Woods etc. is Alice Oswald's third book of poems, and follows on from the success of her widely acclaimed river-poem, Dart, which won the T. S. Eliot Prize in 2002. The poems in her new book compress this uniquely ruminative voice into a dazzlingly various sequence of lyrics about the natural order and the individual life within. Written over a period of several years, these poems combine abrupt honesty with an exuberant rhetorical confidence, at times recalling the oral and anonymous tradition with which they share such affinity.

Woods Etc.

Literature & Fiction

Alice-Oswald

Poetry

Faber&Faber

Woods etc. is Alice Oswald's third book of poems, and follows on from the success of her widely acclaimed river-poem, Dart, which won the T. S. Eliot Prize in 2002. The poems in her new book compress this uniquely ruminative voice into a dazzlingly various sequence of lyrics about the natural order and the individual life within. Written over a period of several years, these poems combine abrupt honesty with an exuberant rhetorical confidence, at times recalling the oral and anonymous tradition with which they share such affinity.

Woods Etc

History & Criticism

Unknown

The book is dedicated to the rake, an age-old implement which connects the earth to our hands, and the landscape with the sky. Alice Oswald has chosen poems which lie along the line of encounter between the personal and the natural world - from work poems at one end of the scale (songs for lowering anchors, or for cutting cotton) to metamorphic poems in which - at the other extreme - the human has crossed entirely over into non-human. In between, there are any number of portraits of the intermediate state in which most of us spend our lives. Including poems by William Barnes, John Clare, Robert Frost, Gerard Manley Hopkins, W. H. Auden, Stevie Smith, Hugh MacDiarmid, John Ashbery and many others, this anthology engages restlessly with the many-centred energies of the natural world, variously reflecting Hopkins's intuition that million-fueled, nature's bonfire burns on'.

The Thunder Mutters : 101 Poems About the Planet

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature. Sir Thomas Wyatt was born in Kent in 1503 and educated at St John's College, Cambridge. He served Henry VIII as a diplomat in Europe but was imprisoned and almost executed for his close relationship with Anne Boleyn. On his release, Wyatt became Sheriff of Kent and later Ambassador to Spain, and died 1542 from a fever caught on a diplomatic mission.

Thomas Wyatt (Poet to Poet)

A collection of poems and etchings. It beckons us toward a landscape of botanical characters, and invites us to see ourselves among them.

Weeds and Wild Flowers

Matthew Arnold praised the "Iliad" for its 'nobility', as has everyone ever since - but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. ""The Iliad" is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world...compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking". (Alice Oswald).

Memorial: An Excavation of the Iliad

Memorial

Faber Faber Poetry

Matthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia , its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. 'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.' - Alice Oswald

From the collaboration between the poet, Alice Oswald and painter, William Tillyer, Nobody is a rhapsody in words and watercolours - a circling shoal of sea voices inspired by the Odyssey and Homer’s description of the sea.

Nobody

21 Publishing

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Books by Alice-Oswald

See the best price to sell, buy, or rent books by Alice-Oswald. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Woods Etc.

Woods Etc

The Thunder Mutters : 101 Poems About the Planet

Thomas Wyatt (Poet to Poet)

Weeds and Wild Flowers

Memorial: An Excavation of the Iliad

Memorial

Memorial

Nobody