“Let us agree,” Federico Garcia Lorca wrote, “that one of man’s most beautiful postures is that of St. Sebastian.” “In my ‘Saint Sebastian’ I remember you,” Salvador Dali replied to Garcia Lorca, referring to the essay on aesthetics that Dali had just written, “. . . and sometimes I think he is you. Let’s see whether Saint Sebastian turns out to be you.” This exchange is but a glimpse into the complex relationship between two renowned and highly influential twentieth-century artists. On the centennial of Dali's birth, Sebastian’s Arrows presents a never-before-published collection of their letters, lectures, and mementos. Written between 1925 and 1936, the letters and lectures bring to life a passionate friendship marked by a thoughtful dialogue on aesthetics and the constant interaction between poetry and painting. From their student days in Madrid's Residencia de Estudiantes, where the two waged war against cultural “putrefaction” and mocked the sacred cows of Spanish art, Dali and Garcia Lorca exchanged thoughts on the act of creation, modernity, and the meaning of their art. The volume chronicles how in their poetic skirmishes they sharpened and shaped each other’s work—Garcia Lorca defending his verses of absence and elegy and his love of tradition while Dali argued for his theories of “Clarity” and “Holy Objectivity” and the unsettling logic of Surrealism. Christopher Maurer’s masterful prologue and selection of letters, texts, and images (many generously provided by the Fundacion Gala-Salvador Dali and Fundacion Federico Garcia Lorca), offer compelling and intimate insights into the lives and work of two iconic artists. The two men had a “tragic, passionate relationship,” Dali once wrote—a friendship pierced by the arrows of Saint Sebastian.

Sebastian's Arrows: Letters and Mementos of Salvador Dali and Federico Garcia Lorca

Lorca, Federico García

Dalí, Salvador

Christopher Maurer

federico-garcia-lorca

Arts & Photography

Swan Isle Press

Walter Anderson (1903-1965) was a prolific, fiercely individual artist renowned for his matchless style, his lonely independence, and his astonishingly creative works of art. Devoted to the beauty of the natural world, Anderson emblazoned the events of his everyday life into art that expressed a unique and absorbing vision.
This compelling biography, published in celebration of his centennial, draws on Anderson's voluminous journals and graphic works, the previously unpublished papers of family members and friends, and archival materials from several American museums.
In his creative diversity he was both an artist and a naturalist who left the art world paintings, prints, murals, journals, wood carvings, ceramic works, poems, aphorisms, and pen-and-ink illustrations of literary works. Despite poverty and mental anguish, Anderson called himself "Fortune's favorite child." Few artists have been more grateful than Anderson for the moments of artistic truth extracted from adversity, isolation, and illness.
He was the second of three sons of a good-natured grain merchant and a strong-willed New Orleans society woman who encouraged the children to devote their lives to art. After studying in New York, at the Pennsylvania Academy of the Fine Arts, and in Europe, Anderson returned to the South and settled in Ocean Springs, Mississippi, to live by his art. During the Depression he earned a meager living by decorating pottery and designing figurines for his family's pottery, Shearwater.
Spending his life on the edge of the art world and the edge of society, Anderson fell into many intense adventures, for which his community regarded him as an eccentric. In 1937 he suffered a devastating attack of mental illness that foreshadowed a long battle with emotional turmoil. In an escape from a mental institution in Baltimore, he trekked a thousand miles homeward. Occasionally he lived in self-isolation on Horn Island. He sallied south to Costa Rica to hunt orchids. He rambled across China during the Maoist revolution. 
 In tracing a life that the artist himself regarded with gratitude and wonder, this biography recounts the story of Anderson's marriage and fatherhood, his bouts with illness, his creative periods of astonishing work, and his spells as a solitary rover expressing his artistic vision and searching for spiritual fulfillment.

Fortune's Favorite Child: The Uneasy Life of Walter Anderson

History & Criticism

Univ Pr of Mississippi

Canciones: Of Federico Garcia Lorca

Joost, Swarte

Tobias Tak

NBM Publishing Company

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Books by Christopher Maurer