• Published in association with the Frances Lehman Loeb Art Centre at Vassar College, NY\n• Surveys photographs, prints, artist's books, and printed sculptures\n• With contributions by Jared Bark, Jessica D. Brier, Lukas Felzmann, Stephen Frailey, John P. Murphy, Werner Pfeiffer, Alison Rossiter, Stephanie Syjuco, Rhiannon Skye Tafoya, Massimo Tarrida\nThe grid often hides in plain sight, from notepads and spreadsheets to halftone photographic reproductions. It dominates the organization, perception, and representation of the modern world, especially in print. Deeply embedded in a Western worldview, the grid visualizes control, mastery, and order. As an invisible framing device, it has become so pervasive that we habitually ignore it. Yet when artists call our attention to the grid, its layered meanings come fully into view. On the Grid: Ways of Seeing in Print surveys photographs, prints, artist’s books, and printed sculptures from the dynamic permanent collection of the Frances Lehman Loeb Art Center at Vassar College. From 19th-century scientific and portrait photography to avant-garde and conceptual photography; from mid- 20th-century Minimalist, Pop Art, and Op Art printmaking to experimental bookmaking and photography in the 21st century, this richly illustrated volume explores how artists have embraced, rejected, and reclaimed the grid. By altering and challenging perception, they offer new ways of seeing the world. With contributions by Jared Bark, Jessica D. Brier, Lukas Felzmann, Stephen Frailey, John P. Murphy, Werner Pfeiffer, Alison Rossiter, Stephanie Syjuco, Rhiannon Skye Tafoya, Massimo Tarrida.

On the Grid: Ways of Seeing in Print

Arts & Photography

Brier, Jessica D.

History & Criticism

Scala

* Accompanies a major exhibition at the Frances Lehman Loeb Art Center at Vassar College February 17 - June 2, 2024 * Only retrospective on the photography of Rollie McKenna in print * Includes iconic portraits of artists and writers, including W. H. Auden, Elizabeth Bishop, Alexander Calder, Truman Capote, T. S. Eliot, Laura Gilpin, Henry Moore, Sylvia Plath, Ezra Pound, Anne Sexton, Dylan Thomas, and Eudora Welty Making a Life in Photography: Rollie McKenna is the first career survey of prolific American photographer Rosalie (Rollie) Thorne McKenna (1918-2003). After graduating from Vassar College in 1940, McKenna worked independently as a sought-after architectural and portrait photographer, making unique yet underrecognized contributions to American modernism and documentary photography. McKenna's work was published in numerous books and magazines including Vogue, Vanity Fair, and Fortune. The Museum of Modern Art's 1955 landmark exhibition Latin American Modernism Since 1945 featured her architectural photographs. She made iconic portraits of artists and writers, including W. H. Auden, Elizabeth Bishop, Alexander Calder, Truman Capote, T. S. Eliot, Laura Gilpin, Henry Moore, Sylvia Plath, Ezra Pound, Anne Sexton, Dylan Thomas, and Eudora Welty. McKenna's story as a queer woman would be lost if not for her dedication to preserving her own legacy. She embraced photography to explore the complexities of human experience -- including her own.

Making a Life in Photography: Rollie McKenna

Lombino, Mary-Kay

Individual Artists

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Books by Brier, Jessica D.