Thomas A. Edison remains rooted in the popular imagination primarily as the inventor of the practical electric light, but he also continues to function in the lexicons of advertising and politics as a symbol of American individualism, ingenuity, and know-how. Introduced here with a broad range of primary sources for discussion, the American inventor emerges as a prolific mind, a tireless worker, and an inveterate self-promoter. Examples of Edison’s own experimental notes, his personal correspondence, as well as press accounts provide an opportunity to explore the themes of modernization and the American ideology of progress. The volume includes an extended introduction, headnotes to the documents, illustrations, a chronology, discussion questions, a bibliography, and an index.

Thomas Edison and Modern America: A Brief History with Documents (The Bedford Series in History and Culture)

History

Gitelman, Lisa

Collins, Theresa M.

Americas

Bedford/St.Martin's

Thomas Edison and Modern America: An Introduction with Documents

Biographies & Memoirs

Historical

PALGRAVE~MACMILLAN

Our Hearts Fell to the Ground & Thomas Edison and Modern America & McGuffey Readers & Southern Horrors and Other Writings & Plunkitt of Tammany Hall & ... at Hull-House & Looking Backward, 2000-1887

BELLAMY, EDWARD

Flehinger, Brett

Calloway, Colin G.

ADDAMS, JANE

Riordon, William L.

Royster, Jacqueline Jones

McGuffey Readers & Plunkitt of Tammany Hall & Looking Backward, 2000-1887 & Southern Horrors and Other Writings & Thomas Edison and Modern America & ... and the Power of Progressivism & Jungle

Gorn, Elliott J.

SINCLAIR, UPTON

Thomas Edison and Modern America & Black Protest and the Great Migration & Era of Franklin D. Roosevelt, 1933-1945 & American Social Classes in the 1950s

Arnesen, Eric

PACKARD, VANCE

Polenberg, Richard D.

Otto Kahn: Art, Money, and Modern Time

In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."

Univ of North Carolina Pr

This richly illustrated volume explores Edison’s inventive and personal pursuits from 1885 to 1887.
Two decades after the American Civil War, no name was more closely associated with the nation’s inventive and entrepreneurial spirit than that of Thomas Edison. The restless changes of those years were reflected in the life of America’s foremost inventor. Having cemented his reputation with his electric lighting system, Edison had decided to withdraw partially from that field. At the start of 1885, newly widowed at mid-life with three young children, he launched into a series of personal and professional migrations, setting in motion chains of events that would influence his work and fundamentally reshape his life. 
Edison’s inventive activities took off in new directions, flowing between practical projects (such as wireless and high-capacity telegraph systems) and futuristic ones (exploring forms of electromagnetic energy and the convertibility of one to another). Inside of two years, he would travel widely, marry the daughter of a prominent industrialist and religious educator, leave New York City for a grand home in a sylvan suburb, and construct a winter laboratory and second home in Florida. Edison’s family and interior life are remarkably visible at this moment; his papers include the only known diary in which he recorded personal thoughts and events. By 1887, the familiar rhythms of his life began to reassert themselves in his new settings; the family faded from view as he planned, built, and occupied a New Jersey laboratory complex befitting his status. 
The eighth volume of the series, New Beginnings includes 358 documents (chosen from among thousands) that are the most revealing and representative of Edison’s work, life, and place in American culture in these years. Illustrated with hundreds of Edison’s drawings, these documents are further illuminated by meticulous research on a wide range of sources, including the most recently digitized newspapers and journals of the day.

The Papers of Thomas A. Edison: New Beginnings, January 1885–December 1887 (Volume 8)

Edison, Thomas A.

Weeks, Daniel J.

Carlat, Louis

Rimer, Alexandra R.

Johns Hopkins University Press

In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel"

Arts & Literature

The University of North Carolina Press

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