An "evanescent shadow, a delicate, just perceptible image, the trace of a small plant on a field of periwinkle blue." With this description of one of the very earliest photographic experiments, Maria Morris Hambourg begins the riveting story of photography's first century, a story that concludes on the eve of World War II with the dramatic photographs of Henri Cartier-Bresson, Robert Capa, and Walker Evans, images imprinted indelibly into the consciousness of the modern era.The 253 works in the exhibition, many of them rare or unique and all of exceptional print quality, have been culled from the more than five thousand that comprise the legendary but seldom exhibited Gilman Paper Company Collection, the most important private collection of photographs in the world. Assembled over the past two decades, the collection is composed of images both ravishing and historically significant, setting the standard of connoisseurship in the field and illuminating the aesthetics of the medium.The first three chapters cover the period from the birth of photography in 1839 through its early maturation in the 1860s, in the locales where it first and most magnificently flourished, in Victorian England and France of the Second Empire and on tours of the Mediterranean basin and beyond, in India and Asia. Chapter Four examines photography in America during the nineteenth century and vividly charts the Civil War and the exploration of the majestic terrains of the American West. Investigations of the self and society are explored in Chapter Five, in the psychologically penetrating portraits and dreamlike landscape studies of the fin de siecle in Europe and America. And in Chapter Six, the modern era rushes into view with the provocative new vision of the twentieth century.The artists represented include such renowned British and French masters as Roger Fenton, Lewis Carroll, Julia Margaret Cameron, Nadar, Edouard Baldus, and Gustave Le Gray. The American chapter highlights the work of Mathew Brady, Timothy O'Sullivan, Carleton Watkins, and many anonymous practitioners. Revealing portraits of Oscar Wilde, Aubrey Beardsley, and Vaslav Nijinsky, among others, bring to life the charged atmosphere of the turn of the century. And the pioneering imagery of Man Ray, El Lissitzky, Alfred Stieglitz, Eugene Atget, Martin Munkacsi, and Alexander Rodchenko exuberantly re-creates the vitality of the twenties and thirties.The title of the book, The Waking Dream, is taken from Keats's "Ode to a Nightingale" and suggests, in the words of Maria Morris Hambourg, "the haunting power of photographs to commingle past and present, to suspend the world and the artist's experience of it in unique distillations?'Essays by Maria Morris Hambourg and Pierre Apraxine after critical overviews of each of the six chapters, and carefully researched texts by members of the staff of the Department of Photographs at the Metropolitan Museum, enlivened by often surprising and entertaining vignettes, clarify the historical context of the photographs. Unusual attention has been given to the production of the plates, which were executed under the supervision of the innovative and highly regarded photographer and master printer Richard Benson.

The Waking Dream: Photography's First Century

Arts & Photography

HAMBOURG, Maria Morris

APRAXINE, Pierre

Apraxine et al., Mr. Pierre

Hambourg, Ms. Maria Morris

Photography & Video

Metropolitan Museum of Art

The mesmerizing photographic history of occult phenomena, from levitations and apparitions to spectres, ghosts, and auras. In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.
 The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.

The Perfect Medium: Photography and the Occult

Chéroux, Clément

Fischer, Andreas

Canguilhem, Denis

Schmit, Sophie

Yale University Press

L'Image à venir - Mémoires d'un collectionneur

PODEROS, Jean

COURTES LONGUES

La comtesse de Castiglione par elle-même: Paris, Musée d'Orsay, 12 octobre 1999-23 janvier 2000 (French Edition)

Reference

et.al.

Virginia Oldoini

Language Study & Reference

Reunion des musees nationaux

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Books by APRAXINE, Pierre