Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences.  This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1977 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

Law-and-order news: An analysis of crime reporting in the British press

Chibnall, Steve

Tavistock Publications

Examines the career of the British screenwriter turned director, John Lee Thompson, (1914-present). The author plots the trajectory of the filmmaker through the typical constraints and opportunities offered by British cinema as a dominant studio system gave way to independent production in the two decades after the Second World War. Thompson directed The Guns of Navarone and Cape Fear after he moved to Hollywood. A filmography closes the book. Black and white photographs are provided. Distributed by Palgrave. Annotation c. Book News, Inc., Portland, OR (booknews.com)

J. Lee Thompson (British Film Makers)

Humor & Entertainment

Manchester Univ Pr

First published on the fiftieth anniversary of his directorial debut, this book is the first to examine the work of a man once hailed as the finest film-maker to emerge from the British studio system after the Second World War. J. Lee Thompson first came to notice as a talented teenage playwright before entering the film business as a scriptwriter. In the unadventurous world of British film-making in the 1950s, he established himself as a controversial figure known for his innovative ideas and public clashes with the Censor. Before being recruited by Hollywood he made a string of classic films including: Yield to the Night (1956), Ice Cold in Alex (1958), Tiger Bay (1959), North West Frontier (1959) and The Guns of Navarone (1961). Lee Thompson worked in the Hollywood industry into his late eighties, making nearly thirty films as a director and producer between 1960 and 1990. He remains the best known, however, for his first: the immortal thriller Cape Fear (1962). Drawing on extensive interview material, Steve Chibnall traces Lee Thompson's career in British cinema, and offers an analysis of his films which reveals remarkable, and previously unacknowledged, continuities of style and theme. This is a book for anyone interested in the history of British cinema, and particularly those who enjoy the best of 1950s and 1960s film.

J. Lee Thompson (British Film-Makers)

Movies

Manchester University Press

British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter. So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.

Historical Dictionary of British Cinema (Historical Dictionaries of Literature and the Arts)

Burton, Alan

Scarecrow Press

Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge &amp; Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1977 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

Law-and-Order News

Legal History

Routledge

Quota Quickies

This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). "Quota Quickies" will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.

McFarlane, Brian

British Film Institute

The British 'B' Film

This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s.  The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.

Steve Chibnall is Leader of the Film Studies pathway and Co-ordinator of the British Cinema and Television Research Group, De Montfort University, Leicester. He is the author of Get Carter: The British Film Guide 6 (I.B. Tauris).

Brighton Rock: Turner Classic Movies British Film Guide (British Film Guides)

I.B.Tauris & Co Ltd

Mike Hodges’ bleak gangster film was released in 1971 to controversy and mixed reviews. Three decades later in the British Film Institute’s millennial poll, the film was voted one of the 20 best British films of all time. Steve Chibnall’s enjoyable and fresh account relates the film to others in its genre like Point Blank and Dirty Harry, profiles the people involved in its making and presents a fascinating analysis of the film text itself. He completes the story-so-far, looking at the critical reception, and cultural context and the two remakes: the 1972 blaxploitation film Hit Man and the new Stephen T. Kay movie, set in the US.

Get Carter: A British Film Guide

I.B.Tauris

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