An exhilarating and far-ranging meditation on days and how we live in them in the twenty-first century, from the award-winning poet. Michael Dickman's intuitive, agile verse captures us in its unusual pulse. Image-driven and shape-driven, the poems of Days &amp; Days touch on parenthood, childhood, local natural habitats, graffiti culture, roses, and romantic love. Dickman considers both the internal and external vistas that open before him in the course of a day, the memories and the immediate quandaries. The long centerpiece poem, "Lakes Rivers Streams," is a reverie that picks up the flotsam of parenting days on its current. Other poems account for hotel days, or days spent watching TV, taking prescription drugs, watching butterflies. Throughout, we feel the dazzling originality of Dickman's awareness; he meets the brutality, banality, and strange beauty of the quotidian with a level gaze, and with an urgent musicality that carries us beyond these lines and pages.

Days & Days: Poems

Literature & Fiction

Dickman, Michael

Genre Fiction

KNOPF

The award-winning poet returns to his homeplace in the Pacific Northwest, where the neighborhood simmers with the chemical presence of human trouble and sparks of beauty coexist with danger. This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural world and the human constructions that threaten it. The rivers shrinking to a trickle, the unaddressed crisis of homelessness, the drug use in a local park: these run side by side with the efforts and structures of families, created mostly by working mothers, with their jumbled bottomless purses and full-time jobs; Dickman's own mother worked at the power company of the title, PP&L. His exquisite, ultrareal narratives take us down through these layers, illuminating the way we've treated and should treat one another, seeking integrity and understanding in the midst of a broken world.

Pacific Power & Light: Poems

"Dickman's book moves with careful intensity as it confidently illuminates buried, contemporary suffering."—Publishers Weekly
"Elizabeth Bishop said that the three qualities she admired most in poetry were accuracy, spontaneity, and mystery. Michael Dickman's first full-length collection of poems demonstrates each brilliantly....These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings. Again and again the language seems to disappear, leaving the reader with woven flashes of image, situation, emotion....These are durable poems from one of the most accomplished and original poets to emerge in years."—The Believer
"With vacant space and verbal economy, his work suggests volumes." —Poets &amp; Writers 
The poems in Michael Dickman’s energized debut document the bright desires and all-too-common sufferings of modern times: the churn of domestic violence, spiritual longing, drug abuse, and the impossible expectations fathers have for their sons. In a poem that references heroin and “scary parents,” Dickman reminds us that “Still there is a lot to pray to on earth.” Dickman is a poet to watch.
You can go blind, waiting
Unbelievable quiet except for their soundings
Moving the sea around
Unbelievable quiet inside you, as they change the face of water
The only other time I felt this still was watching Leif shoot up when we were twelve
Sunlight all over his face
breaking the surface of something I couldn’t see
You can wait your whole life
Michael Dickman was born and raised in Portland, Oregon, and began writing poems “after accidentally reading a Neruda ode.” His work has appeared in The New Yorker, Tin House, and The American Poetry Review.

The End of the West (Lannan Literary Selections)

Poetry

Copper Canyon Press

"Hilarity transfiguring all that dread, manic overflow of powerful feeling, zero at the bone—Flies renders its desolation with singular invention and focus and figuration: the making of these poems makes them exhilarating."—James Laughlin Award citation
"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."—The New Yorker
"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."—The Believer
Winner of the James Laughlin Award for the best second book by an American poet, Flies presents an uncompromising vision of joy and devastating loss through a strict economy of language and an exuberant surrealism. Michael Dickman's poems bring us back to the wonder and violence of childhood, and the desire to connect with a power greater than ourselves.
What you want to remember of the earth and what you end up remembering are often two different things
Michael Dickman was born and raised in Portland, Oregon. His first book of poems, The End of the West, appeared in 2009 and became the best-selling debut in the history of Copper Canyon Press. His poems appear frequently in The New Yorker, and he teaches poetry at Princeton University.

Flies (Lannan Literary Selections)

"Their verse . . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New Yorker
Identical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare.
"Lucky in Kansas"
Judy Garland: This is always the worst part Tin Man: The coming back Judy Garland: Yes, it fucking sucks, it's depressing as shit The Lion: Well, we're lucky to still be employed at this farm Straw Man: I wouldn't call it lucky The Lion: We were lucky to get back Straw Man: That's not really lucky either I don't think you know what lucky means Judy Garland: It's funny what you miss Tin Man: The running Judy Garland: The flying Tin Man: The flying monkeys Judy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green world
Michael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.

50 American Plays (Poems)

Dickman, Matthew

"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."—The New Yorker
"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."—The Believer
"My master plan is happiness," writes Michael Dickman in his wonderfully strange third book, Green Migraine. Here, imagination and reality swirl in the juxtaposition between beauty and violence in the natural world. Drawing inspiration from the verdant poetry of John Clare, Dickman uses hyper-real, dreamlike images to encapsulate, illustrate, and illuminate how we access internal and external landscapes. The result is nothing short of a fantastic, modern-day fairy tale.
From "Where We Live":
I used to live in a mother now I live in a sunflower
Blinded by the silverware
Blinded by the refrigerator
I sit on a sidewalk in the sunflower and its yellow downpour…
Michael Dickman is the winner of the 2010 James Laughlin Award from the Academy of American Poets for his second collection, Flies. His poems are regularly published in the New Yorker. He was born and raised in Portland, Oregon, and teaches poetry at Princeton University.

Green Migraine

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