Taking Sides volumes present current controversial issues in a debate-style format designed to stimulate student interest and develop critical thinking skills. Each issue is thoughtfully framed with Learning Outcomes, an Issue Summary, an Introduction, and an Exploring the Issue section featuring Critical Thinking and Reflection, Is There Common Ground?, and Additional Resources. Taking Sides readers also offer a Topic Guide and an annotated listing of Internet References for further consideration of the issues. An online Instructor’s Resource Guide with testing material is available for each volume. Using Taking Sides in the Classroom is also an excellent instructor resource. Visit www.mhhe.com/takingsides for more details.

Taking Sides: Clashing Views in Crime and Criminology, Expanded

Politics & Social Sciences

Hickey, Thomas

Devaney, Thomas

Social Sciences

McGraw-Hill/Dushkin

Toward the end of the fifteenth century, Spanish Christians near the border of Castile and Muslim-ruled Granada held complex views about religious tolerance. People living in frontier cities bore much of the cost of war against Granada and faced the greatest risk of retaliation, but had to reconcile an ideology of holy war with the genuine admiration many felt for individual members of other religious groups. After a century of near-continuous truces, a series of political transformations in Castile—including those brought about by the civil wars of Enrique IV's reign, the final war with Granada, and Fernando and Isabel's efforts to reestablish royal authority—incited a broad reaction against religious minorities. As Thomas Devaney shows, this active hostility was triggered by public spectacles that emphasized the foreignness of Muslims, Jews, and recent converts to Christianity.
Enemies in the Plaza traces the changing attitudes toward religious minorities as manifested in public spectacles ranging from knightly tournaments, to religious processions, to popular festivals. Drawing on contemporary chronicles and municipal records as well as literary and architectural evidence, Devaney explores how public pageantry originally served to dissipate the anxieties fostered by the give-and-take of frontier culture and how this tradition of pageantry ultimately contributed to the rejection of these compromises. Through vivid depictions of frontier personalities, cities, and performances, Enemies in the Plaza provides an account of how public spectacle served to negotiate and articulate the boundaries between communities as well as to help Castilian nobles transform the frontier's religious ambivalence into holy war.

Enemies in the Plaza: Urban Spectacle and the End of Spanish Frontier Culture, 146-1492 (The Middle Ages Series)

History

Europe

University of Pennsylvania Press

You Are The Battery

Literature & Fiction

Poetry

Black Square Editions

Poetry. In Thomas Devaney's remarkable second collection of poems, A SERIES OF SMALL BOXES, he tells us, "Pack your songs, fringe history of television,/ kindergarten constructions, extra socks--/ somehow it all will fit; and what doesn't/ you can bring along too if you'd like." Devaney has the gentle grace of Rilke combined with the wisdom of Solomon. For this he is irresistible. "[His poems] are vulnerable, pleasurable, tolerant, wary and contemporary"--Fanny Howe. "The poems are resonant patches of serious life, almost as buoyant as dreams. Their light graces remain etched in the mind"--John Ashbery.

A Series of Small Boxes

Fish Drum, Inc.

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