A follow-up to two highly successful monographs on the work of one of the most important designers of his generation, showcasing projects completed since the mid-1990s. 
Neville Brody defined the look of the 1980s music scene as art director of The Face. Since then, Brody consistently proved that he is one of most innovative and shape-shifting graphic designers of the era. While his second monograph was published in 1994, over the last almost three decades Brody has produced a new body of editorial, typographic, information, and interface design of unparalleled boldness and sophistication for global clients that include Samsung, Shiseido, Coca-Cola, the UK’s Channel 4, and Dom Perignon. 
The Graphic Language of Neville Brody 3 brings this work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, information graphics, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that defined Brody’s recent career across six chapters, from major brands to magazine editorials and features, showing how his design language has evolved since the 1990s. 
Creating a new generation of fans, this volume shares Brody’s design genius at a time when the originality of work from the 1980s and 1990s across many creative disciplines is finding a new audience. This inspirational volume is essential reading for anyone interested in the evolution of graphic design over the past three decades. 1,300+ illustrations

The Graphic Language of Neville Brody 3

Arts & Photography

Shaughnessy, Adrian

Brody, Neville

Individual Artists

Thames&Hudson

G1 is a collection of contemporary graphic design like no other. G1 gathers innovative work from many of the world's most influential designers, and then omits their names from the pages. G1 presents some of the very best of high design and mixes it with raw vernacular graphics, the found images that inspire designers. G1 gives the reader the choice as to whether to see graphics as "authored" works or as part of the exciting continuum of communication that is art direction and design today. While identities are detached from the images, they are available on printed stickers bound into the book for the reader to attach if desired. G1 also invites and provokes readers to follow a journey in space and time. The projects included are placed in sections of two-, three- and four-dimensional design. A supporting text explains the ideas that link the pieces, while the main introduction examines the major themes that appear to excite today's most cutting-edge graphic designers. G1 includes magazine and book design; new media-both internet and CD-Rom, posters; type and typography; packaging,; signage and identities; and more. G1 is not a book for the passive. Rather the readers are invited to interact with the book to make it their own. With 460 illustrations, 398 in color.

G1 New Dimensions in Graphic Design

Blackwell, Lewis

Graphic Design

Rizzoli

The opening chapter of Lee McCormack's extremely engaging manifesto/how-to book on becoming an industrial designer begins, "Don't be a wanker! Embrace what it means to be a professional designer. Making the transition from design student to successful creative often involves a lot of reassessment, adaptation and resignation--just when you thought you'd cracked it and got that qualification, you realize that your actual education starts here…." Written in plain and often playful English, and featuring chapter headings like, "How to relate to the business mind," "Clients, they write the cheques," "Manufacturers are a different breed," "Protecting your ideas," and "Identifying the sharks," this must-have bible for any aspiring designer also contains substantial interviews with Neville Brody, Jason Kirk, Karim Rashid, Piers Roberts and Paul Smith.

Designers Are Wankers

SMITH, PAUL

Rashid, Karim

Roberts, Piers

History & Criticism

About Face Publishing

This collection of graphics includes magazine and book designs, posters, typography, music, film and television and corporate graphics, packaging and signage. The work is organized into three sections, according to whether it operates essentially as a two-, three-, or four-dimensional graphic, and an introductory essay examines key themes and trends in the contemporary graphics scene. To enable each piece of work to speak for itself, the designer's identity is not placed alongside the work. A key refers the reader to a sticker at the back of the book. To impose an identity over the piece, the reader can find and place the relevant sticker, or alternatively leave the sticker sheets intact.

G1 : Subj.; Contemp.Design, Graphic

Laurence King Pub

Neville Brody (graphic design ggg Books-World) (2009) ISBN: 4887523106 [Japanese Import]

[ToÌ„kyoÌ„] : GinzagurafikkugyarariÌ„, ToÌ„kyoÌ„ : DiÌ„enupiÌ„aÌ„tokomyunikeÌ„shonzu. 2009

Ten of the world's most celebrated photographers from across Europe, Asia, the USA and beyond are brought together in this extraordinary book, curated by NIKON. Using NIKKOR lenses, these fashion, architecture, portrait and still life artists have created images exclusively for this unique book. Designed by Neville Brody, the book displays work from artists such as David Bailey, Hanayo, Juergen Teller, Phil Knott, Wing Shya, Ryan McGinley

Masters of Light

D. D. Wave Co. Ltd (of Atsushi Satake)

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Books by Brody, Neville