Since 1914 Marcel Duchamp has been called all of these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art--the very essence of which Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative and enigmatic activities and works that transformed traditional art-making procedures. This definitive monograph, written with the enthusiastic support of Duchamp's widow, challenges received ideas, misunderstandings, and misinformation

Marcel Duchamp

Arts & Photography

Ades, Dawn

Cox, Neil

Hopkins,David

History & Criticism

Thames&Hudson

A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp. 
Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience. 
Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations. 
This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy. 180 color illustrations

Marcel Duchamp (World of Art)

This is an introduction to cubism, the movement often seen as the single most important development in the history of 20th-century art. The book offers an account of the origins of the style in the dialogue between Georges Braque and Pablo Picasso between 1907 and 1914. It traces cubism's evolution in the work of these two artists as well as Juan Gris, Fernand Leger, Robert Delaunay, Andre Derain, Albert Gleizes, Jean Metzinger and many others. The book situates cubism in the context of its times, and shows how it penetrated artistic activity far beyond painting and sculpture, reinvigorating architecture, graphic design, music and poetry, and transforming the possibilities of photography and film.

Cubism A&I (Art and Ideas)

Phaidon Press

Published on the occasion of two concurrent exhibitions at Gagosian Gallery’s London locations in 2014 and 2015, this new catalogue features recent work by seminal artist Richard Serra, including four monumental sculptures and a single, yet massive, work on paper. The pioneer of large-scale, site-specific sculptures, Richard Serra has created works of art for architectural, urban, and landscape settings around the globe, and presented in this beautiful new book are the most recent additions to that oeuvre. Documenting the artist’s 2014–15 London shows with Gagosian Gallery, this volume highlights Serra’s awe-inspiring sculptures, as well as the five-meter-long work on paper, Double Rift #2 (2011), with striking full-page black-and-white installation shots.Art historian Neil Cox contributes a new and insightful essay on Serra’s work. Paying particular attention to the works in relation to space, Cox delivers detailed analyses on each of the exhibited pieces, providing further context for any reader.

Richard Serra 2014

Individual Artists

Gagosian / Rizzoli

Pablo Ruiz Picasso was the most prolific artist in the history of Western art. Born in 1881 in Malaga, southern Spain, he spent almost all of his life in France, dying in 1973. In more than seven decades as an artist, Picasso finished 2000 oil paintings, along with innumerable sculptures, ceramics, collages, prints, photographs, drawings, and jewelry designs.This new book, drawing extensively on the most recent research, provides an overview of the whole range of Picasso’s art and career. Uniquely, it takes a thematic approach, examining Picasso and poetry, Picasso and war, Picasso and "disfigurement" – the fragmentation of the human form in his work – Picasso and play, and Picasso’s ruminations on the figure of the artist. The introduction looks at Picasso himself, and the myths that surround him, concluding that it is impossible to disentangle the man from his legend. Separate sections include extracts from Picasso’s poetry and writings and from critics both contemporary and historical.Functioning both as an introduction for those coming fresh to Picasso’s work and bringing new insights to those already familiar with his career, this important yet accessible book is one of the most significant additions to Picasso literature in recent years.

The Picasso Book (Essential Artists)

Reference

Tate

Pablo Picasso was fascinated by animals and from his earliest years they played an important role in both his life and his work. Many of his most intriguing and stimulating creations represent beasts in all manner of guises, both serious and playful. A Picasso Bestiary is published to coincide with an exhibition held at Croydon in 1995, and like the show, it gathers together a thought-provoking selection of Picasso's animal works, grouped by subject: The Bull, The Horse and the Donkey, Birds, Cats and Dogs, Goats and Sheep, Watery Creatures, Insects, Monkeys and Monsters. This format was suggested by the structure of the mediaeval bestiary: a luxurious 'Book of Beasts' which described the wonders of the animal kingdom and explained their moral and spiritual significance. The stories the bestiary tells are based on fact and fancy, hearsay and precedence, and a comparable method has been adopted in this book: the weaving of tales around Picasso's animals and relating them to earlier themes and models in Western European art. Like many artists before him, Picasso recognised the way in which the visual representation of animals could invoke a whole range of reflections about life and death, food and sex and, importantly, his own creativity. This book therefore comprises two narratives, the one dealing with a tradition of animal representation, the other with Picasso. Their juxtaposition, together with a wealth of visual material, allows exciting patterns to emerge which demonstrate both how consistently certain long-established themes continue into Picasso's art, and how wilfully others are abandoned in favour of his own personal vision.

A Picasso Bestiary

Povey, Deborah

Architecture

wiley

This thought-provoking book presents a lively introduction to the 20th century's most important artist, Pablo Picasso. Picasso was a passionate student of the European painting tradition, and his memory for images was voracious. Naturally drawn to Spanish masters Velázquez and Goya, he also engaged with such figures as Rembrandt, Delacroix, Ingres, Manet, and Cézanne. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his "quotations" were direct, other times highly allusive. Always, Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. This book showcases his extraordinary work, where we witness the daring transformation of the art of the past into, in Picasso's own words, "something else entirely."

Picasso: Challenging the Past

Cowling, Elizabeth

Riopelle, Christopher

Robbins, Anne

Galassi, Susan Grace

Fraquelli, Simonetta

National Gallery London

From his earliest years Pablo Picasso was a passionate student of the European painting tradition. He was naturally drawn to the Spanish masters Velázquez and Goya, but such figures as Rembrandt, Delacroix, Ingres, Manet, and Cézanne were also important artistic heroes. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his “quotations” were direct, other times highly allusive. Always Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. 
Liberally illustrated with 150 full-color plates of works by Picasso and those who inspired him, the book showcases the technical dexterity, independence, and vitality of Picasso’s creative processes as he daringly transformed the art of the past into, as he described it, “something else entirely."

Picasso : Eleven Paintings from International Collections

PICASSO, Pablo

Vancouver Art Gallery

Cubism as Surrealism: The Watson Gordon Lecture 2008.

Picasso's 'Toys for Adults': Cubism as Surrealism: The Watson Gordon Lecture 2008

Collections, Catalogs & Exhibitions

National Galleries Of Scotland

See the best price to sell, buy, or rent books by Cox, Neil. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Cox, Neil

See the best price to sell, buy, or rent books by Cox, Neil. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Marcel Duchamp

Marcel Duchamp (World of Art)

Cubism A&I (Art and Ideas)

Richard Serra 2014

The Picasso Book (Essential Artists)

A Picasso Bestiary

Picasso: Challenging the Past

Picasso: Challenging the Past

Picasso : Eleven Paintings from International Collections

Picasso's 'Toys for Adults': Cubism as Surrealism: The Watson Gordon Lecture 2008