For devotees of American decorative arts, Wallace Nutting (1861–1941) needs little introduction. A Congregational minister turned author, photographer, and wildly successful entrepreneur, Nutting was the principal authority on early American furniture for much of the twentieth century and played an important role in the development of a colonial revival aesthetic and ideology. He collected, reproduced, and marketed colonial artifacts, and the goods and experiences he offered his middle-class customers promoted his idealized notion of a time and place that he called "Old America." This handsomely illustrated book is the first full-length study of Nutting’s life and work. Thomas Andrew Denenberg describes Nutting’s interrelated endeavors, from his varied writings (including Furniture of the Pilgrim Century and the monumental three-volume Furniture Treasury) to his photography (both amateur and professional), chain of restored museum houses, renowned collection of seventeenth-century furniture, reproduction colonial furniture business, and advertising program. By charting Nutting’s activities, Denenberg creates a picture of an influential cultural critic who deftly combined myth and materialism, contributing significantly to both the growth of consumerism and the development of an antimodern worldview in the twentieth-century United States.

Wallace Nutting and the Invention of Old America

Denenberg, Thomas Andrew

History

Yale University Press

The early twentieth century brought renewed focus upon the image of the coast and witnessed the formation of art colonies in Old Lyme, Connecticut, and Ogunquit and Monhegan, Maine. These creative communities became an inspiration for artists and art students, among them Edward Hopper, Childe Hassam, Robert Henri, Rockwell Kent, and George Bellows. Visually stunning, Call of the Coast: Art Colonies of New England explores the importance of place for artists in these colonies, and the development of impressionist Connecticut and modernist Maine within the visual traditions of the coast of New England.
Featuring approximately 80 works, Call of the Coast illustrates each major painting with extensive interpretative text and includes documentary photography to provide historical context for the artworks.

Call of the Coast: Art Colonies of New England

Arts & Photography

Danly, Susan

Lansing, Amy Kurtz

History & Criticism

Portland Art Museum

A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836–1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him.
This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings.

Weatherbeaten: Winslow Homer and Maine

Very Good condition. Hardcover. Very clean.

Winslow Homer and the Poetics of Place by Unknown (2010-01-01)

Winslow Homer

Museum

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Books by Denenberg, Thomas Andrew