The reputation of British photographer John Deakin rests chiefly on his remarkable documentary photographs and portraits of the creative souls and maverick talents who haunted the pubs and clubs of London's Soho in the 1950s. Francis Bacon, Lucian Freud, Frank Auerbach, Colin MacInnes, Dylan Thomas ...these painters, poets, writers, and others defined an era in the cultural life of postwar England. Less known are Deakin's haunting evocations of life on the streets of London, Paris, and Rome. Here his eye is not cold-blooded or dispassionate but rather profoundly generous, sympathetic to the chaos of postwar urban life. His pictures of lamplighters, fairground workers, dog walkers, priests, nuns, and shopkeepers reveal an empathy to rival that of Doisneau and Brassaï. Equally intriguing are his depictions of the relics of human activity: chalked-up children's games, graffitied messages of love or anger, and the richly textured shapes and surfaces of street signs, peeling walls, window shutters, and shop-front banners. Though a legendary drinking companion in artistic circles, Deakin was not universally popular—the Woolworth heiress Barbara Hutton once described him as "the second nastiest little man I have ever met." Yet he was respected by all for his professionalism and his originality. After his death in 1972 his work lay neglected for a number of years. A Maverick Eye: The Street Photography of John Deakin helps restore him to his proper place as one of the UK's finest photographers. 192 photographs, 184 in duotone.

A Maverick Eye: The Street Photography of John Deakin

Arts & Photography

MUIR, Robin

Deakin, JOHN

Individual Artists

Thames&Hudson

John Deakin (1912-1972), whose portraits are among the most significant (and amongst the most overlooked) in the history of twentieth-century photography, was a natural successor to August Sander and precursor of Diane Arbus - a true poete maudit. His clarity of vision had a merciless, often brutal directness and a psychological intensity, both fascinating and shocking in equal measure. Whether he was photographing writers, artists, fashion models, or Hollywood stars for British Vogue in the late 1940s and early 1950s (where he achieved notoriety for being fired twice) or whether portraying his artist and poet friends in London's bohemia, Soho, he made no concessions whatever to his subjects' vanity, scorning any need for admiration in his pursuit of truthful depiction. After several years of research, Robin Muir, former picture editor of British Vogue, has now brought together a comprehensive collection of Deakin's most important photographs.

John Deakin: Photographs

Vendome Pr

Torment

Literature & Fiction

Genre Fiction

AuthorHouseUK

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