Domestic Modernism, the Interwar Novel, and E. H. Young provides a valuable analytical model for reading a large body of modernist works by women, who have suffered not only from a lack of critical attention but from the assumption that experimental modernist techniques are the only expression of the modern. In the process of documenting the publication and reception history of E. H. Young's novels, the authors suggest a paradigm for analyzing the situation of women writers during the interwar years. Their discussion of Young in the context of both canonical and noncanonical writers challenges the generic label and literary status of the domestic novel, as well as facile assumptions about popular and middlebrow fiction, canon formation, aesthetic value, and modernity. The authors also make a significant contribution to discussions of the everyday and to the burgeoning field of 'homeculture,' as they show that the fictional embodiment and inscription of home by writers such as Young, Virginia Woolf, Elizabeth Bowen, Ivy Compton-Burnett, Lettice Cooper, E. M. Delafield, Stella Gibbons, Storm Jameson, and E. Arnot Robertson epitomize the long-standing symbiosis between architecture and literature, or more specifically, between the house and the novel.

Domestic Modernism, the Interwar Novel, and E.H. Young

Literature & Fiction

Briganti, Chiara

Mezei, Kathy

British & Irish

Routledge

History & Criticism

An Analysis of Michel Foucault's The History of Sexuality: Vol. 1: The Will to Knowledge (The Macat Library)

Michel Foucault is famous as one of the 20th-century’s most innovative and wide-ranging thinkers. The qualities that made him one of the most-read and influential theorists of the modern age find full expression in History of Sexuality, the last project Foucault was able to complete before his death in 1984. Central to Foucault’s appeal is the creativity of his thought. Creative thinking takes many forms – from redefining an issue in a novel way to making unexpected and illuminating connections. Foucault’s particular talent could perhaps best be described as turning questions inside out. In the case of sexuality, for instance, his interpretation of the historical evidence led him to argue that the sexual categories that we are used to (homosexual, lesbian, straight, and so on) are not “natural,” but constructs that are products of the ways in which power and knowledge interact in society. Such categories, Foucault continues, actually serve to produce the desires they seek to name. And their creation, in turn, is closely linked to the power that society exerts on those who belong to different sexual groups. Foucault’s ideas – familiar now – were so novel in their time that they proved highly challenging. But to see the world through Foucault’s thought is to see it in a profoundly different and illuminating way – an example of creative thinking at its best.

An Analysis of Michel Foucault's The History of Sexuality (The Macat Library)

Self-Help

Dini, Rachele

Macat Library

Michel Foucault is famous as one of the 20th-century’s most innovative and wide-ranging thinkers. The qualities that made him one of the most-read and influential theorists of the modern age find full expression in  History of Sexuality, the last project Foucault was able to complete before his death in 1984. Central to Foucault’s appeal is the creativity of his thought. Creative thinking takes many forms – from redefining an issue in a novel way to making unexpected and illuminating connections. Foucault’s particular talent could perhaps best be described as turning questions inside out. In the case of sexuality, for instance, his interpretation of the historical evidence led him to argue that the sexual categories that we are used to (homosexual, lesbian, straight, and so on) are not “natural,” but constructs that are products of the ways in which power and knowledge interact in society. Such categories, Foucault continues, actually serve to produce the desires they seek to name. And their creation, in turn, is closely linked to the power that society exerts on those who belong to different sexual groups. Foucault’s  ideas – familiar now – were so novel in their time that they proved highly challenging. But to see the world through Foucault’s thought is to see it in a profoundly different and illuminating way – an example of creative thinking at its best.

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