Othello As Tragedy: Some Problems of Judgement and Feeling

<p>Critical views of Othello have polarized during the last forty years. The dispute is between those who follow Coleridge and Bradley and see Othello as noble but diabolically misled, and those who follow Eliot and Leavis and see him as a criminal egotist. Jane Adamson argues that both views are too simple and that both deprive the play of tragic point. She is concerned to reinstate the play as a great tragedy, and Othello as a complex tragic figure. She considers in detail how the drama unfolds; how Othello's predicament provides a focus for moral questions raised in all the other characters; how the reader or spectator becomes painfully involved with similar questions in trying to understand the action; and how in these ways the play continually undercuts easy moral simplifications. During this study a great deal else in Shakespeare is illuminated - especially his insight into the need for love, and the dangers that are inseparable from that need.</p>

Literature & Fiction

Adamson, Jane

Dramas & Plays

Cambridge University Press

Jane Adamson explores the theme, the contrasts and conflicts, the scenes, of this perhaps most controversial of Shakespeare's plays.

Troilus and Cressida (Twayne's new critical introductions to Shakespeare)

History & Criticism

Twayne Publishers

Explains why Troilus and Cressida is such a controversial play, offers a fresh interpretation of the work, and discusses Shakespeare's themes and technique

Troilus and Cressida (Twayne's New Critical Introductions to Shakespeare)

Twayne Pub

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Books by Adamson, Jane