Stemming originally from the circulation of International Gothic and early Renaissance painting around the Mediterranean, artistic relations between Genoa and Spain were given definitive impetus by the strong political and economic ties that linked the republic to the Spanish monarchy from the mid sixteenth century onwards. Philip IIs sending for a large number of Genoese painters to take part in the decoration of the monastery of the Escorial was one of the first milestones in a long flow of artists, works and materials from Genoa to the Iberian Peninsula over the centuries. This volume brings together a set of recent research papers on the key figures in these age-old links between Spain and Genoa and on the influence in Spain of Genoese works and collections of Italian art brought to Spain by Genoese.

España y Génova: Obras, artistas y coleccionistas (Spanish Edition)

Arts & Photography

Di Fabio, Clario

Boccardo, Piero

Colomer, José Luis

History & Criticism

Centro de Estudios Europa Hispánica

<p>English summary: This book brings together fifteen articles that focus on the manufacture and reception of goldsmiths' works in the Gothic period. From the beginning of the thirteenth to the beginning of the sixteenth century, these studies help to illuminate and renew a focus on the precious arts of the Middle Ages in a geographic space that extends from England to Cyprus and from Catalonia to Prague. French description: Cet ouvrage rassemble quinze articles explorant les deux aspects, distincts mais imbriques, de la fabrication et de la reception des oeuvres d'orfevrerie a l'epoque gothique. Embrassant la periode qui va du debut du XIIIe au debut du XVIe siecle, ces etudes s'appuient tant sur les oeuvres elles-memes, qu'elles soient celebres ou peu connues, que sur les sources ecrites afin d'eclairer, sur un espace qui s'etend de l'Angleterre a Chypre et de la Catalogne a Prague, les attentes des commanditaires, le gout des elites, les usages de l'orfevrerie sacree ou profane, leur role respectif dans la mise en scene du pouvoir, la circulation des produits de luxe, les conditions de travail des orfevres, l'organisation des ateliers... Par la variete des auteurs (chercheurs jeunes ou confirmes, appartenant tant au monde des musees qu'a celui de l'Universite), de leurs questionnements et de leurs choix de methode, ce recueil s'inscrit dans un renouveau des etudes sur les arts precieux qu'il espere ainsi conforter.</p>

Orfevrerie Gothique En Europe: Production Et Reception (I Libri Di Viella. Arte / Etudes Lausannoises D'Histoire de) (French Edition)

Davies, Glyn

CHERRY, John

Antoine-Konig, Elisabeth

Banjenec, Elise

Cassagnes-Brouquet, Sophie

Cioni, Elisabetta

Descatoire, Christine

Domenge I Mesquida, Joan

Molina I Castella, Anna

Riccioni, Stefano

Richter, Jorg W

Stehlikova, Dana

Tomasi, Michele

Trelat, Philippe

Viella

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