The rich architectural legacy of the Angevins, three generations of French kings who reigned in southern Italy from 1266 to 1343, is very little known today. This groundbreaking book examines Angevin religious architecture, bringing to light for the first time the novelty and importance of these buildings while extending current understanding of the variety of medieval architecture beyond the well-known cathedrals of France and England.Caroline Bruzelius explores the complex encounter of the French with the worlds of the Mediterranean and of Italy. Although the Angevin period has often been associated with a vigorous renewal of the Gothic style in Italy, she contends instead that the principal Angevin monuments are built of local materials, reviving traditional building techniques and aesthetic preferences. The result is an architecture of adaptation and integration rather than one of colonial importation. The rich architectural legacy of the Angevins, three generations of French kings who reigned in southern Italy from 1266 to 1343, is very little known today. This groundbreaking book examines Angevin religious architecture, bringing to light for the first time the novelty and importance of these buildings while extending current understanding of the variety of medieval architecture beyond the well-known cathedrals of France and England.Caroline Bruzelius explores the complex encounter of the French with the worlds of the Mediterranean and of Italy. Although the Angevin period has often been associated with a vigorous renewal of the Gothic style in Italy, she contends instead that the principal Angevin monuments are built of local materials, reviving traditional building techniques and aesthetic preferences. The result is an architecture of adaptation and integration rather than one of colonial importation.

The Stones of Naples: Church Building in the Angevin Kingdom, 1266-1343

Arts & Photography

Bruzelius, Caroline

Architecture

Yale University Press

Friars transformed the relationship of the church to laymen by taking religion outside to public and domestic spaces. Mendicant commitment to apostolic poverty bound friars to donors in an exchange of donations in return for intercessory prayers and burial: association with friars was believed to reduce the suffering of purgatory. Mendicant convents became urban cemeteries, warehouses filled with family tombs, flags, shields, and private altars. As mendicants became progressively institutionalized and sought legitimacy, friars adopted the architectural structures of monasticism: chapter houses, cloisters, dormitories, and refectories. They also created piazzas for preaching and burying outside their churches. Construction depended on assembling adequate funding from communes, confraternities, and private individuals; it was also sometimes supported by the expropriation of property from heretics. Because of irregular funding, construction was episodic, with substantial changes in scale and design. Choir screens served as temporary west façades while funds were raised for completion. This is the first book to analyze the friars’ influence on the growth and transformation of medieval buildings and urban spaces.

Preaching, Building, and Burying: Friars in the Medieval City

History & Criticism

The Memoirs of the American Academy in Rome began in 1915 and were published almost annually, with the exception of the years of the two world wars, until 1980. The present volume represents the Academy's dedication to the continuation of this series.The Memoirs of the American Academy in Rome represents the interests of the American Academy in Rome, its fellows and residents, and the larger international community that congregates around its excellent library and facilities. It presents ambitious and substantial articles in the fields represented by the American Academy, including but not limited to Roman archaeology and topography, ancient history, Latin literature, and classical art history.This new volume, edited by Malcolm Bell and Caroline Bruzelius, includes contributions from a diverse and striking group of authors including Barbara Barletta, Edward Dabrowa, Brendan Dooley, Elizabeth Fentress, Nicholas Horsfall, R. S. Kilpatrick, Elfriede Regina Knauer, Richard Lim, Adam Rabinowitz, and Adam Ziòlkowski.Malcolm Bell is Professor of Art History, University of Virginia, and past Mellon Professor, American Academy in Rome. Caroline Bruzelius is Director, American Academy in Rome.

Memoirs Of The American Academy In Rome: Volume Xli

Bell, Malcolm

Univ of Michigan Pr

The Brummer Collection of Medieval Art in the Duke University Museum of Art is one of the finest to be found in any American university museum. It is remarkable for its breadth and the variety of objects represented, with works varying in scale from monumental stone pieces to small-scale objects in wood, ivory, or metal, and ranging from the seventh to eighth centuries through the sixteenth century. This fine catalog makes available for the first time this rich but little-known collection. Five studies by leading art scholars focus on key works in the collection and contribute to a new understanding of the origins of many of the pieces. Two introductory essays comment on the character of the collection as a whole, its acquisition by Duke University, and its conservation. Finally, the catalog section discusses the more important pieces in the collection and is followed by a checklist of entries and smaller photographs of all other objects.
Contributors. Ilene H. Forsyth, Jean M. French, Dorothy F. Glass, Dieter Kimpel, Jill Meredith, Linda S. Roundhill

The Brummer Collection of Medieval Art: Duke University Museum of Art

Meredith, Jill

Nasher Museum of Art at Duke University

Two leading American experts on the subject offer the first comprehensive English-language review of Naples' architecture and urban development from late antiquity to the high and late Middle Ages. William Tronzo treats the early Middle Ages, from the end of the western Roman Empire to the end of the Duchy, or from about 400 to 1139. He covers a range of topics, including the development of the city's urban fabric and chief monuments, including the catacombs, Sta. Restituta, the baptistery of San Giovanni in Fonte, the forum area including San Paolo Maggiore and the early history of San Lorenzo Maggiore and the Pietrasanta. Caroline Bruzelius then picks up the narrative and analysis from the twelfth century to the end of the Angevin period. She brings up to date and nuances many of the findings and themes of her The Stones of Naples. She revisits some of the same material on the early medieval city from a different perspective, that of religious foundations and urban topography. She proceeds to patronage - religious, mercantile, noble and royal - and then moves on to the role of Tuscan artists in Naples, concluding with the Angevin reconfiguration of the city in the late Middle Ages. Clearly and concisely written, this book is an ideal introductory survey for the scholar, student and general reader to medieval Naples, its chief monuments and to the scholarly discussions and interpretations of the material, visual and documentary evidence. 160 pages. Preface, select bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 83 black &amp; white figures, plus 60 thumbnail images. List of links to online resources from A Documentary History of Naples, including primary-source readings; image galleries containing over 450 additional images in full color; and links to full bibliographies with ongoing supplements.

Medieval Naples: An Architectural & Urban History, 400-1400

Tronzo, Professor William

Italica Press

Two leading American experts on the subject offer the first comprehensive English-language review of Naples’ architecture and urban development from late antiquity to the high and late Middle Ages. William Tronzo treats the early Middle Ages, from the end of the western Roman Empire to the end of the Duchy, or from about 400 to 1139. He covers a range of topics, including the development of the city’s urban fabric and chief monuments, including the catacombs, Sta. Restituta, the baptistery of San Giovanni in Fonte, the forum area including San Paolo Maggiore and the early history of San Lorenzo Maggiore and the Pietrasanta. Caroline Bruzelius then picks up the narrative and analysis from the twelfth century to the end of the Angevin period. She brings up to date and nuances many of the findings and themes of her The Stones of Naples. She revisits some of the same material on the early medieval city from a different perspective, that of religious foundations and urban topography. She proceeds to patronage — religious, mercantile, noble and royal — and then moves on to the role of Tuscan artists in Naples, concluding with the Angevin reconfiguration of the city in the late Middle Ages. Clearly and concisely written, this book is an ideal introductory survey for the scholar, student and general reader to medieval Naples, its chief monuments and to the scholarly discussions and interpretations of the material, visual and documentary evidence. 160 pages. Preface, select bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 83 black &amp; white figures, plus 60 thumbnail images. List of links to online resources from A Documentary History of Naples, including primary-source readings; image galleries containing over 450 additional images in full color; and links to full bibliographies with ongoing supplements. History of art, urban studies, cultural history.

Medieval Naples: An Architectural & Urban History, 400–1400

Tronzo, William

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