The Immortal Hour, Music-drama

MaCleod, Fiona

Boughton, Rutland

History

Franklin Classics

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Legare Street Press

Andesite Press

Reginald R. Buckley (1882 -? ) was a poet and author. His works include: The Music Drama of the Future (1908), The Shakespeare Revival and the Stratford- Upon-Avon Movement (1911), St. Francis (1912), The Birth of Arthur (1914) and Arthur of Britain (1914). Rutland Boughton (1878-1960) was an English composer who became well known in the early 20th century as a composer of opera and choral music. A pupil of Charles Villiers Stanford and Walford Davies, Boughton's output included three symphonies, several concertos, part-songs, songs, chamber music and opera (which he called ""Music Drama"" after Wagner). His best known work was the opera The Immortal Hour. His Bethlehem (1915), based on the Coventry Nativity Play and notable for its choral arrangements of traditional Christmas carols also became very popular with choral societies world-wide. Other operas include: The Birth of Arthur (1914), The Round Table (1916), The Lily Maid (1934) and Avalon and Galahad (1945).

The Birth of Arthur (Dodo Press)

Literature & Fiction

Buckley, Reginald R.

Dramas & Plays

Dodo Press

Title: The Immortal Hour Composer: Rutland Boughton Original Publisher: Stainer & Bell  The complete English vocal score to Boughton's The Immortal Hour as originally published by Stainer & Bell in 1920. Performer’s Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

The Immortal Hour

Sharp, William

Literary

CreateSpace Independent Publishing Platform

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