An anthology of poetry drawn from all of the genres practised during the early Roman Empire. This translation includes the work of Ovid, Seneca, Persius, Lucan, Statius, Martial and Juvenal, as well as minor poets of the period.

Roman Poets of the Early Empire (Penguin Classics)

Literature & Fiction

Boyle, A. J.

Sullivan, J.P.

Poetry

Penguin Group USA

The tragic myth of Agamemnon, Mycenae's 'king of kings', who sacrificed his own daughter in order to sack the great city of Troy and returned home only to be assassinated by his wife and her lover, has been a constant source of fascination for writers and artists from classical Greece right up to the present day. The ancient Romans were drawn to the myth, but Seneca's tragedy is the only dramatic treatment from this tradition to have survived intact: often undervalued, it is in fact intellectually and poetically one of his richest plays - dramatically innovative, spectacular, and pervasively self-reflective. Its strong lyric and theatrical qualities - from polymetric choral odes to powerful meditative soliloquies-perfectly complement Seneca's complex presentation of the slaying of husband, father, and king and his exploration of such attendant issues as family, despotism, knowledge, gender, political order, freedom, vengeance, and death. Also containing extant Latin literature's most complex representation of two iconic women of classical myth (and occasional feminist paradigms), Clytemnestra and Cassandra, the tragedy ably transcends the narrow context of late Julio-Claudian Rome and contains much that speaks pointedly to our times. This new full-scale edition of Seneca's Agamemnon offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and high-level academic study, and detailed exegetic, analytic, and interpretative commentary. The aim throughout has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and in the ensuing literary and dramatic tradition. As such, its substantial influence on European drama, opera, and ballet from the sixteenth to the nineteenth centuries is given especial emphasis throughout; this and the accessible notes on the text make the edition of particular use not only to scholars and students of classics, but also of comparative literature and drama, and to anyone interested in the cultural dynamics of literary reception and in the interplay between theatre and history.

Seneca: Agamemnon: Edited with Introduction, Translation, and Commentary

Dramas & Plays

Oxford University Press

Hercules is a tragedy of great theatrical, poetic, and cultural value. Written probably at the intersection of the principates of Claudius and Nero, it addresses central issues of early imperial Rome, even as it speaks profoundly to our times. Among its concerns are violence and madness;imperatives of family and self; Rome, identity and place; the nature of virtue; the longing for immortality; the theatre of rage; and the empire of death. The play is dramatically innovative, spectacular, and arresting: from its fiery, monumental god-prologue (the only one in Senecan tragedy),through meditative soliloquies, impassioned speeches, trenchant dialogue, a failed wooing scene with an impressive after-life in Tudor drama, a stunning entrance for Hercules and his captured hellhound, Theseus' ecphrastic narrative of the hero's infernal 'labour', to a familicidal madness scene andan emotionally turbulent, non-violent finale, in which the instinct for self-punitive suicide is thwarted by the claims of kinship and the acceptance of intolerable suffering. The whole is bound together by some of Seneca's most affective choral lyrics, as intellectually engaging as they areemotionally potent.Hercules is A. J. Boyle's sixth, full-scale edition for OUP of a play by or attributed to Seneca. It offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and academic study, and a detailed exegetic, analytic, and interpretativecommentary. The aim has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and the ensuing literary and dramatic tradition. As such, its substantial influence on European drama from the sixteenth tothe twenty-first centuries is given emphasis throughout; this and the accessibility of the commentary to Latinless readers make the edition particularly useful to scholars and students not only of classics, but also of comparative literature and drama, and to anyone interested in the culturaldynamics of literary reception and the interplay between theatre and history.

Seneca Hercules

The current state of English company law on minority shareholders' remedies is analyzed in the light of the UK Law Commission, further appraised and amplified by the Company Law Review Steering Group. The book covers the common law actions by exception to the Rule in Foss v Harbottle, and the statutory remedies by way of petition for unfair prejudice and/or just and equitable winding up. As well as considering the complexities of derivative actions and statutory minority remedies, Boyle discusses future directions for minority shareholders' remedies.

Minority Shareholders' Remedies (Cambridge Studies in Corporate Law, Series Number 2)

Business

Cambridge University Press

Business & Money

Management & Leadership

Boyle and Birds' Company law

Jordan

Seneca (ca 1 B.C.-A.D. 65) sets his Troades in the immediate aftermath of the fall of Troy. The Trojan women (the troades) were to become the prizes of the victorious Greeks. As the play opens, their husbands and sons dead, their city in ruins, they wait, lamenting, to be allotted to their new masters. But before the Greek warriors sail home with their spoils, further horrors are in store. Pyrrhus, son of Achilles, demands the sacrifice of the Trojan princess Polyxena as a blood offering to his dead father. And the prophet Calchas decrees that the little son of Hecuba, wife of the Trojan prince and hero Hector, must be slaughtered. In this cruel situation the thoughts, actions and reactions of both sides, Greek men and Trojan women, create the unfolding drama. The themes of power, culture, freedom, delusion, history and death make Troades a brilliant piece of theatre, whose concerns speak as directly now as they did to the spectacular, histrionic and self-consuming world of early imperial Rome. The English translation, like that of Boyle's earlier Phaedra edition, is printed facing the Latin and aims at verbal and stylistic fidelity. The introduction and detailed commentary fill in the play's background for students of Latin and of Roman civilisation, and for the generally interested reader.

Seneca's Troades: Introduction, Text, Translation and Commentary (Latin and Greek Texts, 7)

History

Ancient Civilizations

Francis Cairns (Publications) Ltd

This is the first book-length critical study of the three Virgilian works to be published in English for twenty years. It examines in detail the thematic design and intent of the Eclogues, Georgics and Aeneid, and documents the development of their political, moral and poetic pessimism. It presents the interrelationship of the three texts, their intertextuality, as integral to their meaning. The book is in three main parts - 'Pastoral Meditation', 'Didactic Paradox', 'Epic Vision' - corresponding to the three Virgilian works. A brief introductory chapter is concerned with questions of method and the problem of Virgil misread. A chief focus of the book is Virgil's preoccupation with the relationship between poetry, art - art's values, perceptions, visions - and the political/historical world, and the changing nature of Virgil's attitude to the socio-moral responsibilities of Rome. The evolution of Vergil's presentation both of Roman imperium and of man's place in nature and history is carefully delineated.With close scrutiny of the language, imagery, structures and design of the three texts and of their verbal and thematic interrelationship, the book offers a substantial reassessment of the major political, psychological and moral ideas of Virgil's poetic oeuvre. An intricate and persuasive picture emerges of Virgil's intellectual and poetic development and a radically new conception of Virgil's image of himself as poet. The provision of translations makes the book accessible to the Latinless reader.

The Chaonian Dove: Studies in the Eclogues Georgics and Aeneid of Virgil (Mnemosyne Series, Supplement 94)

History & Criticism

Brill Academic Pub

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