The Nature of Frank Lloyd Wright

Arts & Photography

Nelson, Robert S.

Bolon, Carol Radcliffe

Architecture

Univ of Chicago Pr

Striking images of a certain Indian goddess have been variously referred to as the "shameless woman" the "nude squatting goddess," the "mother goddess," or, because her historical name remains unknown, more than twenty-five names, among them Aditi, Lajjā Gaurī, Renukā, and Nagna Kabambdha. The best-known images of this goddess have a female torso and a lotus flower in place of a head, while her legs are bent up at the knees and drawn up to each side in a position that has been described as one of "giving birth" or "self-display." This type of goddess figure is explained as part of a long, highly sophisticated tradition of expressing fertility and well-being in Indian art.
The artists creating images of Lajjā Gaurī drew on various ancient symbols of fortune, fertility, and life-force to communicate her power through their rich heritage of meanings. As these historical-religious symbols and images were constantly reused and reincorporated, they formed a new and enriched religious context. In the process of recycling they became empowered cultural metaphors, visual morphemes in the language of Indian art.
Because there are no texts to explain the figure, the study proceeds from the basis of the objects to derive their meaning. Carol Bolon charts the changes in the goddess's form over a period of more than four centuries, including its possible adoption from tribal worship into Hindu temples, and brings a new appreciation of Lajjā Gaurī's rich symbolic meanings and cultural context.

Forms of the Goddess Lajjā Gaurī in Indian Art (College Art Association Monograph)

History & Criticism

Penn State University Press

Light of Devotion: Oil Lamps of Kerala, an in-depth study of the medieval oil lamps of Kerala and beyond, contributes a new chapter to the history of Indian art. These art objects are primary sources for a broader discussion of the ritual use of Hindu oil lamps, their related and unique cultural history, their motifs, style and subject matter. From an understudied region, they include miniature masterpieces in bronze of figural and mythic representations. Many of the pieces presented are previously unpublished. Hindu traditions and the underlying philosophy of these votive offerings to temple deities represented by the flaming oil lamps will interest those who study history of religions, art history and South Asian studies. The author has included oil lamps found not only in Kerala but also examples discovered in an international array of museums and collections. These lamps and their inscriptions offer a key to unlock the problem of the dating of Keralan bronze sculpture.

Light of Devotion: Oil Lamps of Kerala

Archaeopress

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Books by Bolon, Carol Radcliffe