Marking the occasion of Didier Vermeiren's eponymous solo exhibition at WIELS in Brussels, this book illuminates the recurrent strategies of repetition, reversal, doubling and inversion that the artist explores in his work Published to mark the occasion of Didier Vermeiren's (b. 1951) eponymous solo exhibition at WIELS in Brussels, Double Exposition takes its name from a photograph by Vermeiren that refers to its own double exposure ("exposition" in French, which also translates as "exhibition"). The title thus evokes the recurrent strategies of repetition, reversal, doubling, and inversion that Vermeiren explores in his work. &nbsp; Conceived by the artist and containing a rich array of his striking photographs, this book also features an in-depth analysis of Vermeiren's most recent sculptures written by long-term commentator on his practice, Michel Gauthier; an essay on the central role of photography in his studio practice by Susana Gállego-Cuesta; and a look at the shifts and continuities in his oeuvre over the past four decades by the exhibition's curator, Zoë Gray.

Didier Vermeiren: Double Exposition

Arts & Photography

Gauthier, Michel

Cuesta, Susana Gállego

History & Criticism

Mercatorfonds

The formless has fascinated artists in the Renaissance (from Leonardo da Vinci to Pontorno, Rabelais, Teresa of Avila, and Montaigne) and in the twentieth century, when Georges Bataille enshrined the notion of the informe at the center of his aesthetic thought. This book tries to think through the stakes entailed by this fascination and its resurgence.

Traite De L'informe: Monstres, Crachats Et Corps Debordants a La Renaissance Et Au Xxe Siecle (Litterature Et Arts Visuels, 3) (French Edition)

Classiques Garnier Multimedia

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Books by Cuesta, Susana Gállego