Instructor's manual [for] Principles of operations research: With applications to managerial decisions / Harvey M. Wagner

Chamberlin, John

PRENTICE/HALL

<p>Everything "Pittsburgh" has fries on it…salads, sandwiches whatever! This book is a culmination of silly, stupid and ign’ernt stories of jagoffery from the Pittsburgh blog, YaJagoff.com. For those who are not familiar with term Jagoff, it refers to stupid politicians, awful sports officials, dumb criminals, bad drivers, ignorant people and so on. However, it is not a swear word, and in fact, it is sometimes used as a term of endearment. Through this series of rants about “Jagoffs” from all walks of life, Chamberlin writes with passion about Pittsburgh and his love of “The Steel City,” and he has even developed a cadre of worldwide "YaJagoff Catchers" who submit their own rantings from wherever they live, which he posts on his site. If you live in Pittsburgh, lived in Pittsburgh or just love anything Pittsburgh, this is the book for you!.</p>

Above The Fries

Humor & Entertainment

Humor

HumorOutcasts Press

<p>Chamberlin's focal point for this synthesis is the concept of ambiguity, which has played an important role in the liberal arts tradition and in medieval discourses regarding reading and preaching - discourses that are fundamental to Langland's poetic ways with words. His work takes its place among other recent attempts to retrieve medieval literary theory, making it possible for it to inform the reading of medieval literature, but places this theory within a particularly wide context. Chamberlin claims that the excess of meaning ambiguity gives language is at least as important to the understanding of Piers Plowman and other medieval texts as is allegory. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives on these subjects. How ambiguity works in Langland's poetry is explained in close analysis of a number of passages from the poem. Chamberlin's overview of the historical development of the concept of ambiguity pays special attention to the doctrines of Augustine and the twelfth-century masters. He elucidates these by reference to similar ideas from Romantic and twentieth-century theorists, providing a coherent view of language that stands as an alternative to structuralist and post-structuralist views.</p>

Medieval Arts Doctrines on Ambiguity and Their Places in Langland's Poetics

Literature & Fiction

Dramas & Plays

McGill-Queen's University Press

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Books by Chamberlin, John