Awarded the Raphael Lemkin Prize for the best scholarly book on genocide by the Institute for Genocide Studies at John Jay College of Criminal Justice/CUNY Graduate Center.
In this groundbreaking history of the Armenian Genocide, the critically acclaimed author of the memoir Black Dog of Fate brings us a riveting narrative of the massacres of the Armenians in the 1890s and genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Peter Balakian presents the chilling history of how the Young Turk government implemented the first modern genocide behind the cover of World War I. And in the telling, he also resurrects an extraordinary lost chapter of American history.
During the United States' ascension in the global arena at the turn of the twentieth century, America's humanitarian movement for Armenia was an important part of the rising nation's first epoch of internationalism. Intellectuals, politicians, diplomats, religious leaders, and ordinary citizens came together to try to save the Armenians. The Burning Tigris reconstructs this landmark American cause that was spearheaded by the passionate commitments and commentaries of a remarkable cast of public figures, including Julia Ward Howe, Clara Barton, Theodore Roosevelt, Woodrow Wilson, Ambassador Henry Morgenthau, Charlotte Perkins Gilman, Alice Stone Blackwell, Stephen Crane, and Ezra Pound, as well as courageous missionaries, diplomats, and relief workers who recorded their eyewitness accounts and often risked their lives in the killing fields of Armenia. The crisis of the "starving Armenians" was so embedded in American popular culture that, in an age when a loaf of bread cost a nickel, the American people sent more than $100 million in aid through the American Committee on Armenian Atrocities and its successor, Near East Relief. In 1915 alone, the New York Times published 145 articles about the Armenian Genocide. Theodore Roosevelt called the extermination of the Armenians "the greatest crime of the war." But in the turmoil following World War I, it was a crime that went largely unpunished. In depicting the 1919 Ottoman court-martial trials, Balakian reveals the perpetrators of the Armenian Genocide confessing their guilt -- an astonishing fact given the Turkish government's continued denial of the Genocide.
After World War I, U.S. oil interests in the Middle East steered America away from the course it had pursued for four decades. As Balakian eloquently points out, America's struggle between human rights and national self-interest -- a pattern that would be repeated again and again -- resonates powerfully today. In crucial ways, America's involvement with the Armenian Genocide is a paradigm for the modern age.

The Burning Tigris: The Armenian Genocide and America's Response

History

Balakian, Peter

Americas

Harper

For three decades, Peter Balakian's poetry has been praised widely in the United States and abroad. Writing in the Boston Globe, Marcie Hershman called Sad Days of Light "a piercingly elegant volume," and John Naughton in World Literature Today praised Dyer's Thistle as "a remarkable and profoundly visionary work." Now the poet whom James Dickey called "an extraordinary talent" gives us June-tree: New and Selected Poems 1974-2000, a discriminating selection from his first four books, with a group of startling new poems.
In book after book, Balakian has created a unique voice in American poetry -- one that is both personal and cosmopolitan. In sensuous, elliptical language, Balakian offers a textured poetry that is beautiful and haunting as it envelops an American grain, the reverberations of the Armenian Genocide, and the wired, discordant realities of contemporary life.
In his explorations of history, Balakian often deals with the transmission of trauma across generations in ways that bring daily American life into play with the dark frequencies of the past. The evolution of Balakian's form from volume to volume encompasses an expansive imagination, one always able to engage reality in its starkness, difficulty, and moments of revelation. June-tree is a stunning body of work by an original poet.

June-tree: New and Selected Poems, 1974-2000

Literature & Fiction

United States

Prize-winning poet and New York Times-bestselling author Peter Balakian offers the best of his previous poetry, as well as thirteen new poems. For three decades, Peter Balakian's poetry has been praised widely in the United States and abroad. He has created a unique voice in American poetry - one that is both personal and cosmopolitan. In sensuous, elliptical language, Balakian offers a textured poetry that is beautiful and haunting as it envelops an American grain, the reverberations of the Armenian Genocide, and the wired, discordant realities of contemporary life.

Dramas & Plays

Harper-perennial

A History of International Human Rights and Forgotten Heroes
In this national bestseller, the critically acclaimed author Peter Balakian brings us a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history.
Awarded the Raphael Lemkin Prize for the best scholarly book on genocide by the Institute for Genocide Studies at John Jay College of Criminal Justice/CUNY Graduate Center.

In his first book of poems since his highly acclaimed June-tree, Peter Balakian continues to define himself as one of the most distinctive voices of his generation. Exploring history, self, and imagination, as well as his ongoing concerns with catastrophe and trauma, many of Balakian’s new poems wrestle with the aftermath and reverberations of 9/11. Whether reliving the building of the World Trade Towers in the inventive forty-three-section poem that anchors the book, walking the ruins of the Bosnian National Library in Sarajevo, meditating on Andy Warhol’s silk screens, or considering the confluence of music, language, and memory, Balakian continues his meditations on history, as well as on the harshness and beauty of contemporary life, that his readers have enjoyed over the years. In sensual, layered, and sometimes elliptical language, Balakian in Ziggurat explores absence, war, love, and art in a new age of American uncertainty.

Ziggurat (Phoenix Poets)

Poetry

University of Chicago Press

In his first book of poems since his highly acclaimed June-tree, Peter Balakian continues to define himself as one of the most distinctive voices of his generation. Exploring history, self, and imagination, as well as his ongoing concerns with catastrophe and trauma, many of Balakian’s new poems wrestle with the aftermath and reverberations of 9/11.  Whether reliving the building of the World Trade Towers in the inventive forty-three-section poem that anchors the book, walking the ruins of the Bosnian National Library in Sarajevo, meditating on Andy Warhol’s silk screens, or considering the confluence of music, language, and memory, Balakian continues his meditations on history, as well as on the harshness and beauty of contemporary life, that his readers have enjoyed over the years. In sensual, layered, and sometimes elliptical language, Balakian in Ziggurat explores absence, war, love, and art in a new age of American uncertainty.

from "Ozone Journal" Bach’s cantata in B-flat minor in the cassette, we lounged under the greenhouse-sky, the UVBs hacking at the acids and oxides and then I could hear the difference between an oboe and a bassoon at the river’s edge under cover― trees breathed in our respiration; there was something on the other side of the river, something both of us were itching toward― radical bonds were broken, history became science. We were never the same. The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others―the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS―creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.

Ozone Journal (Phoenix Poets)

Peter Balakian is a renowned poet, scholar, and memoirist; but his work as an essayist often prefigures and illuminates all three. "I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination," he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, "as in grabbing and holding with pressure," but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure "as carbon might be put under pressure to create a diamond." And shadow, the second half of the title: both as noun, "the shaded or darker portion of the picture or view or perspective," "partial illumination and partial darkness"; and as verb, to shadow, "to trail secretly as an inseparable companion" or a "force that follows something with fidelity; to cast a dark light on something―a person, an event, an object, a form in nature." Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, "shadows history," and "casts its own type of illumination," creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory.

Vise and Shadow: Essays on the Lyric Imagination, Poetry, Art, and Culture

Essays & Correspondence

History & Criticism

New poetry collection from Peter Balakian, author of Ozone Journal, winner of the Pulitzer Prize.\nIn these poems, Peter Balakian wrestles with national and global cultural and political realities, including challenges for the human species amid planetary transmutation and the impact of mass violence on the self and culture. At the collection’s heart is “No Sign,” another in Balakian’s series of long-form poems, following “A-Train/Ziggurat/Elegy” and “Ozone Journal,” which appeared in his previous two collections. In this dialogical multi-sectioned poem, an estranged couple encounters each other, after years, on the cliffs of the New Jersey Palisades. The dialogue that ensues reveals the evolution of a kaleidoscopic memory spanning decades, reflecting on the geological history of Earth and the climate crisis, the film Hiroshima Mon Amour, the Vietnam War, a visionary encounter with the George Washington Bridge, and the enduring power of love..\nWhether meditating on the sensuality of fruits and vegetables, the COVID-19 pandemic, the trauma and memory of the Armenian genocide, James Baldwin in France, or Arshile Gorky in New York City, Balakian’s layered, elliptical language, wired phrases, and shifting tempos engage both life’s harshness and beauty and define his inventive and distinctive style.

No Sign (Phoenix Poets)

See the best price to sell, buy, or rent books by Balakian, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Balakian, Peter

See the best price to sell, buy, or rent books by Balakian, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Burning Tigris: The Armenian Genocide and America's Response

June-tree: New and Selected Poems, 1974-2000

June-tree: New and Selected Poems, 1974-2000

The Burning Tigris: The Armenian Genocide and America's Response

Ziggurat (Phoenix Poets)

Ziggurat (Phoenix Poets)

Ozone Journal (Phoenix Poets)

Vise and Shadow: Essays on the Lyric Imagination, Poetry, Art, and Culture

Vise and Shadow: Essays on the Lyric Imagination, Poetry, Art, and Culture

No Sign (Phoenix Poets)