There is no better way for students to learn about cultural diversity than to study the folklore and folkways of different ethnic groups. The work of over 200 expert contributors, this massive encyclopedia authoritatively and engagingly surveys folklife and traditions from around the world. Each of the four volumes covers the countries and cultural groups of a particular continent or geographical region, and the first volume also includes 39 topics and themes central to world folklore. Each of the more than 170 culture or country entries explores the background, belief system, oral and theatrical traditions, material culture, and contemporary concerns of a particular culture. Each concludes with an extended list of further readings. A generous selection of maps and illustrations makes this encyclopedia especially attractive to students and general readers.
China . . . Malta . . . Madagascar . . . Wales . . . and Texas: these are among the many exotic, distant lands that capture our minds and imaginations. In an era of increasing globalization, students, general readers, and business professionals need to know about the world and its varied ways. So too, a knowledge of world cultures is fundamental to an understanding of America's ethnically rich society. Folklore isn't just about the long ago and far away. It's about the here and now, and there's no better way to learn about cultural diversity than to study the folklore and folkways of different ethnic groups.
More than just Cinderella and other fairy tales, folklore encompasses the whole realm of traditional beliefs and activities that define a culture. The most comprehensive work of its kind, this massive encyclopedia engagingly and authoritatively surveys folklife and traditions from around the world. Through its vast scope and lengthy entries, it transcends other references on particular national or regional folklores and is the most ambitious undertaking of its type. Organized in four volumes, the encyclopedia provides convenient access to information about folklore generally and to the traditions of particular regions:
Along with the expertise of the contributors, of Volume Editor William M. Clements, and of Advisory Editor Thomas A. Green, the encyclopedia draws upon a distinguished board of internationally recognized scholars, including: Roger D. Abrahams, Cristina Bacchilega, Gillian Bennett, Mary Ellen Brown, James R. Dow, Alessandro Falassi, Barbro Klein, Peter Knecht, Natalie Kononenko, Frances M. Malpezzi, Margaret Mills, M. D. Muthukumaraswamy, Gerald Pocius, and John S. Ryan.
Because folklore is the essence of daily life, this encyclopedia addresses the curriculum needs of high school students and is also an indispensable resource for teachers. In addition, anyone researching folklore in a public library will find this the first place to look for detailed information about cultural traditions around the world.
 • Brings together the knowledge of more than 200 specialists from around the world. 
• Provides 39 extended entries on topics central to world folklore. 
• Details the folklore and folkways of roughly 170 cultural groups. 
• Entries discuss the background, beliefs, oral and theatrical traditions, arts and crafts, and contemporary concerns of each cultural group. 
• Each entry cites numerous works for further reading. 
• A generous selection of maps and illustrations makes world folklore come to life. 
• A list of entries and a cumulative subject index, repeated in each volume, offer convenient access to the vast body of information contained in the encyclopedia. 
• A selected, general bibliography directs students and general readers to the most important broad studies of world folklore. 
• A glossary defines key terms, theories, and concepts.

The Greenwood Encyclopedia of World Folklore and Folklife [Four Volumes]

Politics & Social Sciences

Clements, William M.

Social Sciences

Greenwood

Theological Context for Pastoral Caregiving: Word in Deed

In Theological Context for Pastoral Caregiving, Howard W. Stone helps his fellow pastors and worship leaders provide effective and faithful pastoral care and counseling through the study of the correlation between pastoral care and theology. You will learn that in order for pastoral care to be effective it must have a theological base to shape the caregiving experience. At the same time, theology must be informed by the needs and experiences of the people being served and by the ministry of pastoral care. By relating these two issues, you gain a unique viewpoint not offered by books with simply a psychological focus.The author draws from his day-to-day clinical practice of pastoral care and counseling to show how pastoral care and theology can be brought together. Through Howard Stone’s work, the reader learns of: 
<ul>
<li>an overview of pastoral care and counseling today </li>
<li>how to provide a pastoral assessment of the persons served </li>
<li>the author’s theological understanding of the ministry of pastoral care and counseling </li>
<li>methods for correlating theology and pastoral care </li>
<li>how spiritual direction as a discipline can help pastoral care and counseling ministry regain a solid theological base </li>
<li>theological themes that might be more explicitly and intentionally related to pastoral careTheological Context for Pastoral Caregiving provides useful information for parish pastors, people in training to be parish pastors, and specialists in the field of pastoral care counseling. As one of the easiest-to-read books on this subject, it can also be used as a text for graduate-level classes in courses such as Theology and Pastoral Care, Pastoral Theology, and Practical Theology. With this book, seminary students will finally be able to relate the practical things learned in pastoral counseling classes with what is learned in theology classes.</li>
</ul>

Religion & Spirituality

Stone, Howard W.

Christian Books & Bibles

Routledge

Health, Fitness & Dieting

Psychology & Counseling

Haworth Pastoral Press

Native American Folklore, 1879-1979: An Annotated Bibliography

Malpezzi, Frances

Swallow Pr

For more than four centuries, Europeans and Euroamericans have been making written records of the spoken words of American Indians. While some commentators have assumed that these records provide absolutely reliable information about the nature of Native American oral expression, even its aesthetic qualities, others have dismissed them as inherently unreliable. In Native American Verbal Art: Texts and Contexts, William Clements offers a comprehensive treatment of the intellectual and cultural constructs that have colored the textualization of Native American verbal art. Clements presents six case studies of important moments, individuals, and movements in this history. He recounts the work of the Jesuits who missionized in New France during the seventeenth and eighteenth centuries and textualized and theorized about the verbal expressions of the Iroquoians and Algonquians to whom they were spreading Christianity. He examines in depth Henry Timberlake’s 1765 translation of a Cherokee war song that was probably the first printed English rendering of a Native American "poem." He discusses early-nineteenth-century textualizers and translators who saw in Native American verbal art a literature manqué that they could transform into a fully realized literature, with particular attention to the work of Henry Rowe Schoolcraft, an Indian agent and pioneer field collector who developed this approach to its fullest. He discusses the "scientific" textualizers of the late nineteenth century who viewed Native American discourse as a data source for historical, ethnographic, and linguistic information, and he examines the work of Natalie Curtis, whose field research among the Hopis helped to launch a wave of interest in Native Americans and their verbal art that continues to the present. In addition, Clements addresses theoretical issues in the textualization, translation, and anthologizing of American Indian oral expression. In many cases the past records of Native American expression represent all we have left of an entire verbal heritage; in most cases they are all that we have of a particular heritage at a particular point in history. Covering a broad range of materials and their historical contexts, Native American Verbal Art identifies the agendas that have informed these records and helps the reader to determine what remains useful in them. It will be a welcome addition to the fields of Native American studies and folklore.

Native American Verbal Art: Texts and Contexts

Literature & Fiction

History & Criticism

University of Arizona Press

For more than four centuries, Europeans and Euroamericans have been making written records of the spoken words of American Indians. While some commentators have assumed that these records provide absolutely reliable information about the nature of Native American oral expression, even its esthetic qualities, others have dismissed them as inherently unreliable. In Native American Verbal Art: Texts and Contexts, William Clements offers a comprehensive treatment of the intellectual and cultural constructs that have colored the textualization of Native American verbal art.Clements presents six case studies of important moments, individuals, and movements in this history. He recounts the work of the Jesuits who missionized in New France during the seventeenth and eighteenth centuries and textualized and theorized about the verbal expressions of the Iroquoians and Algonquians to whom they were spreading Christianity. He examines in depth Henry Timberlake’s 1765 translation of a Cherokee war song that was probably the first printed English rendering of a Native American "poem." He discusses early-nineteenth-century textualizers and translators who saw in Native American verbal art a literature manqué that they could transform into a fully realized literature, with particular attention to the work of Henry Rowe Schoolcraft, an Indian agent and pioneer field collector who developed this approach to its fullest. He discusses the "scientific" textualizers of the late nineteenth century who viewed Native American discourse as a data source for historical, ethnographic, and linguistic information, and he examines the work of Natalie Curtis, whose field research among the Hopis helped to launch a wave of interest in Native Americans and their verbal art that continues to the present. In addition, Clements addresses theoretical issues in the textualization, translation, and anthologizing of American Indian oral expression. In many cases the past records of Native American expression represent all we have left of an entire verbal heritage; in most cases they are all that we have of a particular heritage at a particular point in history. Covering a broad range of materials and their historical contexts, Native American Verbal Art identifies the agendas that have informed these records and helps the reader to determine what remains useful in them. It will be a welcome addition to the fields of Native American studies and folklore.

Arts & Photography

In Euroamerican annals of contact with Native Americans, Indians have consistently been portrayed as master orators who demonstrate natural eloquence during treaty negotiations, councils, and religious ceremonies. Esteemed by early European commentators more than indigenous storytelling, oratory was in fact a way of establishing self-worth among Native Americans, and might even be viewed as their supreme literary achievement. William Clements now explores the reasons for the acclaim given to Native oratory. He examines in detail a wide range of source material representing cultures throughout North America, analyzing speeches made by Natives as recorded by whites, such as observations of treaty negotiations, accounts by travelers, missionaries' reports, captivity narratives, and soldiers' memoirs. Here is a rich documentation of oratory dating from the earliest records: Benjamin Franklin's publication of treaty proceedings with the Six Nations of the Iroquois; the travel narratives of John Lawson, who visited Carolina Indians in the early 1700s; accounts of Jesuit missionary Pierre De Smet, who evangelized to Northern Plains Indians in the nineteenth century; and much more. The book also includes full texts of several orations. These texts are comprehensive documents that report not only the contents of the speeches but the entirety of the delivery: the textures, situations, and contexts that constitute oratorical events. While there are valid concerns about the reliability of early recorded oratory given the prejudices of those recording them, Clements points out that we must learn what we can from that record. He extends the thread unwoven in his earlier study Native American Verbal Art to show that the long history of textualization of American Indian oral performance offers much that can reward the reader willing to scrutinize the entirety of the texts. By focusing on this one genre of verbal art, he shows us ways in which the sources are—and are not—valuable and what we must do to ascertain their value. Oratory in Native North America is a panoramic work that introduces readers to a vast history of Native speech while recognizing the limitations in premodern reporting. By guiding us through this labyrinth, Clements shows that with understanding we can gain significant insight not only into Native American culture but also into a rich storehouse of language and performance art.

Oratory in Native North America

His face has appeared on T-shirts, postage stamps, jigsaw puzzles, posters, and an Andy Warhol print. A celebrity and a tourist attraction who attended three World's Fairs and rode in President Theodore Roosevelt's inaugural parade, he is a character in such classic westerns as Stagecoach and Broken Arrow. His name was used in the daring military operation that killed Osama bin Laden in 2011, and rumors about the location of his skull at a Yale University club have circulated for a century. These are just a few of the ways that the Apache shaman and war leader known to Anglo-Americans as Geronimo has remained alive in the mainstream American imagination and beyond.
Clements's study samples the repertoire of Geronimo stories and examines Americans' changing sense of Geronimo in terms of traditional patterns--trickster social bandit, patriot chief, sage elder, and culture hero. He looks at the ways in which Geronimo tried with mixed results to maintain control of his own image during more than twenty years in which he was a prisoner of war. Also examined are Geronimo's ostensible conversion to Christianity and his image in photography and literature.

Imagining Geronimo: An Apache Icon in Popular Culture

Reference

University of New Mexico Press

His face has appeared on T-shirts, postage stamps, jigsaw puzzles, posters, and an Andy Warhol print. A celebrity and a tourist attraction who attended three World's Fairs and rode in President Theodore Roosevelt's inaugural parade, he is a character in such classic westerns as Stagecoach and Broken Arrow. His name was used in the daring military operation that killed Osama bin Laden in 2011, and rumors about the location of his skull at a Yale University club have circulated for a century. These are just a few of the ways that the Apache shaman and war leader known to Anglo-Americans as Geronimo has remained alive in the mainstream American imagination and beyond.
Clements's study samples the repertoire of Geronimo stories and examines Americans' changing sense of Geronimo in terms of traditional patterns--trickster, social bandit, patriot chief, sage elder, and culture hero. He looks at the ways in which Geronimo tried with mixed results to maintain control of his own image during more than twenty years in which he was a prisoner of war. Also examined are Geronimo's ostensible conversion to Christianity and his image in photography and literature.

Biographies & Memoirs

Community & Culture

This informative volume examines the multidimensional nature of aging, identifies key issues involved in meeting the needs of the growing numbers of older adults, and suggests effective methods of mobilizing resources to better meet the needs of the aging population.

The Role of the Church in Aging: Implications for Policy and Action: Volume 2

Hendrickson, Michael

See the best price to sell, buy, or rent books by Clements, William M.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Clements, William M.

See the best price to sell, buy, or rent books by Clements, William M.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Greenwood Encyclopedia of World Folklore and Folklife [Four Volumes]

Theological Context for Pastoral Caregiving: Word in Deed

Theological Context for Pastoral Caregiving: Word in Deed

Native American Folklore, 1879-1979: An Annotated Bibliography

Native American Verbal Art: Texts and Contexts

Native American Verbal Art: Texts and Contexts

Oratory in Native North America

Imagining Geronimo: An Apache Icon in Popular Culture

Imagining Geronimo: An Apache Icon in Popular Culture

The Role of the Church in Aging: Implications for Policy and Action: Volume 2