends, colleagues, and fellow countrymen--both Serbian and Croatian. Includes five new essays not in the hardcover edition.

The Balkan Express: Fragments from the Other Side of War

History

Europe

Perennial

Marble Skin: A Novel

Her mother's attempted suicide forces a young woman to relive her childhood years, confronting the ghost of sexual conflict that haunts both her and her mother's past

Literature & Fiction

Holograms of Fear

Tells the story of a young woman who has to face the experience of a kidney transplant operation after years of dialysis. From the author of "How We Survived Communism and Even Laughed".

Hutchinson

“Slavenka Drakulic is a journalist and writer whose voice belongs to the world.” —Gloria Steinem Today in Eastern Europe the architectural work of revolution is complete: the old order has been replaced by various forms of free market economy and de jure democracy. But as Slavenka Drakulic observes, "in everyday life, the revolution consists much more of the small things—of sounds, looks and images." In this brilliant work of political reportage, filtered through her own experience, we see that Europe remains a divided continent. In the place of the fallen Berlin Wall there is a chasm between East and West, consisting of the different way people continue to live and understand the world. Little bits—or intimations—of the West are gradually making their way east: boutiques carrying Levis and tiny food shops called "Supermarket" are multiplying on main boulevards. Despite the fact that Drakulic can find a Cafe Europa, complete with Viennese-style coffee and Western decor, in just about every Eastern European city, the acceptance of the East by the rest of Europe continues to prove much more elusive.

Café Europa: Life After Communism

Health, Fitness & Dieting

Diseases & Physical Ailments

Penguin Publishing Group

"S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful." -The Philadelphia Enquirer
Set in 1992, during the height of the Bosnian war, S. reveals one of the most horrifying aspects of any war: the rape and torture of civilian women by occupying forces. S. is the story of a Bosnian woman in exile who has just given birth to an unwanted child—one without a country, a name, a father, or a language. Its birth only reminds her of an even more grueling experience: being repeatedly raped by Serbian soldiers in the "women's room" of a prison camp. Through a series of flashbacks, S. relives the unspeakable crimes she has endured, and in telling her story—timely, strangely compelling, and ultimately about survival—depicts the darkest side of human nature during wartime.

S.: A Novel about the Balkans

Literary

"Who were they? Ordinary people like you or me—or monsters?” asks internationally acclaimed author Slavenka Drakulic as she sets out to understand the people behind the horrific crimes committed during the war that tore apart Yugoslavia in the 1990s. Drawing on firsthand observations of the trials, as well as on other sources, Drakulic portrays some of the individuals accused of murder, rape, torture, ordering executions, and more during one of the most brutal conflicts in Europe in the twentieth century, including former Serbian president Slobodan Miloševic; Radislav Krstic, the first to be sentenced for genocide; Biljana Plavšic, the only woman accused of war crimes; and Ratko Mladic, now in hiding. With clarity and emotion, Drakulic paints a wrenching portrait of a country needlessly torn apart.

They Would Never Hurt a Fly: War Criminals on Trial in The Hague

A beautifully imagined story of the last days of Frida Kahlo?s life A few days before Frida Kahlo?s death in 1954, she wrote in her diary, ?I hope the exit is joyful?and I hope never to return.? Diagnosed with polio at the age of six and plagued by illness and injury throughout her life, Kahlo?s chronic pain was a recurrent theme in her extraordinary art. In Frida?s Bed, Slavenka Drakulic´ explores the inner life of one of the world?s most influential female artists, skillfully weaving Frida?s memories into descriptions of her paintings, producing a meditation on the nature of chronic pain and creativity. With an intriguing subject whose unusual life continues to fascinate, this poignant imagining of Kahlo?s thoughts during her final hours by another daringly original and uncompromising creative talent will attract readers of literary fiction and art lovers alike.

Frida's Bed

Penguin??Books

A wry, cutting deconstruction of the Communist empire by one of Eastern Europe's exceptional authors. Called "a perceptive and amusing social critic, with a wonderful eye for detail" by The Washington Post, Slavenka Drakulic-a native of Croatia-has emerged as one of the most popular and respected critics of Communism to come out of the former Eastern Bloc. In A Guided Tour Through the Museum of Communism, she offers a eight-part exploration of Communism by way of an unusual cast of narrators, each from a different country, who reflect on the fall of Communism. Together they constitute an Orwellian send-up of absurdities during the final years of European Communism that showcase this author's tremendous talent.

A Guided Tour Through the Museum of Communism: Fables from a Mouse, a Parrot, a Bear, a Cat, a Mole, a Pig, a Dog, and a Raven

Humor & Satire

An immigrant with a parrot in Stockholm, a photo of a girl in Lviv, a sculpture of Alexander the Great in Skopje, a memorial ceremony for the 50th anniversary of the Soviet led army invasion of Prague: these are a few glimpses of life in Eastern Europe today. Three decades after the Velvet Revolution, Slavenka Drakulic, the author of Cafe Europa and A Guided Tour of the Museum Of Communism, takes a look at what has changed and what has remained the same in the region in her daring new essay collection.

Café Europa Revisited: How to Survive Post-Communism

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