<p>In an essay here, cultural critic and curator Negar Azimi articulates a singular problem of being a photographer in the Arab Middle East. "Taswir" (or picture making), according to many Arab scholars, is prohibited by Muslim law, thus the "notorious adage 'mamnous el taswir' (forbidden to photograph)... Exists in ubiquitous fashion, seemingly at every turn of the photographer's visual field." Keeping that in mind makes this unprecedented and multifaceted view of the Arab world as seen through the eyes of 56 Arab and Western photographers, the only current survey of its kind, an especially stimulating collection. Western readers will be introduced to multiple generations of photographers (male and female) previously little known outside the Middle East. Originally assembled for the highly acclaimed exhibition "Nazar" at the Noorderlicht Festival in the Netherlands, these pictures comprise the largest compilation of Arab photographs ever exhibited in the West. Covering both documentary and fine art photography and ranging from North Africa to Lebanon and Palestine, from Iraq to Syria and Saudi Arabia, this book will open an often shuttered world. For example, Nadia Benchallal, who has assisted Annie Liebowitz and Arthur Elgort, offers black-and-white portraits of people who straddle Algerian-French culture, and Randa Shaath has recorded, from her high-rise apartment in Cairo, the lives of a shadow society of rooftop dwellers in the city. "Nazar," which means "seeing, insight, reflection" in Arabic, challenges preconceptions and reveals a complexity of Arab life not glimpsed on the nightly news.</p>

Nazar: Photographs from the Arab World

Arts & Photography

MELIS, Wim

Azimi, Negar

Photography & Video

Aperture

Timo Nasseri (b. Berlin 1972 to a German mother and Iranian father; lives and works in Berlin) launched his career in the arts as a photographer. In recent years, however, he has systematically built a sculptural oeuvre. Rising slowly and with infinite precision on the foundations of mathematics, it undoes the separation between abstraction and ornament. Nasseri blends the two formative influences on his art, those of Islamic and Western culture, in arresting ways. The resulting works are alive with tensions and contrasts. The series Epistrophy/Muqarnas, for instance, interrogates sculpture as such. Complex structures made of reflective stainless steel form a space of contemplation that seeks to approximate the infinite. Nasseri's most recent works, including the sculpture GON, for which he was awarded the 2011 Abraaj Capital Art Prize, allow the beholder to experience mathematical theories in space. This first monograph surveys the works Nasseri created between 2006 and 2012.

Timo Nasseri

Individual Artists

DISTANZ

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Books by Azimi, Negar