The Savage Night: LA Nuit Sauvage

The Savage Night collects thirteen stories by Mohammed Dib, one of the founding fathers of North African literature. Whether set in present-day Algeria, depicting the war for independence, or evoking memories of the colonial era, many of the stories in The Savage Night paint a vivid picture of the diverse facets of the Algerian question. Dib's other settings include Latin America, war-torn Sarajevo, and Paris. A major element unifying his work is the unanswered question of human brutality. In the face of our shameful indifference, Dib shows us that senseless violence is a daily reality for many. The Savage Night is the first book-length English translation of Dib's work.

Literature & Fiction

DIB, MOHAMMED

Contemporary

University Of Nebraska Press

The Savage Night collects thirteen stories by Mohammed Dib, one of the founding fathers of North African literature. Whether set in present-day Algeria, depicting the war for independence, or evoking memories of the colonial era, many of the stories in The Savage Night paint a vivid picture of the diverse facets of the Algerian question. Dib's other settings include Latin America, war-torn Sarajevo, and Paris. A major element unifying his work is the unanswered question of human brutality. In the face of our shameful indifference, Dib shows us that senseless violence is a daily reality for many. The Savage Night is the first book-length English translation of Dib's work.

Bison Books

At the Café and The Talisman (CARAF Books: Caribbean and African Literature Translated from French)

Reflecting distinct and important stages in the career of the preeminent Algerian writer Mohammed Dib, "At the Café" and "The Talisman" brings together two collections that embroider on themes relating to the Algerian War for Independence (1954–1962). At the Café, published in 1955, is mostly realistic in style and illustrates particularly well Dib’s uncanny talent for storytelling. The Talisman, published eleven years later, reflects Dib’s growing penchant for relating his perception of the magical or mystical qualities underlying everyday reality.
When he wrote At the Café, Dib felt it was his duty to witness or testify on behalf of the downtrodden of Algeria under French colonial rule. Three stories in this collection―"Little Cousin," "A Fine Wedding," and "The Long Wait"―poignantly describe the rampant poverty, hunger, sickness, and despair that prevailed under French rule. In others, such as the titular story and "Forbidden Lands," Dib gives a voice to those who had been silenced but who were slowly learning to make themselves heard. On the eve of the war for independence, Dib felt obligated―as does the protagonist, Djeha, in "The Companion"―to take a stand on affirming one’s role within the community and take action.
In The Talisman, Dib no longer feels the need to testify. Although colonialism and the brutality of war are still central threads, his treatment of them in this collection is more scathingly critical. Dib’s style also shifts from the naturalism dominant in his earlier writing, showing a marked interest in the fantastic or magical. The under-lying themes in this collection take up, among other things, an obsession with the experience of death, a fascination with madness, the decrypting of symbols, the quest for a primordial language, and the possibilities of spiritual transcendence.

United States

University of Virginia Press

Reflecting distinct and important stages in the career of the preeminent Algerian writer Mohammed Dib, "At the Café" and "The Talisman" brings together two collections that embroider on themes relating to the Algerian War for Independence (1954–1962). At the Café, published in 1955, is mostly realistic in style and illustrates particularly well Dib’s uncanny talent for storytelling. The Talisman, published eleven years later, reflects Dib’s growing penchant for relating his perception of the magical or mystical qualities underlying everyday reality.
When he wrote At the Café, Dib felt it was his duty to witness or testify on behalf of the downtrodden of Algeria under French colonial rule. Three stories in this collection―"Little Cousin," "A Fine Wedding," and "The Long Wait"―poignantly describe the rampant poverty, hunger, sickness, and despair that prevailed under French rule. In others, such as the titular story and "Forbidden Lands," Dib gives a voice to those who had been silenced but who were slowly learning to make themselves heard. On the eve of the war for independence, Dib felt obligated―as does the protagonist, Djeha, in "The Companion"―to take a stand on affirming one’s role within the community and take action.
In The Talisman, Dib no longer feels the need to testify. Although colonialism and the brutality of war are still central threads, his treatment of them in this collection is more scathingly critical. Dib’s style also shifts from the naturalism dominant in his earlier writing, showing a marked interest in the fantastic or magical. The under-lying themes in this collection take up, among other things, an obsession with the experience of death, a fascination with madness, the decrypting of symbols, the quest for a primordial language, and the possibilities of spiritual transcendence.

Who Remembers the Sea: A Novel

Three Continents Pr

Text: English (translation) 
Original Language: French

Who Remembers the Sea

History & Criticism

Passeggiata Pr

Literary Nonfiction. Memoir. Translated from the French by Guy Bennett. TLEMCEN OR PLACES OF WRITING is an unusual, hybrid work: part memoir of the author's coming of age and coming to writing in his native Algeria, and part meditation on the nature of writing itself as well as on the task and responsibility of the writer. The text is complimented by some fifty photographs taken by the author in the Tlemcen of his youth, images of a past that has vanished and which the text seeks to reveal. The original French edition of this work was awarded the Grand prix de la Francophonie de l'Académie française on its publication in 1994.

Tlemcen or Places of Writing

Biographies & Memoirs

Otis Books | Seismicity Editions

This "novel in verse" tells of an Old World man’s tribulations in the New World and revives as well a tradition somewhat lost from sight of a novel in verse, seen by the author as an "antidepressant" to poetry’s ectoplasmic days, languishing, exhausted by a breathless impressionism.
Mohammed Dib is one of the major and most prolific writers of Maghrebian literature. Among his many noted works are Who Remembers the Sea (a brutal description of the French war in Algeria) and The Talisman.

LA Trip: A Novel in Verse (Green Integer) (French Edition)

Literary

Green Integer

R240141189. LA GRANDE MAISON - ROMAN.. 1975. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 189 pages - annotations, déchirures sur le 1er plat - 2ème plat tâché.. . . . Classification Dewey : 840.091-XX ème siècle

La Grande Maison

Schoenhofsforeign Books Inc

Habel: Roman (French Edition)

Editions Du Seuil

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Books by DIB, MOHAMMED

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The Savage Night: LA Nuit Sauvage

The Savage Night: LA Nuit Sauvage

At the Café and The Talisman (CARAF Books: Caribbean and African Literature Translated from French)

At the Café and The Talisman (CARAF Books: Caribbean and African Literature Translated from French)

Who Remembers the Sea: A Novel

Who Remembers the Sea

Tlemcen or Places of Writing

LA Trip: A Novel in Verse (Green Integer) (French Edition)

La Grande Maison

Habel: Roman (French Edition)