The election of Barack Obama gave political currency to the (white) idea that Americans now live in a post-racial society. But the persistence of racial profiling, economic inequality between blacks and whites, disproportionate numbers of black prisoners, and disparities in health and access to healthcare suggest there is more to the story. David H. Ikard addresses these issues in an effort to give voice to the challenges faced by most African Americans and to make legible the shifting discourse of white supremacist ideology―including post-racialism and colorblind politics―that frustrates black self-determination, agency, and empowerment in the 21st century. Ikard tackles these concerns from various perspectives, chief among them black feminism. He argues that all oppressions (of race, gender, class, sexual orientation) intersect and must be confronted to upset the status quo.

Blinded by the Whites: Why Race Still Matters in 21st-Century America (Blacks in the Diaspora)

Ikard, David H.

Cobb, William Jelani

History

Indiana University Press

For acclaimed historian William Jelani Cobb, the historic election of Barack Obama to the presidency is not the most remarkable development of the 2008 election; even more so is the fact that Obama won some 90 percent of the black vote in the primaries across America despite the fact that the established black leadership since the civil rights era―men like Jesse Jackson, John Lewis, Andrew Young, who paved the way for his candidacy―all openly supported Hillary Clinton. Clearly a sea change has occurred among black voters, ironically pushing the architects of the civil rights movement toward the periphery at the moment when their political dreams were most fully realized. How this has happened, and the powerful implications it holds for America's politics and social landscape, is the focus of The Substance of Hope, a deeply insightful, paradigm-shifting examination of a new generation of voters that has not been shaped by the raw memory of Jim Crow and has a different range of imperatives. Cobb sees Obama's ascendancy as "a reality that has been taking shape in tiny increments for the past four decades," and examines thorny issues such as the paradox and contradictions embodied in race and patriotism, identity and citizenship; how the civil rights leadership became a political machine; why the term "postracial" is as iniquitous as it is inaccurate; and whether our society has really changed with Obama's election. Elegantly written and powerfully argued, The Substance of Hope challenges conventional wisdom as it offers original insight into America's future.

The Substance of Hope: Barack Obama and the Paradox of Progress

Politics & Social Sciences

Social Sciences

Walker Books

2007 Arts Club of Washington’s National Award for Arts Writing - Finalist
SEE ALSO: Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women by T. Denean Sharpley-Whiting.
With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.
The four pillars of hip hop—break dancing, graffiti art, deejaying, and rapping—find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants’ turnstile artistry. Tracing hip-hop’s relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman.
Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.

To the Break of Dawn: A Freestyle on the Hip-Hop Aesthetic

Arts & Photography

Music

NYU Press

To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic

2007 Arts Club of Washington’s National Award for Arts Writing - Finalist With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam. The four pillars of hip hop—break dancing, graffiti art, deejaying, and rapping—find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants’ turnstile artistry. Tracing hip-hop’s relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman. Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.

An unflinching collection of essays that takes on the subjects of Biggie Smalls, Three 6 Mafia, The King Family, and what it takes to be black at the turn of the twenty-first century.

The Devil and Dave Chappelle: And Other Essays

Literature & Fiction

United States

Basic Books

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Books by Cobb, William Jelani