Piaget (Fontana modern masters)

Health, Fitness & Dieting

Boden, Margaret A.

Psychology & Counseling

Fontana

The applications of Artificial Intelligence lie all around us; in our homes, schools and offices, in our cinemas, in art galleries and - not least - on the Internet. The results of Artificial Intelligence have been invaluable to biologists, psychologists, and linguists in helping to understand the processes of memory, learning, and language from a fresh angle. As a concept, Artificial Intelligence has fuelled and sharpened the philosophical debates concerning the nature of the mind, intelligence, and the uniqueness of human beings. Margaret A. Boden reviews the philosophical and technological challenges raised by Artificial Intelligence, considering whether programs could ever be really intelligent, creative or even conscious, and shows how the pursuit of Artificial Intelligence has helped us to appreciate how human and animal minds are possible.

AI: Its Nature and Future

Computers & Technology

Computer Science

Oxford University Press

Margaret Boden presents a series of essays in which she explores the nature of creativity in a wide range of art forms. Creativity in general is the generation of novel, surprising, and valuable ideas (conceptual, theoretical, musical, literary, or visual). Boden identifies three forms of creativity: combinational, exploratory, and transformational. These elicit differing forms of surprise, and are defined by the different kinds of psychological process that generate the new ideas. Boden examines creativity not only in traditional fine art, but also in craftworks, and some less orthodox approaches--namely, conceptual art and several types of computer art. Her Introduction draws out the conceptual links between the various case-studies, showing how they express a coherent view of creativity in art.

Creativity and Art: Three Roads to Surprise

Politics & Social Sciences

Philosophy

The applications of Artificial Intelligence lie all around us; in our homes, schools and offices, in our cinemas, in art galleries and -- not least -- on the Internet. The results of Artificial Intelligence have been invaluable to biologists, psychologists, and linguists in helping to understand the processes of memory, learning, and language from a fresh angle. As a concept, Artificial Intelligence has fueled and sharpened the philosophical debates concerning the nature of the mind, intelligence, and the uniqueness of human beings. In this Very Short Introduction, Margaret A. Boden reviews the philosophical and technological challenges raised by Artificial Intelligence, considering whether programs could ever be really intelligent, creative, or even conscious, and shows how the pursuit of Artificial Intelligence has helped us to appreciate how human and animal minds are possible. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Artificial Intelligence: A Very Short Introduction (Very Short Introductions)

Margaret Boden presents a series of essays in which she explores the nature of creativity in a wide range of art forms. Creativity in general is the generation of novel, surprising, and valuable ideas (conceptual, theoretical, musical, literary, or visual). Boden identifies three forms of creativity: combinational, exploratory, and transformational. These elicit differing forms of surprise, and are defined by the different kinds of psychological process that generate the new ideas. Boden examines creativity not only in traditional fine art, but also in craftworks, and some less orthodox approaches--namely, conceptual art and several types of computer art. Her Introduction draws out the conceptual links between the various case-studies, showing how they express a coherent view of creativity in art.

This collection of Margaret Boden's essays written between 1982 and 1988 focuses on the relevance of artificial intelligence to psychology. With her usual clarity and eye for the key role that each discipline plays in the science of the mind, Boden ties the essays together in a thorough synoptic overview. She outlines the various approaches, from Babbage's contributions, through the work of Turing and von Neumann, to the latest theories of parallel processing, and the questions that researchers in AI and psychology must ask to ascertain if there might be a discipline termed computational psychology. Many theoretical psychologists today believe that the science of artificial intelligence can include all of the phenomena generated by the human mind. This functionalist approach views the mind as a representational system and psychology as the study of the various computational processes whereby mental representations are constructed, organized, and interpreted. Disagreements abound, however, about how various psychological phenomena can be explained in computational terms; there is disagreement, too, about which AI concepts and which of the computermodeling methodologies will prove most useful from the psychologist's point of view. All of these issues are raised and clearly investigated here. The essays include Fashions of Mind; Is Computational Psychology Constructivist? Does Artificial Intelligence Need Artificial Brains? Intentionality and Physical Systems; Escaping from the Chinese Room; Is Equilibration Important? Artificial Intelligence and Biological Intelligence. Educational Implications of Artificial Intelligence.Artificial Intelligence in Psychology is included in the series Explorations in Cognitive Science, A Bradford Book

Artificial Intelligence in Psychology: Interdisciplinary Essays (Explorations in Cognitive Science)

Mit Pr

Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.
In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies―photography and film―have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not? Is writing a computer program equivalent to painting with a brush?
Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.

From Fingers to Digits: An Artificial Aesthetic (Leonardo)

Edmonds, Ernest A.

The MIT Press

Artificial Intelligence and Natural Man, Second Edition

This collection of Margaret Boden's essays written between 1982 and 1988 focuses on the relevance of artificial intelligence to psychology. With her usual clarity and eye for the key role that each discipline plays in the science of the mind, Boden ties the essays together in a thorough synoptic overview. She outlines the various approaches, from Babbage's contributions, through the work of Turing and von Neumann, to the latest theories of parallel processing, and the questions that researchers in AI and psychology must ask to ascertain if there might be a discipline termed computational psychology. Many theoretical psychologists today believe that the science of artificial intelligence can include all of the phenomena generated by the human mind. This functionalist approach views the mind as a representational system and psychology as the study of the various computational processes whereby mental representations are constructed, organized, and interpreted. Disagreements abound, however, about how various psychological phenomena can be explained in computational terms; there is disagreement, too, about which AI concepts and which of the computermodeling methodologies will prove most useful from the psychologist's point of view. All of these issues are raised and clearly investigated here. The essays include Fashions of Mind; Is Computational Psychology Constructivist? Does Artificial Intelligence Need Artificial Brains? Intentionality and Physical Systems; Escaping from the Chinese Room; Is Equilibration Important? Artificial Intelligence and Biological Intelligence. Educational Implications of Artificial Intelligence.
Artificial Intelligence in Psychology is included in the series Explorations in Cognitive Science, A Bradford Book

Bradford Books

The Creative Mind: Myths and Mechanisms

Weidenfeld&Nicolson

See the best price to sell, buy, or rent books by Boden, Margaret A.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Boden, Margaret A.

See the best price to sell, buy, or rent books by Boden, Margaret A.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Piaget (Fontana modern masters)

AI: Its Nature and Future

Creativity and Art: Three Roads to Surprise

Artificial Intelligence: A Very Short Introduction (Very Short Introductions)

Creativity and Art: Three Roads to Surprise

Artificial Intelligence in Psychology: Interdisciplinary Essays (Explorations in Cognitive Science)

From Fingers to Digits: An Artificial Aesthetic (Leonardo)

Artificial Intelligence and Natural Man, Second Edition

Artificial Intelligence in Psychology: Interdisciplinary Essays (Explorations in Cognitive Science)

The Creative Mind: Myths and Mechanisms