HUMAN BIOLOGY LABORATORY MANUAL, Fourth Edition, by Keith Cunningham and Leslie Snider is a series of "tried and true" laboratory experiments and activities specifically designed to complement the basic concepts introduced in a non-majors biology curriculum where the organism of primary focus is Homo sapiens. In addition to reinforcing lecture material in a practical, "hands-on" manner, the lab exercises provide a vehicle for teaching basic laboratory skills and technique. Many concepts and techniques surface repeatedly throughout the lab book, providing continuity to students as they investigate a diverse array of biological systems

HUMAN BIOLOGY LABORATORY MANUAL

Politics & Social Sciences

Cunningham, Keith

KASHIWADA LESLIE J

Anthropology

Kendall/Hunt Publishing

BIOLOGY LABORATORY MANUAL

Science & Math

Biological Sciences

&lt;p class=MsoNormal&gt;&lt;span style=&quot;COLOR: black&quot;&gt;Uniquely inspired by the work of mythologist Joseph Campbell and psychologist Jean Houston, &lt;em&gt;The Soul of Screenwriting &lt;/em&gt;demonstrates how the &quot;screenwriting by numbers&quot; approach that offers templates into which the writer may mechanically drop his or her story idea is fundamentally incomplete. Keith Cunningham maintains that in doing so, one ignores the process of writing. Screenwriting is a long journey and even the most gifted screenwriters get lost along the way. Getting lost, Cunningham reminds us, is part of the process too.&lt;/span&gt;&lt;/p&gt;&lt;br/&gt;&lt;p class=MsoNormal&gt;&lt;span style=&quot;COLOR: black&quot;&gt;What the writer experiences in the act of writing has never been taken into account, yet this is where the screenplay comes from: the writer's here-and-now experience while working on the story. Information—left-brain concepts and techniques about plot structure, character development and orchestration, the dynamics of scenes and  sequences—is all necessary. But it is what one does with the information that makes a truly great screenplay. In The Soul of Screenwriting, Cunningham demonstrates that good screenwriting is more than hitting the big &quot;plot points&quot; with exciting action. G ood screenwriting also has integrity and authenticity. It has a &quot;voice,&quot; and because it has a voice it speaks to the audience. To gain a voice, the writer needs the heat of creative imagination: passion, commitment, enthusiasm, a drive to know the truth of the characters, and an urge to get to the core of the dramatic conflict without resorting to escapism. These are qualities of the heart, and as Cunningham argues, screenwriting can indeed be, in Carlos Castañeda's phrase, a path with heart.&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;&lt;br/&gt;&lt;p class=MsoNormal&gt;&lt;/p&gt;&gt;

The Soul of Screenwriting: On Writing, Dramatic Truth, and Knowing Yourself

Humor & Entertainment

Movies

Bloomsbury Academic

Uniquely inspired by the work of mythologist Joseph Campbell and psychologist Jean Houston, The Soul of Screenwriting demonstrates how the "screenwriting by numbers" approach that offers templates into which the writer may mechanically drop his or her story idea is fundamentally incomplete. Keith Cunningham maintains that in doing so, one ignores the process of writing. Screenwriting is a long journey and even the most gifted screenwriters get lost along the way. Getting lost, Cunningham reminds us, is part of the process too.
 What the writer experiences in the act of writing has never been taken into account, yet this is where the screenplay comes from: the writer's here-and-now experience while working on the story. Information-left-brain concepts and techniques about plot structure, character development and orchestration, the dynamics of scenes and sequences-is all necessary. But it is what one does with the information that makes a truly great screenplay. In The Soul of Screenwriting, Cunningham demonstrates that good screenwriting is more than hitting the big "plot points" with exciting action. G ood screenwriting also has integrity and authenticity. It has a "voice," and because it has a voice it speaks to the audience. To gain a voice, the writer needs the heat of creative imagination: passion, commitment, enthusiasm, a drive to know the truth of the characters, and an urge to get to the core of the dramatic conflict without resorting to escapism. These are qualities of the heart, and as Cunningham argues, screenwriting can indeed be, in Carlos Castañeda's phrase, a path with heart.

Continuum Intl Pub Group

The Oral Tradition of the American West: Adventure, Courtship, Family, and Place in Traditional Recitation (American Folklore Series)

There was a time in the American West when oral performance of stories, often in rhyme, was as natural as speaking-when to recite, or "give a piece'" was a favorite way to entertain family and friends. That time is almost-but not quite-gone. In this book, Keith Cunningham brings us transcriptions of the performance of twenty-eight people for whom the oral tradition of the West is alive and lively

Social Sciences

August House Pub Inc

American Indians' Kitchen-Table Stories: Contemporary Conversations With Cherokee, Sioux, Hopi, Osage, Navajo, Zuni, and Members of Other Nations

Presents contemporary stories showing how native Americans have retained their tribal identities

History

Americas

There is one thing that all marksmen—whether they're soldiers, cops, hunters, or competitive shooters—agree on: only hits count. Depending on your role, it may be more important to be faster or it may be more important to be precise, but in the end it's the shooter who can achieve perfect shots on demand, all the time, who wins. To fire a perfect shot, you need to bring together a mix of very specific conditions into that single moment when the trigger breaks. Some of the required conditions are technical, some of them are physical, but the requirements that are most important—and most elusive—are the mental skills. Once you have mastered the mental skills required to fire the perfect shot, you will find they're the same for any gun, any time, anywhere. Secrets of Mental Marksmanship is a detailed guide to developing conscious and subconscious powers that will elevate your marksmanship practice, training, and performance to the level of expert shooters. Keith Cunningham and Linda Miller—both champion shooters and master instructors, with decades of experience in the field and on the range—provide a set of tools that can be used to acquire and access the mental skills needed to perform to the best of your ability. True stories from military and law-enforcement professionals, seasoned hunters, and world-class competitors illustrate key points about marksmanship in the field, on the range, and on the streets. By mastering the tools, skills, and lessons outlined in this book, you will be able to get into "the zone" and produce the perfect shot under pressure and on demand, whenever you look through the sights of a gun.

Secrets of Mental Marksmanship: How to Fire Perfect Shots

Sports & Outdoors

Miller, Linda K.

Hunting & Fishing

Paladin Pr

Sara Jackson is no common thief-for-hire. She uses her limited teleportation abilities to “acquire” art and artifacts for clients. With the help of her older brother Max and their tech-savvy friend Claudette, Sara must gather a trio of ancient Egyptian relics, but these three apparently easy heists turn out to have both hidden dangers and cosmic consequences.

Lifted: Of Gods and Thieves

Comics & Graphic Novels

Pryor, Shawn

Murrin, Chris

Graphic Novels

Action Lab Entertainment

See the best price to sell, buy, or rent books by Cunningham, Keith. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Cunningham, Keith