The Phenomenology of Blood in Performance Art (Routledge Advances in Theatre & Performance Studies)

The Phenomenology of Blood in Performance Art is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.Edited by T. J. Bacon (she/they) and Chelsea Coon (she/her), this book moves through an established cannon of artists and beyond to ensure an inclusive representation of practices from a wider range of practitioners. First-hand interviews and conversations have been gathered from both canonical names as well as individuals who are prevalent in their communities and/or respective subcultures, but less represented within the frameworks of scholarly discourse. Each offers the opportunity to examine their experiences creating artworks and in turn contributes to the context of phenomenological examination within this publication through complementary scholarly texts from leading thinkers who frame phenomenological application to both visual art and transdisciplinary context. Featuring artists through new exclusive interviews and contributions including Marina Abramovic, Jelili Atiku, Ron Athey, Franko B, Niya B, Marisa Carnesky, Chelsea Coon, Victor Martinez Diaz, Rufus Elliot, Ernst Fischer, Louis Fleischauer, Poppy Jackson, Mirabelle Jones, Andrei Molodkin, Hermann Nitsch, ORLAN, Mike Parr, Greta Sharp, tjb and Paola Paz Yee, and reference to many more. Alongside new scholarly insight by leading phenomenological and interdisciplinary art scholars and philosophers including T. J. Bacon, Chelsea Coon, Stuart Grant, Kelly Jordan, Lynn Lu, Roberta Mock, Amber Musser and Raegan Truax. Together they represent a significant exploration of intricate and dynamic responses to the cultural fabric of contemporary lived experiences across space and time through the medium of blood in performance art.This incredible analysis of this performance art will be of huge interest to students and practitioners of live art, performance art, phenomenology, and performance philosophy.

Arts & Photography

Coon, Chelsea

Bacon, T. J.

History & Criticism

Routledge

No One Thing is the Root of All Anything: Phases and Performance of the Imminent describes the artist’s methodological approaches in the spatial practice of performance. She examines the body as a site for potential, and asserts the probability for it to be as expansive as the universe itself. The text examines the intersection of concepts within performance and astronomy that speak of bodies in and of spaces. She establishes performance to be an expansive form of research methodology, and astronomy as a lens through which we can begin to understand our irrefutably interconnected relationship to the universe. The subtle and monumental phases of birth and death of the body mirrors that of the processes of cosmological manifestations, such as stars. Objects in the furthest corners of space can contain fragments of what is also inside life forms. This text discusses personal and expansive spaces, examines probability, scale, and duration. It affirms that the end is another place from which to start.

No One Thing is the Root of All Anything: Phases and Performance of the Imminent

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