111p green paperback, light wear to edges, clean and firm copy

The shoemakers' holiday; (The Fountainwell drama texts)

Literature & Fiction

Dekker, Thomas

Dramas & Plays

Oliver & Boyd

Here is a marvelous collection of plays from the English Renaissance period, offering prime examples of the "domestic drama" genre that first appeared around 1590. These four pioneering works, set in near-contemporary England and concerned with issues of marriage and crime rather than war and power, focus on the lives of ordinary people, instead of kings and queens and politicians. Arden dramatizes a notorious murder case of forty years earlier, in which a wealthy husband was killed by his wife and her lover. In A Woman Killed with Kindness, a wife is caught by her husband in bed with his best friend. The Witch of Edmonton combines a true-life story of witchcraft with a fictitious tale of bigamy and wife-murder, and The English Traveller deals with the unexpected changes people find when they return home after a lengthy absence. Part of the Oxford English Drama series, this edition has modern-spelling, critical introductions, wide-ranging notes, a chronology of the plays, and appendices that address the question: who wrote Arden of Faversham and when did Thomas Heywood write The English Traveller. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

A Woman Killed with Kindness and Other Domestic Plays (Oxford World's Classics)

Rowley, William

Heywood, Thomas

Ford, John.

Oxford University Press

This excellent volume brings together four of the most popular, most frequently studied and performed comedies that depict city life, by Thomas Dekker, Thomas Middleton, Ben Jonson and their contemporaries. Included are The Roaring Girl, The Shoemaker's Holiday, Eastward Ho!, and Every Man in His Humour. The text is freshly edited using modern spelling. A critical introduction, a wide-ranging annotation, and an informative bibliography illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Roaring Girl and Other City Comedies (Oxford World's Classics)

Middleton, Thomas

Chapman, George

Marston, John

JONSON, BEN

Excerpt from Thomas Dekker: Edited, With an Introduction and NotesWhat things have we seen Done at the Mermaid heard words that have been So nimble, and so full of subtle ﬂame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Thomas Dekker: Edited, With an Introduction and Notes (Classic Reprint)

Forgotten Books

Patient Grissil: A Comedy : With An Introduction And Notes

Chettle, Henry

Haughton, William

History

Franklin Classics

New Mermaids are modernized and fully-annotated editions of classic English plays. Each volume includes: The playtext, in modern spelling, edited to the highest bibliographical and textual standards Textual notes recording significant changes to the copytext and variant readings Glossing notes explaining obscure words and word-play Critical, contextual and staging notes Photographs of productions where applicable A full introduction which provides a critical account of the play, the staging conventions of the time and recent stage history; discusses authorship, date, sources and the text; and gives guidance for further reading. Edited and updated by leading scholars and printed in a clear, easy-to-use format, New Mermaids offer invaluable guidance for actor, student, and theatre-goer alike.

The Shoemaker's Holiday (New Mermaids)

W.W. Norton & Co., Inc.

Middleton and Dekker’s comic triumph is as relevant today as when it was first performed in 1611. With its helpful annotations, historical documents on cross dressing and on the colorful Mary Frith (the real-life model for Moll Cutpurse), and wealth of scholarly interpretations, this Norton Critical Edition brings The Roaring Girl to life for today’s reader. This Norton Critical Edition of Thomas Middleton and Thomas Dekker’s The Roaring Girl is based on the text from English Renaissance Drama: A Norton Anthology. It is accompanied by generous explanatory annotations, five illustrations, and a detailed introduction. “Contexts” is thematically arranged to include almost all known documents from the period concerning Mary Frith (aka Moll Cutpurse), among them records of her court appearances, letters recounting the same, and her last will. Also reprinted are significant passages from her purported 1662 “autobiography,” The Life and Death of Mrs. Mary Frith. While of dubious veracity, the “autobiography” is useful for comparing the play’s portrayal of Moll with later developments in Moll Cutpurse lore, which the Norton Critical Edition traces through the eighteenth and nineteenth centuries. Perhaps most engaging for classroom discussion are substantial excerpts from the 1620 cross-dressing pamphlets―Hic Mulier; or, The Man-Woman and Haec Vir; or, The Womanish Man―which appear in annotated, modern-spelling versions. Together they give insight into how gender-bending trends in clothing, similar to those practiced by Moll, were understood in the early seventeenth century. A related passage from A Sermon of Apparel adds another perspective on cross-dressing practices. Fourteen critical essays chart the development of scholarly interest in The Roaring Girl, from the first half of the twentieth century, when the play received only passing reference, through the work on city comedy in the 1970s and 1980s, to the explosion of analyses in the late 1980s and 1990s, when the play became a major focus for early modern gender studies. The more recent critical essays move beyond a strict focus on gender and cross-dressing to explore The Roaring Girl’s depiction of other aspects of early modern London, including consumer culture and the contemporary fascination with the language of the criminal underworld. Contributors include, among others, T. S. Eliot, Alexander Leggatt, Mary Beth Rose, Jonathan Dollimore, Jean E. Howard, and Jonathan Gil Harris. A Selected Bibliography is also included.

The Roaring Girl: A Norton Critical Edition (Norton Critical Editions)

W.W.Norton&Company

In the village of Edmonton, Elizabeth Sawyer is shunned by her neighbours. A poor and lonely old woman, she is harassed and accused of being a witch. In her abject misery, she wishes that she really were bewitched and so able to have her revenge. Unluckily for Elizabeth and the villagers of Edmonton, someone with the power to grant that wish is listening.First performed in 1621, The Witch of Edmonton was based by its authors Thomas Dekker, John Ford and William Rowley on a real-life case of a woman accused of witchcraft. The play was revived by the Royal Shakespeare Company as part of its 2014 Roaring Girls season, in the Swan Theatre, Stratford-upon-Avon, directed by RSC Artistic Director Gregory Doran and with Eileen Atkins as Elizabeth Sawyer.This edition of the play features the text edited for the RSC production, and introductions by key members of its creative team, including Doran.

The Witch of Edmonton

METHUEN

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

The shoemakers' holiday (The New mermaids)

distributed by General Pub. Co

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