Björk is a contemporary icon whose contributions to music, video, film, fashion and art have influenced a generation worldwide. Here, now, is the ultimate celebration of this multimillion-selling superstar. Designed by top design studio M/M (Paris) as a slipcased world of wonders, this publication which accompanies springs exhibition on Björk at The Museum of Modern Art is composed of six parts: four booklets, a paperback and a poster. Each booklet contains illustrated texts by, respectively, Klaus Biesenbach, Alex Ross, Nicola Dibben and Timothy Morton, while the poster features artwork of Björks albums and singles. The main book focuses on her seven major albums Debut, Post, Homogenic, Vespertine, Medúlla, Volta and Biophilia and the personas created for each one. Poetic texts by longtime collaborator, Icelandic poet Sjón, are accompanied by shots of Björk performing live; multiple stills from music videos made by directors including Michel Gondry, Chris Cunningham and Spike Jonze; images of Björk in breathtaking costumes by designers such as Alexander McQueen and Hussein Chalayan; and shots by star photographers such as Nan Goldin, Juergen Teller, Stéphane Sédnaoui, Inez van Lamsweerde &amp; Vinoodh Matadin, and Araki. All combine to form an extraordinary visual masterpiece, celebrating the magical world of Björk.

BjOrk Archives /anglais

Arts & Photography

Ross, Alex

BIESENBACH, KLAUS

Dibben, Nicola

Sjón

Music

Thames&Hudson

In January and February of 2007, the Los Angeles-based video artist Doug Aitken projected a new work, commissioned by The Museum of Modern Art and the New York arts institution Creative Time, onto seven facades on and around MoMA's fabled West Fifty-third Street building. Sleepwalkers was both inspired by, and offered in opposition to, the densely built midtown environment; it integrated itself onto the surfaces on which it was projected, and it challenged viewers' perceptions of architecture and public space. The piece, which follows the trajectories of five characters as they make their way through nocturnal New York, explores Aitken's key recurring themes: broken and recombined narratives, the rhythm and flow of information and images, and the relationship of individuals to their environment. The viewer, as a pedestrian, a participant and a vital component of New York's energetic system, becomes part of the work, and of the interactive personal landscape that Aitken creates in and among the hard-edged concrete and glass language of Manhattan's architecture. In addition to documentation of Sleepwalkers, this publication contains an overview of the artist's work to date, with special emphasis on works since 2001. It also contains conversations between Aitken and a variety of artists, architects, writers and performers about different elements of city life, from the lit signage of Times Square to a taxi driver's eye view of the streets.

Doug Aitken: Sleepwalkers

Eleey, Peter

Reference

The Museum of Modern Art, New York

Working in a variety of media and a range of scales, from humble works on paper to monumental staged performances, Francis Alÿs (born 1959) has established himself as one of the world's leading contemporary artists. Based in Mexico City since 1986, the artist fashions much of his work from the street life he observes during long walks throughout the city. Bringing together a variety of participants, from Mexican sign-painters to British Guardsmen, his collaborations have produced several well-known works, including "When Faith Moves Mountains" (2002), in which he enlisted 500 volunteers to attempt to move a sand dune one foot from its original position using shovels, and "The Modern Procession" (2002), a ceremonial procession commemorating MoMA's temporary move to Queens, New York, that included a brass band and uniformed participants carrying reproductions of the Museum's most famous works across the Queensboro bridge. Published to accompany the largest retrospective of Alÿs' work to date, this publication is more a guidebook than a conventional monograph, reflecting the spirit of the artist's wandering practice. It features an introductory essay by Mark Godfrey, a curator at the Tate Modern, an index of quotes from Alÿs' previous writings and interviews compiled by Klaus Biesenbach, Director of P.S.1 Contemporary Arts Center, and descriptions of works written by Alÿs and Cuauhtémoc Medina, freelance curator and art critic, as well as responses to the artist's work from a wide range of critics and commentators.

Francis Alÿs: A Story of Deception

Kwon, Miwon

Weizman, Eyal

Groys, Boris

Medina, Cuauhtémoc

McDonough, Tom

Godfrey, Mark

Careri, Francesco

Faesler, Carla

dos Santos, Laymert

History & Criticism

Björk is a contemporary icon whose contributions to music, video, film, fashion and art have influenced a generation worldwide. Designed by top graphic design agency M/M as a slipcased world of wonders, this publication―which accompanies The Museum of Modern Art's spring 2015 exhibition on Björk―is composed of six parts: four booklets, a paperback and a poster. Each booklet contains illustrated texts by, respectively, curator Klaus Biesenbach, New Yorker music critic Alex Ross, British professor of musicology Nicola Dibben and the philosopher Timothy Morton (in conversation with Björk), while the poster features artwork from Björk's albums and singles. The main book focuses on her seven major albums and the personas created for each one. Poetic texts by longtime collaborator, Icelandic poet Sjón, are accompanied by shots of Björk performing live; multiple stills from music videos made by directors including Michel Gondry, Chris Cunningham and Spike Jonze; images of Björk in breathtaking costumes by designers such as Alexander McQueen and Hussein Chalayan; and shots by star photographers such as Nan Goldin, Juergen Teller, Stéphane Sédnaoui, Inez van Lamsweerde &amp; Vinoodh Matadin and Araki. All combine to form an extraordinary design masterpiece, celebrating the magical world of Björk.

Björk

Timothy B. Morton

Individual Artists

The third iteration of the quintennial exhibition organized by P.S.1 Contemporary Art Center and The Museum of Modern Art, Greater New York 2010 showcases emerging artists who are living and working in the metropolitan New York area. Covering a full range of practices and media, and eagerly anticipated throughout the art community, the 2010 exhibition and catalogue present new works by more than 70 artists of diverse backgrounds, allowing each of them a significant area of space in P.S.1's expansive galleries in which to show new work or work that has been made in the past five years. This year, Greater New York is organized by Klaus Biesenbach, P.S.1 Director and MoMA Chief Curator at Large; Connie Butler, MoMA Robert Lehman Foundation Chief Curator of Drawing; and Neville Wakefield, P.S.1 Senior Curatorial Advisor.

Greater New York 2010

Butler, Connie

Wakefield, Neville

Collections, Catalogs & Exhibitions

MoMA PS1

This beautiful book presents the extraordinary work of the iconic American "outsider" artist in a new critical light, locating him as a major figure in the history of contemporary art. Self-taught and working in isolation until his death in 1973, Henry Darger realized an elaborate fantasy world of remarkable beauty and strangeness through hundreds of paintings and an epic written narrative. Angel-like Blengins with butterfly wings, natural catastrophes, innocent girls, and murderous soldiers all appear in Darger's scenes, which are reproduced in this book in double-page and gatefold illustrations. In the volume's introductory essay, Klaus Biesenbach examines the radical originality of Darger's art, including his use of collage, incorporation of religious themes and iconography, and frequent juxtaposition of innocence with violence. An essay by Brooke Davis Anderson illuminates Darger's source materials and techniques, while another by Michael Bonesteel puts Darger's life in the context of his work. The book also includes Darger's autobiography, "A History of My Life," introduced by Carl Watson. The only book of its kind, Henry Darger offers an authoritative, balanced, and insightful look at an American master.

Henry Darger

Prestel

After becoming an internet sensation, Marco Anelli’s powerful portraits of sitters in the historic 2010 Marina Abramovic performance at The Museum of Modern Art, New York are now collected and available in their entirety in this volume. The centerpiece of the landmark retrospective Marina Abramovic: The Artist Is Present was Abramovic herself, who sat silently in the museum’s atrium, inviting visitors to take a seat across from her for as long as they chose. She sat every day for the run of the show--716 hours and 30 minutes--and faced more than 1,500 people, whose participation completed the work. Marco Anelli’s photographic project captured every interaction, taking a portrait of each participant and noting the time they spent in the chair. Just as Abramovic’s piece concerned duration, the photographs give the viewer a chance to experience the performance from Abramovic’s perspective. They reveal both dramatic and mundane moments, and speak to the humanity of such interactions, just as the performance itself did. The resultant photographs are mesmerizing and intense, putting a face to the world of art lovers while capturing what they shared during their contact with the artist.

Marco Anelli: Portraits in the Presence of Marina Abramovic

Abramović, Marina

Iles, Chrissie

Photography & Video

Damiani Editore

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