Mostly religious in function, but preserving the classicism of Greco-Roman art, Byzantine buildings and art objects communicate the purity and certainties of the public face of early Christian art. Focusing on the art of Constantinople between 330 and 1453, this book probes the underlying motives and attitudes of the society which produced such rich and delicate art forms. It examines the stages this art went through as the city progressed from being the Christian center of the Eastern Roman Empire, to its crisis during attack from the new religion of Islam, to its revived medieval splendor and then, after the Latin capture of 1204 and the Byzantine reoccupation after 1261, to its arrival at a period of cultural reconciliation with East and West.

Byzantine Art (Oxford History of Art)

Arts & Photography

Cormack, Robin

History & Criticism

Oxford University Press

Writing in Gold is a bold and challenging statement about the importance of the visual arts in a largely illiterate society. Exploring the height of Byzantine society from the 6th to the 12th centuries through a survey of the period's surviving paintings, mosaics, and metalware, the book shows how these art objects molded attitudes and beliefs in the medieval world. The examples chosen cover the full range of Byzantine society from the sophisticated urban environment of Constantinople, where emperors used art to maintain loyalty and support for the system, to the life of a small community on Cyprus, where a recluse used art to glorify himself to his disciples. Written in a lively style, and drawing on new and original material throughout, Writing in Gold illuminates an intriguing period in art history.

Writing in Gold: Byzantine Society and its Icons

The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.

Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book, featuring the painted panels made for churches and for prayer at home, provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection of icons, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history. Robin Cormack, a preeminent expert on the subject, explains how icons were made, framed, and displayed. He investigates their subject matter, showing how scenes can be identified, how the iconography developed over centuries, and what role portraiture plays in their imagery. Icons have not lost their power in much of the world, and Cormack considers their continuing use in our day--whether in a religious setting or as an inspiration to modern-da

Icons

Religion & Spirituality

Harvard University Press

Icons /anglais

When Matisse thus expressed his admiration for icons, upon a visit to Russia in 1911, he echoed the sentiments of viewers down the centuries. These painted panels made for Byzantine and Orthodox churches and as aids to prayers at home are perhaps the most effective and enduring form of religious art ever developed, and also perhaps one of the most mysterious. The peaceful, clear imagery found within them can be appreciated on both a religious and a secular level. This engaging book looks at icons in the context of the history of Christianity, examining all aspects of the production and power of this distinctive art form. Through numerous colour illustrations, it investigates their subject matter, showing how scenes can be identified, how the iconography developed over the centuries, and the role of portraiture. The ways in which icons were made, framed and displayed are also explored, based on an analysis of examples from the British Museum that have been carefully studied by restorers. The Museums entire collection of around 100 icons, unmatched in Britain, is illustrated here in colour.

Reference

BRITISH MUSEUM

Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book, featuring the painted panels made for churches and for prayer at home, provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection of icons, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.   Robin Cormack, a preeminent expert on the subject, explains how icons were made, framed, and displayed. He investigates their subject matter, showing how scenes can be identified, how the iconography developed over centuries, and what role portraiture plays in their imagery. Icons have not lost their power in much of the world, and Cormack considers their continuing use in our day--whether in a religious setting or as an inspiration to modern-day artists like Matisse.   A uniquely accessible and authoritative introduction to this distinctive art form, Icons defines its subject's unusual place at the intersection of religion, Russian culture, and art history.

The Byzantine Eye: Studies in Art and Patronage

Variorum

The papers in this volume derive from the 29th Spring Symposium of Byzantine Studies. This was held for the Society for the Promotion of Byzantine Studies in the University of London in March 1995, in order to complement the British Museum exhibition 'Byzantium. Treasures of Byzantine Art and Culture'.  The objective of the symposium was to explore the ways in which British scholars, travellers, novelists, architects, churchmen and critics came into contact with Byzantium, and how they perceived what they saw. The present volume sets out some of the results of this enquiry. Byzantium is treated both as a source of influence on British culture as well as an 'idea' which British culture constructed in different ways in different periods of history. To give some comparative context, attention is also paid to attitudes towards Byzantium in continental Europe.  Papers deal, amongst other topics, with the collecting of objects representative of Byzantine culture and with the changing appreciation of Byzantine manuscripts. They also include a series of case studies of individual historians and Byzantinists, and two deal in particular with Ruskin, who emerges as a perceptive 19th-century critic of Byzantine culture.  Through the Looking Glass is volume 7 in the series published by Ashgate/Variorum on behalf of the Society for the Promotion of Byzantine Studies.

Through the Looking Glass (Publications for the Society for the Promotion of Byzantine Studies: 7)

Jeffreys, Elizabeth

Routledge

Painting the Soul is a beautifully illustrated study of the creation and development of the icon. "This book is a firework display. It sets off scores of explosions which light up the sky over-arching our field, terrain that is normally traversed nose down and too mindful of the footsteps of our predecessors."—Burlington Magazine

Painting the Soul: Icons, Death Masks and Shrouds (Essays in Art and Culture)

Religious

Reaktion Books

This text is published to accompany an exhibition devoted to the artistic and cultural riches of Byzantium. Essays trace the history and cultural development of more than 1000 years of Byzantine art, revealing the splendours of the imperial city of Constantinople. Numerous artefacts reveal the distinct style and character of Byzantine art.

Byzantium, 330-1453

Royal Academy Publications

See the best price to sell, buy, or rent books by Cormack, Robin. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Cormack, Robin

See the best price to sell, buy, or rent books by Cormack, Robin. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Byzantine Art (Oxford History of Art)

Writing in Gold: Byzantine Society and its Icons

Byzantine Art (Oxford History of Art)

Icons

Icons /anglais

Icons /anglais

The Byzantine Eye: Studies in Art and Patronage

Through the Looking Glass (Publications for the Society for the Promotion of Byzantine Studies: 7)

Painting the Soul: Icons, Death Masks and Shrouds (Essays in Art and Culture)

Byzantium, 330-1453