Acoustics of Wood offers a detailed treatment of numerous topics that are valuable to those working with wood in architecture, engineering, acoustics, and the crafting of musical instruments. It presents a comprehensive account of the progress and current knowledge concerning wood acoustics, outlining the anatomy and physiology of wood and the specific applications in which its acoustic properties are relevant. Acoustics of Wood reviews state-of-the-art measurement systems and includes material that has not been widely published. Divided into three main parts, the book describes environmental acoustics, presents acoustics methods for the characterization of the elastic behavior of wood, and discusses acoustic methods for the assessment of wood quality.

The Acoustics of Wood

Science & Math

Bucur, Voichita

Physics

CRC-Press

The Acoustics of Wood (1995) (CRC Press Revivals)

Acoustics of Wood offers a detailed treatment of numerous topics that are valuable to those working with wood in architecture, engineering, acoustics, and the crafting of musical instruments. It presents a comprehensive account of the progress and current knowledge concerning wood acoustics, outlining the anatomy and physiology of wood and the specific applications in which its acoustic properties are relevant. Acoustics of Wood reviews state-of-the-art measurement systems and includes material that has not been widely published. Divided into three main parts, the book describes environmental acoustics, presents acoustics methods for the characterization of the elastic behavior of wood, and discusses acoustic methods for the assessment of wood quality.

Technology

Acoustics of Wood offers a detailed treatment of numerous topics that are valuable to those working with wood in architecture, engineering, acoustics, and the crafting of musical instruments. It presents a comprehensive account of the progress and current knowledge concerning wood acoustics, outlining the anatomy and physiology of wood and the specific applications in which its acoustic properties are relevant. Acoustics of Wood reviews state-of-the-art measurement systems and includes material that has not been widely published. Divided into three main parts, the book describes environmental acoustics, presents acoustics methods for the characterization of the elastic behavior of wood, and discusses acoustic methods for the assessment of wood quality.

Handbook of Materials for Wind Musical Instruments

This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts.
Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.

Reference

Springer

This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.

This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments―timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.\nFrom the Back Cover\nThis book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments―timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.

Handbook of Materials for Percussion Musical Instruments

Arts & Photography

Music

This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features.Professor Neville H. FletcherAustralian National University, Canberra

Handbook of Materials for String Musical Instruments

Considerable activity in the acoustics of wood has occurred since the first edition of this book in 1995. An informal survey of a number of the published articles and papers presented at international conferences revealed that the interest of the wood science community is continually increasing. In this context, I felt c- pelled to revise the text in accordance with newer findings and this prompted the addition in the present book of 159 new references added to the existing 850 in the first edition. As a result of the favorable comments upon the first edition, from students and colleagues, I have included a part on mathematical theory related to wave pro- gation in orthotropic solids in the general text, in order to enable the interested reader to follow the essentially physical aspects of the subject. A new chapter related to “acousto-ultrasonics” is introduced; Chapters 4, 5, 6, 8, 9, 10, 11, and 12 have been considerably expanded and a significant redistribution of the subject matter from the earlier edition has been made.

Acoustics of Wood (Springer Series in Wood Science)

Biological Sciences

This book on the Nondestructive Characterization and Imaging of Wood by Professor Voichita Bucur is truly the most outstanding reference on the subject ever written. Since the origins of mankind, wood has played a key role in the history of humans and other living creatures, ranging from provision of life from trees giving air, heat, light, and food to nourish their bodies to structures to protect them from the elements. Wood has also played a key role in one of the world's primary religions. Nondestructive diagnostics methods have long found application in medi cal practice for examination of the human body in order to detect life threatening abnormalities and permit diagnosis to extend life. Nondestructive testing has been used for many years to insure the safety of machinery, air craft, railroads, tunnels, buildings and many other structures. Therefore, it is timely for a treatise, like the present one, to be written describing how wood can be characterized without employing destructive test methods. Since wood is so valuable to mankind, it is important to know the latest methods to nondestructively characterize wood for all practical applications.

Nondestructive Characterization and Imaging of Wood (Springer Series in Wood Science)

The book 'Acoustics of Wood' is devoted to those aspects related to the development of acoustic methods as an effective means for examining physical properties of wood through an interdisciplinary approach. The main parts of the book are: environmental acoustics, material characterization and quality assessment. In the first part of the book a discussion of the physical phenomena associated with the propagation of acoustic waves in forests is presented. The behavior of wood and wood-based composites as materials used in architectural acoustics is also discussed. The second part was written in response to practical considerations about wood uses. This part provides an introductory understanding of basic aspects related to the theory of waves propagation in anisotropic solids, experimental methods for acoustics and mechanic characterization of wood, examination of wood anisotropy using ultrasonic parameters. In the third part wood quality assessment is discussed. Wood used for musical instruments has the most remarkable quality, with unique acoustic properties. In contrast with wood for musical instruments, free of defects, in common wood the defects are always present. Ultrasonic velocity method, acoustic emission method, acousto-ultrasonic techniques are used for the detection of defects in standing trees, solid wood and wood-based composites. High-energy ultrasonic treatment for wood processing such as drying, defibering, cutting and plasticizing are described in the last chapter.

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Books by Bucur, Voichita

See the best price to sell, buy, or rent books by Bucur, Voichita. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Acoustics of Wood

The Acoustics of Wood (1995) (CRC Press Revivals)

The Acoustics of Wood (1995) (CRC Press Revivals)

Handbook of Materials for Wind Musical Instruments

Handbook of Materials for Wind Musical Instruments

Handbook of Materials for Percussion Musical Instruments

Handbook of Materials for String Musical Instruments

Acoustics of Wood (Springer Series in Wood Science)

Nondestructive Characterization and Imaging of Wood (Springer Series in Wood Science)

Acoustics of Wood (Springer Series in Wood Science)