Selling the Splat Pack: The DVD Revolution and the American Horror Film

Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack' - a group of filmmakers who were heralded in the press as subversive outsiders. Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the 21st century? Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film-industry policy. This book includes an overview of the history of the American horror film from an industry-studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early 21st century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack.

Business & Money

Bernard, Mark

Industries

Edinburgh University Press

Cinema is a mosaic of memorable food scenes. Detectives drink alone. Gangsters talk with their mouths full. Families around the world argue at dinner. Food documentaries challenge popular consumption-centered visions. In Appetites and Anxieties: Food, Film, and the Politics of Representation, authors Cynthia Baron, Diane Carson, and Mark Bernard use a foodways paradigm, drawn from the fields of folklore and cultural anthropology, to illuminate film's cultural and material politics. In looking at how films do and do not represent food procurement, preparation, presentation, consumption, clean-up, and disposal, the authors bring the pleasures, dangers, and implications of consumption to center stage.
 In nine chapters, Baron, Carson, and Bernard consider food in fiction films and documentaries-from both American and international cinema. The first chapter examines film practice from the foodways perspective, supplying a foundation for the collection of case studies that follow. Chapter 2 takes a political economy approach as it examines the food industry and the film industry's policies that determine representations of food in film. In chapter 3, the authors explore food and food interactions as a means for creating community in Bagdad Café, while in chapter 4 they take a close look at 301/302, in which food is used to mount social critique. Chapter 5 focuses on cannibal films, showing how the foodways paradigm unlocks the implications of films that dramatize one of society's greatest food taboos. In chapter 6, the authors demonstrate ways that insights generated by the foodways lens can enrich genre and auteur studies. Chapter 7 considers documentaries about food and water resources, while chapter 8 examines food documentaries that slip through the cracks of film censorship by going into exhibition without an MPAA rating. Finally, in chapter 9, the authors study films from several national cinemas to explore the intersection of food, gender, and ethnicity. 
 Four appendices provide insights from a food stylist, a selected filmography of fiction films and a filmography of documentaries that feature foodways components, and a list of selected works in food and cultural studies. Scholars of film studies and food studies will enjoy the thought-provoking analysis of Appetites and Anxieties.

Appetites and Anxieties: Food, Film, and the Politics of Representation (Contemporary Approaches to Film and Media Studies)

Arts & Photography

Baron, Cynthia

Carson, Diane

Photography & Video

Wayne State University Press

Halloween (Cinema and Youth Cultures)

This book argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema.\nJohn Carpenter’s 1978 horror hit was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween’s comfortable place in the canon of youth horror cinema. However, this book argues that the film, like no other, draws from the themes, imagery, and obsessions that fueled youth horror cinema since the 1950s―Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters―and ties them together in the deceptively simple story of a masked killer on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows.\nThis book explores all these aspects of Halloween, including the franchise it spawned, providing an invaluable insight into this iconic film for students and researchers alike.

Teen & Young Adult

Routledge

Recovering from a First Episode of Psychosis: An Integrated Approach to Early Intervention

Despite years of research, debate and changes in mental health policy, there is still a lack of consensus as to what recovery from psychosis actually means, how it should be measured and how it may ultimately be achieved. In Recovering from a First Episode of Psychosis: An Integrated Approach to Early Intervention it is argued that recovery from a first episode of psychosis (FEP) is comprised of 3 core elements: symptomatic, social and personal. Moreover, all 3 types of recovery need to be the target of early intervention for psychosis programmes (EIP) which provide evidence based, integrated, bio-psychosocial interventions delivered in the context of a value base offering hope, empowerment and a youth focused approach.Over the 12 chapters in the book, the authors, experienced clinicians and researchers from multi-professional background, demonstrate that long term recovery needs to replace short term remission as the key target of early psychosis services and that to achieve this we need a change in the way we deliver EIP: One that takes account of the different stages of psychosis and the ‘bespoke’ targeting of integrated medical, psychological and social treatments during the ‘critical period’. Illustrated with a wealth of clinical examples, Recovering from a First Episode of Psychosis, will be of great interest to clinical psychologists, psychiatrists, psychiatric nurses and other associated mental health professionals.

Health, Fitness & Dieting

Jackson, Chris

Turner, Erin

Baggott, Eleanor

Clutterbuck, Ruth

Ryles, Diane

Mental Health

This book argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema. John Carpenter’s 1978 horror hit was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween’s comfortable place in the canon of youth horror cinema. However, this book argues that the film, like no other, draws from the themes, imagery, and obsessions that fueled youth horror cinema since the 1950s―Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters―and ties them together in the deceptively simple story of a masked killer on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows. This book explores all these aspects of Halloween, including the franchise it spawned, providing an invaluable insight into this iconic film for students and researchers alike.

See the best price to sell, buy, or rent books by Bernard, Mark. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Bernard, Mark