An archaeological exploration of the mysterious world of cave art through the ages
Deep underground, some of humanity’s earliest artistic endeavors have lain untouched for millennia. The dark interiors of caves, wherever they may be found, seem to have had a powerful draw for ancient peoples, who littered the cave floors with objects they had made. Later, they adorned cave walls with sacred symbols and secret knowledge, from the very first abstract symbols and handprints to complex and vivid arrangements of animals and people. Often undisturbed for many tens of thousands of years, these were among the first visual symbols that humans shared with each other, though they were made so long ago that we have entirely forgotten their meaning. However, as archaeologist Bruno David reveals, caves decorated more recently may help us to unlock their secrets.
David tells the story of this mysterious world of decorated caves, from the oldest known painting tools to the magnificent murals of the European Ice Age. Showcasing the most astounding discoveries made in more than 150 years of archaeological exploration, Cave Art explores the creative achievements of our remotest ancestors and what they tell us about the human past. 215 illustrations

Cave Art (World of Art)

Arts & Photography

DAVID, Bruno

History & Criticism

Thames&Hudson

The apparent timelessness of the Dreaming of Aboriginal Australia has long mystified European observers, conjuring images of an ancient people in harmony with their surroundings. It may come as a surprise, therefore, that the Dreaming's historical antiquity has never been explored by archaeologists. In this book, Bruno David examines the archaeological evidence for Dreaming-mediated places, rituals and symbolism. What emerges is not a static culture, but a mode of conceiving the world that emerged in its recognizable form only about 1000 years ago. This is a world of what the philosopher Hans-Georg Gadamer has called pre-understanding, a condition of knowledge that shapes one's experience of the world. By tracing through time the archaeological visibility of one well known mode of pre-understanding - the Dreaming of Aboriginal Australia - the author argues that it is possible to scientifically explore an archaeology of pre-understanding; of body and mind, identity and Being-in-the-world.

Landscapes, Rock-Art and the Dreaming: An Archaeology of Preunderstanding (New Approaches to Anthropological Archaeology)

History

Americas

Leicester University Press

In the late 1800s, missionaries and government officials stationed along the south coast of Papua New Guinea began to observe large fleets of indigenous Motu sailing ships coming and going out of present-day Port Moresby. Each year the women of nearby villages manufactured tens of thousands of clay pots to be loaded onto the ships that men built, then sailed with their cargos westward some 400 kilometers. Upon arrival at prearranged destination-villages in distant lands to the west―lands populated by peoples speaking foreign languages―the pots together with the shell valuables were exchanged for hundreds of tons of sago flour. While in those villages, the men dismantled their ships and built them anew, literally from the bottom up, because trees of sufficient size to make large sailing ships did not grow in the landscapes of their home villages. Both the Motu of the Port Moresby region and sago producers of the Gulf of Papua to the west knew of these ventures as hiri. Through first-hand archaeological research at recipient villages, archaeologists Robert Skelly and Bruno David investigate the origins of this indigenous maritime trade system, from ancient roots in the famed Lapita culture of three thousand years ago up to the present. They offer details from archaeological digs that led them from the first ceramics of the south coast of Papua New Guinea to pottery with unmistakable signs of the ethnographic hiri. Along the south coast of Papua New Guinea, the maritime endeavor that is the hiri is revealed in historical perspective, including stories of its colonial past.

Hiri: Archaeology of Long-Distance Maritime Trade along the South Coast of Papua New Guinea

Business & Money

Skelly, Robert John

Economics

University of Hawaii Press

Politics & Social Sciences

Social Sciences

Bloomsbury Academic

Le monde vivant: Avec France Culture et le Muséum national d'Histoire naturelle

Lecointre, Guillaume

GRASSET

Manifeste du Muséum - Face aux limites

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Books by DAVID, Bruno