Quantitative Safety Analyses For Highway Applications

Campbell, John

Cook, Daniel

Ogle, Jennifer

Dixon, Karen

Harwood, Douglas W.

Potts, Ingrid

Torbic, Darren

Wemple, Elizabeth

Gowan, Breland

Washington : Transportation Research Board

As he nears his 250th birthday, where does Sir Walter Scott stand now? Is the author who was once “The Great Unknown” unknown again? or is his cultural legacy still a deeply-rooted, recurrent source of inspiration for reworking into myriad new forms, for new audiences, and for very different times. This special issue of Studies in Scottish Literature , guest-edited by Daniel Cook and Lucy Wood, comprises thirteen newly-commissioned essays and an afterword, based on conference papers delivered at the University of Dundee in April 2017. After the editors’ introduction to the continuing commemoration and creative reworking of Scott’s work, the essays are organized in four sections: Scott and the Theatre, with essays by Mary C. Nestor, Barbara Bell, and Paula Sledzinska; Scott and History, with essays by Lucy Wood, John Williams, and Stephen Basdeo; Scott and Others, with essays by David Selfe, Juliet Shields, Camilla Cassidy, and Céline Sabiron; and Scott’s Afterlives, with essays by Fiona Robertson, George S. Williams, and Christopher Murray, with an afterword by Christopher Murray describes new reworkings of Scott’s work in comics format from the Dundee Comics Creative Space. Founded in 1963, Studies in Scottish Literature, the first refereed scholarly journal in its field, remains a leading forum for scholarly discussion and research. Edited by Patrick Scott and Tony Jarrells, of the University of South Carolina, with the support of a distinguished international advisory board, the journal publishes articles on all periods of Scottish literature. Daniel Cook is Senior Lecturer in 18th & 19th Century Literature and Associate Director of the Centre for Scottish Culture at the University of Dundee, University of Dundee. Lucy Wood is an affiliate with the Abbotsford Trust, in heritage education, and won the 2017 G. Ross Roy Medal for her Edinburgh PhD on Scott’s Antiquarian-ism.

Studies in Scottish Literature 44.2: Reworking Walter Scott

Comics & Graphic Novels

History & Price Guides

Independently published

Poets are makers, etymologically speaking. In practice, they are also thieves. Over a long career, from the early 1690s to the late 1730s, Jonathan Swift thrived on a creative tension between original poetry-making and the filching of familiar material from the poetic archive. The most extensive study of Swift's verse to appear in more than thirty years, Reading Swift's Poetry offers detailed readings of dozens of major poems, as well as neglected and recently recovered pieces. This book reaffirms Swift's prominence in competing literary traditions as diverse as the pastoral and the political, the metaphysical and the satirical, and demonstrates the persistence of unlikely literary tropes across his multifaceted career. Daniel Cook also considers the audacious ways in which Swift engages with Juvenal's satires, Horace's epistles, Milton's epics, Cowley's odes, and an astonishing array of other canonical and forgotten writers.

Reading Swift's Poetry

Literature & Fiction

British & Irish

Cambridge University Press

The Cambridge Companion to Gulliver's Travels

Long before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett. His pseudo-medieval Rowley poems, in particular, engendered a renewed fascination with ancient English literature. With Chatterton as its case study, this book offers new insights into the formation and development of literary scholarship in the period, from the periodical press to the public lecture, from the review to the anthology, from textual to biographical criticism. Cook demonstrates that, while major scholars found Chatterton to be a pertinent subject for multiple literary debates in the eighteenth century, by the end of the Romantic period he had become, and still remains, an unsettling model of hubristic genius.

Thomas Chatterton and Neglected Genius, 1760-1830

PALGRAVE~MACMILLAN

The Victim of Fancy: by Elizabeth Sophia Tomlins (Chawton House Library: Women's Novels)

The Victim of Fancy was first published in December 1787 and, despite favourable reviews, has not been published since. Cook's new scholarly edition of this forgotten novel will be of paramount importance in allowing new insights into the form of the sentimental novel as it actually existed in the 1780s, and not as it is often perceived.

History & Criticism

Routledge

Long before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett. His pseudo-medieval Rowley poems, in particular, engendered a renewed fascination with ancient English literature.With Chatterton as its case study, this book offers new insights into the formation and development of literary scholarship in the period, from the periodical press to the public lecture, from the review to the anthology, from textual to biographical criticism. Cook demonstrates that, while major scholars found Chatterton to be a pertinent subject for multiple literary debates in the eighteenth century, by the end of the Romantic period he had become, and still remains, an unsettling model of hubristic genius.

Walter Scott and Short Fiction

This book is the first extensive study of seventeen works of short fiction by one of Scotland's most influential writers of all time. It examines the author's only collection of short stories, Chronicles of the Canongate, periodical and gift-book pieces, and interpolated tales that appeared in the novels. Through careful readings of, amongst others, the Highland stories ('The Highland Widow' and 'The Two Drovers'), his Indian novella (The Surgeon's Daughter), Gothic keepsakes ('My Aunt Margaret's Mirror' and 'The Tapestried Chamber'), and his Calabrian tale Bizarro, this book offers new insights into the production and consumption of short stories, novellas, tales, sketches and other forms of fiction in the early nineteenth century and beyond.

Edinburgh University Press

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