Max Huber

Max Huber (1919-92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published on this major figure, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy.Huber's style assimilated the teachings of the early modern masters, such as Max Bill and Laszlo Moholy-Nagy, combining their principles with the enormous variety of cultural influences present in vibrant post-war Milan. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life. Among the 450 illustrations in this book (the majority of which were never published before) are examples of his celebrated posters for the Monza races, his jazz record covers and book series for major Italian publishers, which remain appreciated today as superb examples of their genres.Some of Huber's most enduring achievements were on a completely different scale and remain in the collective memory of generations and on the streets of Italy: his logo design for the department store La Rinascente and the supermarket chain Esselunga, were so influential as to change the public's perception of these two popular stores and, moreover, the visual landscape of Milan itself.The three expert authors of this book (Stanislaus von Moos, Mara Campana and Giampiero Bosoni) were privileged to have the full support of Huber's widow, Aoi Kona, who granted them unrestricted access to the renowned archive of Huber's work that is now housed in the m.a.x.Museo, in Chiasso, Switzerland. This wide-ranging and exhaustively researched book demonstrates the importance of this fascinating and influential figure in the history of modern graphic design.

Arts & Photography

Von Moos, Stanislaus

Campana, Mara

Bosoni, Giampiero

Individual Artists

Phaidon Press

Engaging Italian industry and culture in a single-minded and spontaneous project of national image building, Italy's designers have produced a complete variety of forms--fashion, graphic arts and product and set design--with a unique international resonance. This volume explores Italian design of the last half-century, featuring the classic lines of the Vespa, Bruno Munari's deconstruction of the common fork, the nostalgic appeal of Italo Marchioni's ice cream cone and the sleek Minimalism of Alberto Meda's 1987 "Light Light Chair," among many other masterpieces. Paola Antonelli's lively introduction provides an overview of Italy's design culture; an essay by Giampiero Bosoni illuminates the design objects that are superbly reproduced in the volume's plate section. Giampiero Bosoni is an architect, curator and Associate Professor of Interior Architecture in the Faculty of Design at the Polytechnic University of Milan. He is the author of several surveys and monographs, including Il Modo Italiano: Italian Design and Avant-garde in the 20th Century and a monograph on Max Huber.

Italian Design (MoMA Design)

Antonelli, Paola

Decorative Arts & Design

The Museum of Modern Art, New York

In this revealing autobiographical account, Jean Nouvel, one of today's most interesting international architects, looks at his work from his debut at the end of the 1970s up to his most recent projects, giving a detailed description of his planning philosophy and, in certain passages, proposing his own ideas regarding the future of architecture.The book is handsomely illustrated by photographs from the architect's personal archive and focuses in particular on Nouvel's principal works, including the Institute du Monde Arabe and Fondation Cartier in Paris, the restructuring of the Lyons Opera House and the recently completed Lafayette Department Store in Berlin

Jean Nouvel : Architecture and Design 1976 - 1995

Sports & Outdoors

Miscellaneous

Skira

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