A LitHub Most Anticipated Book of Summer "The Churchgoer isn't a typical noir novel--it's a smart new twist on the genre.... Defiantly original and faithful to its literary predecessors--the novel's pacing is perfect." --Michael Schaub, Los Angeles Times A haunting debut literary noir about a former pastor's search to find a missing woman in the toxic, contradictory underbelly of southern California. "He was finished with church, with God, with all of it. But to find the girl, he has to go back." In Mark Haines's former life, he was an evangelical youth pastor, a role model, and a family man--until he abandoned his wife, his daughter, and his beliefs. Now he's marking time between sunny days surfing and dark nights working security at an industrial complex. His isolation is broken when Cindy, a charming twenty-two-year old drifter he sees hitchhiking on the Pacific Coast Highway, hustles him for a breakfast and a place to crash--two cynical kindred spirits. Then his co-worker is murdered in a robbery gone wrong and Cindy disappears on the same night. Haines knows he should let it go and return to his safe life of solitude. Instead, he's driven to find out where Cindy went, under stranger and stranger circumstances. Soon Mark is chasing leads, each one taking him back into a world where his old life came crashing down--into the seedier side of southern California's drug trade and ultimately into the secrets of an Evangelical megachurch where his past and his future are about to converge. What begins as an investigation becomes a haunting mystery and a psychological journey both for Mark, and for the elusive young stranger he won't let get away. Set in the early 2000s, The Churchgoer is a gripping noir, a quiet subversion of the genre, and a powerful meditation on belief, morality, and the nature of evil in contemporary life.

CHURCHGOER

Literature & Fiction

Coleman, Patrick

United States

Perennial

In his Discourses (1755), Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process.  If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature?  We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives to the corruption and oppressive conformity of modern society. Rousseau's sweeping account of humanity's social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century.  This new translation includes all Rousseau's own notes, and Patrick Coleman's introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought.

Discourse on the Origin of Inequality

Politics & Social Sciences

Rousseau, Jean­Jacques

Sociology

Oxford Univ. Pr.

Sexual attraction, artistic insight, and the often ironic relationship between them are the dominant themes in the three short works by Balzac collected in this volume. In Sarrasine, an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions. This volume is the only edition to bring these three great Balzac novellas together in one book, and it is the first paperback collection to include Sarrasine. Patrick Coleman's Introduction builds on the latest scholarship to help the reader appreciate the connections between notions of gender and the aesthetic explorations of nineteenth-century French romanticism and realism. The edition also includes thorough notes which explain all important cultural and political references. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Girl with the Golden Eyes and Other Stories (Oxford World's Classics)

COLLIER, Peter

BALZAC, Honoré de

Short Stories & Anthologies

Oxford University Press

The first new English translation for more than 35 years of Balzac's extraordinary The Wild Ass's Skin, it is also the first edition in English to include Balzac's original Preface of 1831. This novel has been freshly translated by Helen Constantine, who captures Balzac's stylistic energy and exuberance. Patrick Coleman's wide-ranging introduction considers the multiple perspectives of the novel, its conceptualization of historical change, and its satirical commentary on contemporary society. His extensive notes clarify Balzac's many allusions to the culture and society of his time. The book also includes an up-to-date bibliography and helpful map of Paris in 1830. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Wild Ass's Skin (Oxford World's Classics)

Constantine, Helen

Literary

Anger, Gratitude, and the Enlightenment Writer examines how writers as diverse as Rousseau, Diderot, Marivaux, and Challe discuss the social appropriateness of anger and gratitude in regulating social life. Emotions are social transactions, with rules identifying when and where it is appropriate to express one's feelings and, especially in the case of anger and gratitude, who is allowed or expected to put them on display. Defining the kinds of slight or favor that demand an angry or a grateful response became problematic in eighteenth-century France under the pressure of two contradictory developments which were both crucial to Enlightenment thinking about sociability. The first drew on the ideal of moral equality as it spread beyond the salons to the social world at large. Writers claimed for themselves an entitlement to anger at personal slight that had been hitherto reserved for aristocrats, and a respectful hearing for their indignation at public injustice despite their lack of official standing. The philosophes also argued their writing made them social benefactors in their own right, more deserving of their readers' gratitude than obliged to any patron. The second gave a new twist to longstanding philosophical notions about transcending emotional disturbance and dependence altogether. A personal ideal became a public goal as Enlightenment thinkers imagined a society where all significant social interaction was governed by the impersonal rule of law. Occasions for personal slight or obligation would disappear, and with them reasons for anger and gratitude. Instead of serving as a model of emotional legitimacy, authors would derive their prestige from their rationality and objectivity. By exploring the interplay between these two attitudes toward anger and gratitude this book provides a fresh perspective on the French Enlightenment.

Anger, Gratitude, and the Enlightenment Writer

History & Criticism

Equivocal City: French and English Novels of Postwar Montreal

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could - and could not - imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.

McGill-Queen's University Press

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could ? and could not ? imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.

A literary exploration of Gabrielle Roy and his first novel The Tin Flute. Canadian Fiction Studies are an answer to every librarian's, student's, and teacher's wishes. Each book contains clear information on a major Canadian novel. These studies are carefully designed readings of the novels; they are not substitutes for reading them. Each book is attractively produced and includes a chronology of the author's life, information on the importance of the book and its critical reception, an analysis of the text, and a selected list of works cited.

The Limits of Sympathy: Gabrielle Roy's the Tin Flute

ECW Press

Winner of the Berkshire Prize for a First or Second Book of Poetry
 Occasioned by the birth of a first child and originally spoken aloud into a digital audio recorder on the poet's long commute between the art museum where he worked and his home in a neighborhood burned in the Witch Creek Fire of 2007, each of the poems in Patrick Coleman's first book resists the confusions of twenty-first-century parenthood, marriage, art, and commerce. By turns conversational and anxious, metaphysical and self-mocking, celebratory yet permeated by an awareness of life's flickering ephemerality, Fire Season is a search for gratitude among reasons to be afraid--and proof that a person can pass through the fires and come out the other side alive.

Fire Season: Poems

Poetry

Tupelo Press

CPSGT Study Guide 2024-2025: Test Prep with Practice Questions and Answer Explanations for the Certified Polysomnographic Technician Exam Review

Test Preparation

Study & Test-Taking Skills

Independently published

See the best price to sell, buy, or rent books by Coleman, Patrick. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Coleman, Patrick

See the best price to sell, buy, or rent books by Coleman, Patrick. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

CHURCHGOER

Discourse on the Origin of Inequality

The Girl with the Golden Eyes and Other Stories (Oxford World's Classics)

The Wild Ass's Skin (Oxford World's Classics)

Anger, Gratitude, and the Enlightenment Writer

Equivocal City: French and English Novels of Postwar Montreal

Equivocal City: French and English Novels of Postwar Montreal

The Limits of Sympathy: Gabrielle Roy's the Tin Flute

Fire Season: Poems

CPSGT Study Guide 2024-2025: Test Prep with Practice Questions and Answer Explanations for the Certified Polysomnographic Technician Exam Review