Orson Welles: A critical view

Bazin, André

Harper&Row

Traces Welles' career from theatre and radio to Hollywood and Europe.

Biographies & Memoirs

Arts & Literature

Elm Tree Books

This classic in the literature of cinema represents the convergence of the three leading figures of French film: Jean Renoir, universally considered the greatest French director; André Bazin, the outstanding French film critic and theorist; and François Truffaut, the pioneer of la nouvelle vague. Bazin left this examination of Renoir's films unfinished when he died in 1958; Truffaut collected and edited the essays, and added a comprehensive filmography in which Bazin, Truffaut, Jacques Rivette, Jean-Luc Godard, Eric Rohmer, and other Cahiers du Cinéma regulars comment on the films. Here are brilliant insights into the whole of Renoir's oeuvre, from the avant-garde fantasy of La Petite Marchande d'Allumettes, through the epic humanism of Grand Illusion and The Rules of the Game, to the quiet grace of The River and the profound theatricality of The Golden Coach. Bazin shows why Renoir is the critical figure in the development of cinema since the silent era, and how he went beyond montage to give the art new expressive potential. Renoir's work constitutes one of the most fully and beautifully elaborated visions in contemporary art, and nowhere is this humanistic vision better illuminated than in this book.

Jean Renoir (Quality Paperbacks Series)

Da Capo

Bazin's impact on film art, as theorist and critic, is considered to be greater than that of any single director, actor, or producer. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Bazin at Work is the first English collection of disparate Bazin writings since the appearance of the second volume of What Is Cinema? in 1971. It includes work from  Cahiers le cinema (which he founded and which is the most influential single critical periodical in the history of the cinema) and  Esprit. He addresses filmmakers including Rossellini, Eisenstein, Pagnol, and Capra and well-known films including La Strada, Citizen Kane, Scarface, and The Bridge on the River Kwai.

Bazin at Work: Major Essays and Reviews From the Forties and Fifties

Humor & Entertainment

Movies

Routledge

Bazin's impact on film art, as theorist and critic, is considered to be greater than that of any single director, actor, or producer. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Bazin at Work is the first English collection of disparate Bazin writings since the appearance of the second volume of What Is Cinema? in 1971. It includes work from Cahiers le cinema (which he founded and which is the most influential single critical periodical in the history of the cinema) and Esprit. He addresses filmmakers including Rossellini, Eisenstein, Pagnol, and Capra and well-known films including La Strada, Citizen Kane, Scarface, and The Bridge on the River Kwai.

Bazin at Work

The philosophy and unique insights of the late French film critic are revealed in these essays

What is Cinema? Vol. 1

University of California Press

What Is Cinema? (Vol 1)

Translation of selections from Qu'est-ce que le cinema?

What is Cinema?: Vol. II

André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

What Is Cinema? Volume II

Arts & Photography

Photography & Video

Andre Bazin's New Media

André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the “new media” of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies―their artistic potential, social influence, and relationship to existing art forms―have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media.

See the best price to sell, buy, or rent books by Bazin, André. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Bazin, André

See the best price to sell, buy, or rent books by Bazin, André. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Orson Welles: A critical view

Orson Welles: A critical view

Jean Renoir (Quality Paperbacks Series)

Bazin at Work: Major Essays and Reviews From the Forties and Fifties

Bazin at Work

What is Cinema? Vol. 1

What Is Cinema? (Vol 1)

What is Cinema?: Vol. II

What Is Cinema? Volume II

Andre Bazin's New Media