Language:Chinese.HardCover Pub Date: November 2007 Publisher: Thames &amp; Hudson Limited Click on the Google Preview image above to the read some pages of this book! The extraordinary outburst of artistic energy that occurred in Denmark between 1790 and 1910 has few rivals. Within three generations Danish painters developed a national school that matched the artistic centres of France. Germany and itain. This work studies this artistic movement in Denmark.

In Another Light - Danish Painting in the Nineteenth Century (Hardback) /anglais

Berman, Patricia

Reference

Thames&Hudson

Edvard Munch: The Modern Life of the Soul

In an exploration of modern existential experience unparalleled in the history of art, Edvard Munch, the internationally renowned Norwegian painter, printmaker and draftsman, sought to translate personal trauma into universal terms and in the process to comprehend the fundamental components of human existence: birth, love and death. Inspired by personal experience, as well as by the literary and philosophical culture of his time, Munch radically reconceived the given world as the product of his imagination. This book explores Munch's unique artistic achievement in all its richness and diversity, surveying his career in its entire developmental range from 1880 to 1944. The comprehensive volume features a lavish selection of color plates, an introduction by Kynaston McShine, Chief Curator at Large at The Museum of Modern Art, and essays by Patricia Berman, Reinhold Heller, Elizabeth Prelinger, and Tina Yarborough, as well as in-depth documentation of Munch's art and career. It will accompany the most extensive exhibition of Munch's art in America in three decades.

Prelinger, Elizabeth

Heller, Reinhold

The Museum of Modern Art, New York

The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political fomentation in his native Belgium. It is one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, rivaling any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the startling canvas presents a scene filled with clowns, masked figures, and--barely visible amid the swirling crowds--the tiny figure of Christ on a donkey entering the city of Brussels. This insightful volume examines the painting in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings.

James Ensor: Christ's Entry into Brussels in 1889 (Getty Museum Studies on Art)

Arts & Photography

History & Criticism

J.paul Getty Museum

Edvard Munch (1863–1944) and Andy Warhol (1928–1987), two of the most prolific and inventive printmakers of the twentieth century, are brought together in this volume, which examines four lithographic series Munch produced at the turn of the century--“The Scream,” “Madonna,” “The Brooch. Eva Mudocci” and “Self-Portrait with Skeleton Arm”--and a little-known but extraordinary series of unpublished silkscreens created by Warhol in 1984 that appropriate and re-envision Munch’s motifs. The comparison reveals remarkable affinities between the two artists: both Munch and Warhol were preoccupied with themes of anxiety and alienation, ideal beauty, sex and mortality, and both skillfully mined the iconic power of the image, crafting their myths in self-portraits and in life. Published to coincide with an exhibition at Scandinavia House: The Nordic Center in America in New York, Munch/Warhol includes 75 color reproductions, and marks the sesquicentennial of Edvard Munch’s birth.

Munch | Warhol and the Multiple Image

Collections, Catalogs & Exhibitions

The American-Scandinavian Foundation

What is the critical relevance of Edvard Munch (1863–1944) to contemporary society? This publication places Munch's oeuvre in dialogue with works by the Norwegian-born, New York–based artist Bjarne Melgaard (born 1967), whose art has often provoked controversy―as was the case with Munch, in his lifetime. Their bodies of creative work are related in numerous ways. Both have worked with reference to their own biography; there is also an artistic kinship between the two in terms of their painterly idioms, motifs and themes. Addressing subjects such as sexuality, gender, death, loneliness and alienation, they both address key issues of modern society. The catalogue explores the dystopian critique of civilization that underlies their respective oeuvres. In addition to a wide range of well-known works by both artists, it presents new pieces by Melgaard that explore the themes he considers of particular importance in Munch's oeuvre.

Melgaard & Munch

Lomas, David

Sjåstad, Øystein

Hatje Cantz

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Books by Berman, Patricia