Declan Donnellan's fresh and radical approach to acting takes a scalpel to the heart of actor's persistent fears from . . . "I don't know what I'm doing" through "I don't know who I am" to "I don't know what I'm playing." The Actor and the Target has already been hailed by the press in Russia where it is already published:
"Practically and modestly written, Declan Donnellan's book helps actors to release their talent to be free on stage. However Donnellan's path leads to wider perspectives, his book is rooted in modern theatre, modern psychology and, above all, modern reality. Written with grace and elegance, The Actor and the Target will be thoroughly enjoyed not only by the actors of the new millennium, but also by those of us who see the stage from the dark auditorium."-Izvestia
"Donnellan's directing style is immediately recognizable in his book, drenched in its spirit of artistic and personal freedom. Unpretentious, straightforward, and pierced with acute insight."-Kommersant
Clearly and systematically laid out and full of firm and unambiguous precepts, this book will become a bible for actors in the 21st century.
Declan Donnellan is the first Director of the Royal Shakespeare Academy and is best known for his work with Check By Jowl, including As You Like It, and the recent production of Homebody/Kabul in New York. As Associate Director of the National Theatre his pro-ductions included Fuente Ovejuna, Sweeney Todd, and Angels in America. Abroad, his work abroad includes Le Cid for the Avignon Festival, The Winter's Tale for the Maly Theatre in St. Petersbourg and Puskin's Boris Godunuv for the Moscow Theatre confederation. He has received awards in London, Paris, New York, and Moscow.

The Actor and the Target

Literature & Fiction

Donnellan, Declan

Dramas & Plays

Theatre Communications Group

“Acting is a reflex, a mechanism for development and survival. . . . It isn’t ‘second nature,’ it is ‘first nature.’”—Declan Donnellan This immensely popular and ever-practical book on acting takes a scalpel to the heart of actors’ persistent fears, helping them to release their talent on stage. It is straightforward and unpretentious, with a spirit of artistic and personal freedom.

The Actor and the Target: New Edition

Humor & Entertainment

It's about time there was a modern equivalent of Stanislavsky. This is it - written by the founding director of the new Royal Shakespeare Company Academy Declan Donnellan's Acting Unrestrained is set to become a classic in its field. Simply and directly written, it outlines the eight 'blocks' an actor is likely to encounter, offering clear instructions as to how to overcome them. Each blockage is expressed in a similar way: 'I don't know what I'm doing', 'I don't know what I want', 'I don't know who I am' etc. The problem, Donnellan says, is that in worrying about the 'self', the actor loses touch with the character. For instance, the actress playing Juliet does not need to find within herself the ability to love her Romeo: she needs simply to see Romeo through Juliet's eyes. This loss of self-consciousness is achieved by the used of targets or objectives outside the self which the actor strives to fulfil - and in that striving, concern with self drops away. Clearly and systematically laid out and full of firm and unambiguous precepts, this book will become a bible for actors in the 21st century.

Nick Hern Books

Donnellan sobre Shakespeare (Spanish Edition)

Arts & Photography

Buendía, Arantxa Vela

Performing Arts

Bolchiro

El actor y la diana

Editorial Fundamentos

See the best price to sell, buy, or rent books by Donnellan, Declan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Donnellan, Declan