Excerpt from The Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; June 14, 1913Mr. H. Davis Richter's reputation asa decorative artist is well established, and readers of the studio Year Book are familiar with his work in this sphere. At the Brook Street Art Gallery he recently revealed himself as a ﬂower-painter of considerable individuality and ability. Here be exhibited a series of oil-paintings and water-colours which displayed to full advantage his fine feeling for decorative and colour harmony. His 'robust technique was seen to better advantage in the oils, in which the quality of the painting reached a high standard. His finest achievements were the Roses, Yellow Daisies, Petunia, and T lze Window Ledge, while his two water-colours of Cz'neraria were particularly successful.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; June 14, 1913 (Classic Reprint)

Charles Holme

Arts & Photography

Forgotten Books

Plume, Crayon, Fusain: Dessins d''Artistes Contemporains d''Europe (Classic Reprint)

Painting

Peasant Art in Sweden, Lapland and Iceland (Classic Reprint)

Crafts, Hobbies & Home

Crafts & Hobbies

Excerpt from Peasant Art in Austria and HungaryN O fine line of demarcation can be drawn to indicate where the peasant art of one nation begins and another ends; yet the practised eye soon learns to differentiate, for though there are certain similarities there are at the same time wide and distinct divergencies. The motive of a design may be the same, but the methods of carrying it out may be various. This variation is due to subconscious racial instinct. There is, moreover, an involuntary personal note which distinguishes the objects made by the peasants of one and the same race, this being particularly the case in the Slav group.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Peasant Art in Austria and Hungary (Classic Reprint)

The Studio, Vol. 51: An Illustrated Magazine of Fine and Applied Art; Oct. 15, 1910 (Classic Reprint)

Excerpt from Peasant Art in Sweden, Lapland and IcelandStoops -86, 90, 92 93 Bench 41 Bowls 107-117 Boxes 24 8r 25, 53-62, 66-70 Box-lid 65 Butter-tubs 81 8: 82.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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