Films and Dreams considers the essential link between films and the world of dreams. To discuss dream theory in the context of film studies means moving from the original, clinical context within which dream theory was originally developed to an environment established by primarily aesthetic concerns. Botz-Bornstein deals with dreams as "self-sufficient" phenomena that are interesting not because of their contents but because of the "dreamtense" through which they deploy their being. A diverse selection of films are examined in this light: Tarkovsky's anti-realism exploring the domain of the improbable between symbolization, representation and alienation; Sokurov's subversive attacks on the modern image ideology; Arthur Schnitzler's shifting of the familiar to the uncanny and Kubrick's avoidance of this structural model in Eyes Wide Shut; and Wong Kar-Wai's dreamlike panorama of parodied capitalism.

Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai

Botz-Bornstein, Thorsten

Religion & Spirituality

Lexington Books

Films and Dreams considers the essential link between films and the world of dreams. Thorsten Botz-Bornstein reveals a common structure of 'dreamtense' in the works of major filmmakers like Tarkovsky, Sokurov, Bergman, and Wong Kar-wai.

Aesthetics and Politics of Space in Russia and Japan: A Comparative Philosophical Study examines the parallels between Russian and Japanese philosophies and religions by revealing a common concept of space in Russian and Japanese aesthetics and political theories. Thorsten Botz-Bornstein shows points of convergence between the two traditions regarding the treatment of space within the realm of identity (both individual and communal), and in formulations of the relationship between regionalism, localism and globalism. Russian and Japanese philosophers like Nishida, Watsuji, Trubetzkoy, and the Eurasianists transformed the traditional notion of communal space, which has always been seen as an organic time-space unity, into a sophisticated element very well described as "time-space development." Botz-Bornstein's comparative study also leads to an analysis of contemporary themes. Reflections on Noh-plays and icons, for example, permit him to untangle the relationships between the virtual, the dream, the imaginary, and reality. Virtual reality, as an environment that pulls users into itself, makes use of strategies that are also common in Noh-plays and icons, both of which share a particular conception of space. The "non-Western" alternatives presented in Aesthetics and Politics of Space in Russia and Japan can be considered as useful additions to contemporary political and aesthetic discourses.

Aesthetics and Politics of Space in Russia and Japan: A Comparative Philosophical Study

Politics & Social Sciences

Philosophy

At the turn of the millennium, international youth culture is dominated by mainly two types of aesthetics: the African American cool, which, propelled by Hip-Hop music, has become the world's favorite youth culture; and the Japanese aesthetics of kawaii or cute, that is distributed internationally by Japan's powerful anime industry.The USA and Japan are cultural superpowers and global trendsetters because they make use of two particular concepts that hide complex structures under their simple surfaces and are difficult to define, but continue to fascinate the world: cool and kawaii. The Cool-Kawaii: Afro-Japanese Aesthetics and New World Modernity, by Thorsten Botz-Bornstein, analyzes these attitudes and explains the intrinsic powers that are leading to a fusion of both aesthetics.Cool and kawaii are expressions set against the oppressive homogenizations that occur within official modern cultures, but they are also catalysts of modernity. Cool and kawaii do not refer us back to a pre-modern ethnic past. Just like the cool African American man has almost no relationship with traditional African ideas about masculinity, the kawaii shôjo is not the personification of the traditional Japanese ideal of the feminine, but signifies an ideological institution of women based on Japanese modernity in the Meiji period, that is, a feminine image based on westernization.At the same time, cool and kawaii do not transport us into a futuristic, impersonal world of hypermodernity based on assumptions of constant modernization. Cool and kawaii stand for another type of modernity, which is not technocratic, but rather "Dandyist" and closely related to the search for human dignity and liberation.

The Cool-Kawaii: Afro-Japanese Aesthetics and New World Modernity

Social Sciences

How Much Religion is Good for Us?: If Religion Were a Game

Routledge

How Much Religion Is Good For Us?

Abingdon, Oxon ; New York, NY : Routledge

The Veil in Kuwait explores the complex reasons behind why women veil and how they are perceived by those that do not veil. Religion, culture, family, tradition, and fashion are all explored to provide insight into this fascinating phenomenon that has received global interest.

The Veil in Kuwait: Gender, Fashion, Identity

Health, Fitness & Dieting

Abdullah-Khan, N.

Beauty, Grooming, & Style

Palgrave Pivot

Transcultural Architecture: The Limits and Opportunities of Critical Regionalism

Critical Regionalism is a notion which gained popularity in architectural debate as a synthesis of universal, 'modern' elements and individualistic elements derived from local cultures. This book shifts the focus from Critical Regionalism towards a broader concept of 'Transcultural Architecture' and defines Critical Regionalism as a subgroup of the latter. One of the benefits that this change of perspective brings about is that a large part of the political agenda of Critical Regionalism, which consists of resisting attitudes forged by typically Western experiences, is 'softened' and negotiated according to premises provided by local circumstances. A further benefit is that several responses dependent on factors that initial definitions of Critical Regionalism never took into account can now be considered. At the book’s centre is an analysis of Reima and Raili PietilÃ¤’s Sief Palace Area project in Kuwait. Further cases of modern architecture in China, Korea, and Saudi Arabia show that the critique, which holds that Critical Regionalism is a typical 'western' exercise, is not sound in all circumstances. The book argues that there are different Critical Regionalisms and not all of them impose Western paradigms on non-Western cultures. Non-Western regionalists can also successfully participate in the Western enlightened discourse, even when they do not directly and consciously act against Western models. Furthermore, the book proposes that a certain 'architectural rationality' can be contained in architecture itself - not imposed by outside parameters like aesthetics, comfort, or even tradition, but flowing out of a social game of which architecture is a part. The key concept is that of the 'form of life', as developed by Ludwig Wittgenstein, whose thoughts are here linked to Critical Regionalism. Kenneth Frampton argues that Critical Regionalism offers something well beyond comfort and accommodation. What he has in mind are ethical prescripts closely linked to a

Reference

New Aesthetics of Deculturation, The: Neoliberalism, Fundamentalism and Kitsch

What are the predominant aesthetics of the twenty-first century? Thorsten Botz-Bornstein argues that deculturation, embodied by the conspicuous vulgarity of kitsch, is the overriding visual language of our times.
Drawing on the work of Islam scholar Olivier Roy, who argued that religious fundamentalism arises when religion is separated from the indigenous cultural values, Botz-Bornstein shows that the production of 'absolute' truths through deculturation also exists in contemporary education. The neoliberal environment has separated learning from culture by emphasizing standardization and quantified learning outcomes. In a globalized environment, the idea of culture is no longer available as a referent; instead we are taught to rely on the culturally neutral term 'excellence'. For Botz-Bornstein, this is an absolute value similar to the 'truth' of religious fundamentalists. 
Similarly, kitsch is what happens when aesthetic values are separated from cultural contexts. Kitsch is aesthetic fundamentalism. Kitsch aesthetics are an aesthetics of excellence. The consumption of kitsch can be understood as an intrinsically narcissistic impulse, reinforced by social media, individuals recycling their own selves without being confronted with the culture of the “other.” The existence of self-centred “alternative truths”, fake news and conspiracy theories and selfies are linked together in the fundamentalism–neoliberalism–kitsch pattern. 
Including analysis of the intersections of 'cute', 'excellent', 'sublime', and 'interesting' in contemporary aesthetic culture, this is a journey through philosophy, psychology and cultural theory, redefining a new aesthetics of deculturation.

The New Aesthetics of Deculturation: Neoliberalism, Fundamentalism and Kitsch

Bloomsbury Academic

See the best price to sell, buy, or rent books by Botz-Bornstein, Thorsten. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Botz-Bornstein, Thorsten

See the best price to sell, buy, or rent books by Botz-Bornstein, Thorsten. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai

Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai

Aesthetics and Politics of Space in Russia and Japan: A Comparative Philosophical Study

The Cool-Kawaii: Afro-Japanese Aesthetics and New World Modernity

How Much Religion is Good for Us?: If Religion Were a Game

How Much Religion is Good for Us?: If Religion Were a Game

How Much Religion Is Good For Us?

The Veil in Kuwait: Gender, Fashion, Identity

Transcultural Architecture: The Limits and Opportunities of Critical Regionalism

The New Aesthetics of Deculturation: Neoliberalism, Fundamentalism and Kitsch