Each day, the average Western citizen sees, assimilates, and recognizes16,000 logos. Chances are that Bruce Mau has been involved in the creation,evolution, and/or devolution of many of them. But calling Bruce Mau a graphicdesigner would be akin to calling Mae West a playwright--technically correct,but oh-so-limiting.This mammoth catalogue raisonn+¬ of Mau's graphic work (which only PhaidonPress has the resources, and the patience, to produce) is the much-anticipatedfollow-up to the 1995 sensation S, M, L, XL that Mau coauthored withrenowned Dutch architect Rem Koolhaas. Nearly as big, but much more colorful,Life Style offers a compendium of thoughts on the conflicts andconundrums that so perplex concerned aesthetes in Western civilization,including suburban sprawl, ecological threats, the implications of identitycreation, and the role of the graphic arts in architecture and design.Trying to pin down this huge undertaking to only a few highlights would be adisservice to a man who counts such luminaries as Koolhaas, Frank Gehry, JohnCage, Michael Snow, Meg Stuart, and Chris Marker as friends and colleagues. Thecenter section alone, which recounts and reprints the celebrated spreads fromhis publishing venture Zone Books, would be worth the price: "The times wereextraordinary--the middle 1980s, the height of American yuppie culture gorgingitself on wealth. The Macintosh computer had only just been introduced and wasmaking itself felt in the world of typography by virtue of its capacity todistort fonts. It would eventually transform the field of design, disseminatingexpertise and clustering capacities vertically. Faxes and FedEx were makingpossible a new level of international collaboration that would soon put aToronto designer at the center of a transatlantic project. That project wasZone."The collaboration at Zone Books enabled some of the most provocative bookprojects ever seen, and they are reproduced faithfully in Life Style(although one might need a magnifying glass to get the most out of them). Zonewas the first and most satisfying of Mau's team projects, and the pleasure ofits success is apparent in the book. But readers will find much more of interestdocumented here, including his revolutionary stint at I.D. Magazine; hisbrilliant realization of a book version of the underground, classic sci-fithriller "La Jet+¬e"; and his ideas for information interchange at severalmajor architectural projects, including right here in Seattle, working with hisfriend Koolhaas in building the controversial new Seattle Public Library.All things considered, this major book will leave some readers furious at BruceMau's audacity and others aghast at his cross-disciplinary influences. I doubtthat there's anyone working in design today who has had quite his impact. Thisbook is a beautifully realized celebration of that impact, and very much worththe wait.By the way, Phaidon has produced this book with eight different and gorgeousfabric covers. Yours might differ from our rather inadequate representation onthe site. As with S, M, L, XL, I predict that some day all of them willbe (ahem) "coollectors'" items. --Charles Decker

Bruce Mau: Life Style

Arts & Photography

Bruce Mau

Graphic Design

Phaidon Press

Massive Change is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the "familiar objects and techniques that are transforming our lives." 
In essays, interviews, and provocative imagery aimed at a broad audience, Massive Change explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. 
The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present.

Massive Change (DESIGN)

Jennifer Leonard

Institute Without Boundaries

Created by an international team of architects and designers concerned about our failing education system, The Third Teacher explores the critical link between the school environment and how children learn, and offers 79 practical design ideas, both great and small, to guide reader’s efforts to improve our schools. Written for anyone who has school-age children in their life, from educators and education decision-makers to parents and community activists, this book is intended to ignite a blaze of discussion and initiative about environment as an essential element of learning. Including a wealth of interviews, facts, statistics, and stories from experts in a wide range of fields, this book is a how-to guide to be used to connect with the many organizations, individuals, and ideas dedicated to innovating and improving teaching and learning. Contributors include children’s singer and advocate Raffi, author and creativity consultant Sir Ken Robinson, scientist and environmentalist David Suzuki, inventor James Dyson, and other experts who are working to create fresh solutions to problems and create a new blueprint for the future of education.

The Third Teacher: 79 Ways You Can Use Design to Transform Teaching & Learning

O'Donnell Wicklund Pigozzi and Peterson

Architecture

Abrams

From New Delhi to Nanjing, Tohoku to Tulsa, Maputo to Mito, Log 51 (Winter/Spring 2021) gathers essays and observations from architects, historians, designers, and curators around the world on topics that range from the potential of images and architectural representation to the power of art and politics. In this open issue, Carrie Norman and Thomas Kelley reimagine the early work of Bruce Goff, Christophe Van Gerrewey assesses Jan De Vylder’s sketches and Excel drawings, and Thomas Daniell explores Sei’ichi Shirai’s unbuilt atomic memorial. Dijia Chen follows how a single photograph shaped the career of Zhang Lei, and Ruo Jia defines post-Maoist architecture in China. Max Kuo maps postdigital/postinternet architecture, Iman Fayyad sees flatness as a productive framework, and Kyle Miller unpacks a deadpan tonality. In addition, Harish Krishnamoorthy questions India’s new government district, while Courtney Richeson digs into the alt-right foundations of the 2020 US Federal Civic Architecture mandate. Véronique Patteeuw and Clara Leverd visit a collector’s London flat, Tatiana Knoroz discovers ingenuity in Japanese danchi, and much more. . . . One-quarter of the 200-page issue is devoted to Excursions in the Ecosphere, the sequel to The Return of Nature in Log 49. In this special section guest edited by Sanford Kwinter, Aleksandra Jaeschke synthesizes systems theory, greenhouse architecture, and banyan trees, Gökhan Kodalak plays with lines of forces in a David Foster Wallace memoir, and Kwinter and Bruce Mau discuss shifting paradigms of design.

Log 51

Sanford Kwinter

Dijia Chen

Thomas Daniell

Iman Fayyad

Ruo Jia

Tatiana Knoroz

Harish Krishnamoorthy

Max Kuo

Kyle Miller

Norman Kelley

Véronique Patteeuw

Courtney Richeson

Roi Salgueiro

Christophe Van Gerrewey

Aleksandra Jaeschke

Gökhan Kodalak

Anyone Corporation

Living

Rem Koolhaas

Monacelli Press,U.S.

S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society. The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.

S M L XL

Hans Werlemann

Biographies & Memoirs

The Monacelli Press

Small, Medium, Large and Extra Large

Reference

Foreign Language Study & Reference

Monacelli Pr

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